Film Genre

Ruth Rothwax finds order and meaning in the words she writes for other people, but she can’t find words to understand the loss her family experienced during World War II. She becomes obsessed with the idea of returning to Poland with her father, Edek, making sense of her family’s past, and visiting the places where her beloved parents lived and almost died. But there’s more to this trip than Ruth can plan for. By facing Poland and the past, she might be able to confront her own future.

Everyone at Redstone High is talking about the strange Brock kids. How they keep to themselves at school—and spend way too much time in the woods. But Noble, Argus, Harlan and Tora aren’t normal teens—they were born with the power to become wolves. And the more the siblings try to hide their secret identity, the greater they struggle to fit in. Then Noble falls mysteriously ill, leaving the pack without a leader just when he’s needed the most…

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

The nine stories and one poem in this volume formed the basis for the astonishingly original film Short Cuts, directed by Robert Altman. Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. With deadpan humor and enormous tenderness, this is the work of "one of the true contemporary masters" ( The New York Review of Books).

Battling a wolf to save a little girl’s life makes Argus Brock a local hero. But what the small town of Redstone doesn’t know is that the tough teenager is a secretly a werewolf, which means the wolf Argus bit during the fight is now a werewolf, too. But unlike Argus and his wolf pack siblings, this wolf man is far from tame.

In this audiobook I have derived facts and trivia and some important spell. The derived facts depending upon the Harry Potter movies and some times the book author reveling the intresting facts.The audiobook is for true Harry Potter fans who want to know more about the facts in the story.

Independent films are becoming ever more popular, as many movie fans tire of mainstream movie formulas such as sequels, comic book characters, explosions, car chases, romantic comedies and the like. This book explores the world of indie, low-budget and other less mainstream movies. It includes reviews of specific movies, explorations of notable actors and directors as well as essays on recurring themes and genres found in independent films.

"Soylent Green" - Der Dark Future-Klassiker von Harry Harrison als Hörbuch basierend auf der Neuübersetzung von Verena Hacker: New York zur Jahrtausendwende - die Weltbevölkerung ist explodiert, die Ressourcen sind knapp, es herrschen chaotische Zustände in den Straßen. In dieser Umgebung ist ein Mensch verschwunden. Der Polizist Andy Rusch soll den Fall aufklären und stößt bei seinen Ermittlungen auf Unglaubliches.

Barry Sutton é policial em Nova York e convive com a tristeza da morte da filha. Ao ser acionado para intervir em uma tentativa de suicídio, ele se depara com uma mulher que sofre da Síndrome da Falsa Memória, uma doença misteriosa que planta na cabeça de suas vítimas lembranças de vidas que elas nunca tiveram.

Divertida y trepidante novelización de la vida de la primera actriz del cine de acción de la India: Mary Evans, más conocida en el ambiente artístico como Nadia. Narrada desde el punto de vista de su protagonista, que le cuenta su propia historia a un becario mientras viaja al festival de cine de Locarno, la novela está llena de anécdotas tan hilarantes como increíbles, y resulta un delicioso repaso por los inicios del S. XX en la India Británica.

Romance, humor, glamour y mucho cine se dan cita en la historia de una mujer inolvidable...

Avec Un château pour Hollywood, Olivier Minne signe un roman saisisant sur le plus mythique hôtel d'Hollywood. Une ode passionnée au cinéma américain. "Abigail s'avançait le long du boulevard quand elle devina devant elle, comme découpées dans le noir, les formes à la fois franches et imaginaires d'un château." Los Angeles, été 1958. Abigail Fairchild, ancienne directrice du Chateau Marmont, décide soudainement d'y reparaître après des années de retrait et de solitude.

Was Simon über Blue weiß: Er ist witzig, sehr weise, aber auch ein bisschen schüchtern. Und ganz schön verwirrend. Was Simon nicht über Blue weiß: WER er ist. Die beiden gehen auf dieselbe Schule und schon seit Monaten tauschen sie E-Mails aus, in denen sie sich die intimsten Dinge gestehen. Simon spürt, dass er sich langsam, aber sicher in Blue verliebt, doch der ist noch nicht bereit, sich mit Simon zu treffen. Dann fällt eine der E-Mails in falsche Hände - und plötzlich steht Simons Leben Kopf.

La notte di Capodanno, in cima a un palazzo di Londra, si incontrano per caso quattro sconosciuti. Non hanno nulla in comune, tranne l’intenzione di buttarsi giù, ognuno per i suoi buoni motivi. Martin è – o meglio, era – un famoso conduttore televisivo, che si è giocato carriera, famiglia e reputazione andando a letto con una quindicenne. Farla finita, per lui, è una scelta logica e razionale. I suoi metodici preparativi vengono interrotti dall’arrivo di Maureen, una donna che ha dedicato la sua vita a un figlio gravemente disabile, e che ha deciso di darci un taglio.

Calista Frangopoulos è una donna sposata di cinquantasette anni, con due figlie in procinto di lasciare casa. Francesca, la grande, andrà a fare l’università negli Stati Uniti e Arlene, la piccola, è stata presa per l’anno successivo a Oxford. Dopo aver lasciato Francesca all’aeroporto, Calista ricorda quando lei stessa era stata in America per tre settimane nel 1976 e l’incontro casuale che le aveva segnato l’esistenza, quando una sera a Los Angeles, con la sua amica Gill, si era ritrovata a tavola con Billy Wilder, senza sapere chi fosse.

In the Apuseni mountain range in Romania, it’s said that a fabled Keep made from the bones of Vlad the Impaler’s victims stands high enough to touch the sky. At night, things run through the forest claiming those who get too close to the truth. Some people call them demons and trolls known as the Vladorians; others say they don’t exist at all but are the creations of imagination. So, when Kimball Hayden and his team of Vatican Knights are called to investigate, they discover a horror that’s far greater than folklore.

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

World-renowned artist and sharp-tongued wit Clementine Pritchard is done. Years of therapy and medication have gifted her with little more than sweaty palms and gastric upset. Now, after flushing away a cabinet full of prescriptions, she gives herself 30 days to tie up loose ends (finish one final painting, make nice with her ex-husband, find a home for her cat) and enjoy one last month of art-world parties, road trips, and outrageous acts.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Mike's best years are behind him. There was a time when he was the best rider in the circuit, but a divorce and years of hard living have worn his body down. After an accident, his career comes to an abrupt end, but his boss gives him one last job: He must cross the border into Mexico, kidnap his boss’ son, Rafo, from his boss’ ex-wife, to be used as leverage in their ongoing divorce. Mike arrives to find the boy has already run away, and his plan is immediately exposed to the local police.

Finbar Dolan is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on 40. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Superbowl commercial for his diaper account in record time. Fortunately, it gets worse....