Film Genre

Everyone at Redstone High is talking about the strange Brock kids. How they keep to themselves at school—and spend way too much time in the woods. But Noble, Argus, Harlan and Tora aren’t normal teens—they were born with the power to become wolves. And the more the siblings try to hide their secret identity, the greater they struggle to fit in. Then Noble falls mysteriously ill, leaving the pack without a leader just when he’s needed the most…

When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: He flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script - a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.

An all-too-plausible terrorist plot to destroy the Houses of Parliament brings into focus much greater problems than the differences between two cultures in this gripping thriller from a former commissioned officer in the Parachute Regiment.

From hockey locker rooms to tv sets and zoom calls during lockdown, How to Fail at Documentary Filmmaking is a hilarious and poignant novel that will give you the courage and compassion necessary to understand the problem probably isn't you.

Mike's best years are behind him. There was a time when he was the best rider in the circuit, but a divorce and years of hard living have worn his body down. After an accident, his career comes to an abrupt end, but his boss gives him one last job: He must cross the border into Mexico, kidnap his boss’ son, Rafo, from his boss’ ex-wife, to be used as leverage in their ongoing divorce. Mike arrives to find the boy has already run away, and his plan is immediately exposed to the local police.

Independent films are becoming ever more popular, as many movie fans tire of mainstream movie formulas such as sequels, comic book characters, explosions, car chases, romantic comedies and the like. This book explores the world of indie, low-budget and other less mainstream movies. It includes reviews of specific movies, explorations of notable actors and directors as well as essays on recurring themes and genres found in independent films.

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

La notte di Capodanno, in cima a un palazzo di Londra, si incontrano per caso quattro sconosciuti. Non hanno nulla in comune, tranne l’intenzione di buttarsi giù, ognuno per i suoi buoni motivi. Martin è – o meglio, era – un famoso conduttore televisivo, che si è giocato carriera, famiglia e reputazione andando a letto con una quindicenne. Farla finita, per lui, è una scelta logica e razionale. I suoi metodici preparativi vengono interrotti dall’arrivo di Maureen, una donna che ha dedicato la sua vita a un figlio gravemente disabile, e che ha deciso di darci un taglio.

Both men and women enjoy thrillers, mystery, and crime. Yet it may still feel not quite respectable, somehow a guilty (sorry!) pleasure. Do these novels so often categorized as genre offer something the literary novel does not? The market is enormous, perhaps the largest in publishing. It is a cliché which may be true that only the Bible – say - outsells Agatha Christie. And then there are films and television, either original or adapted from novels.  

Una ragazza morta si materializza in casa di sconosciuti, prepara un caffè e si accende una sigaretta come se nulla fosse. Una donna serve a un picnic la propria mano spacciandola per prosciutto. Una madre prepara una torta con i resti spappolati di sacrifici umani. Un vampiro sviene perché non sopporta la vista del sangue. I racconti di Fotogrammi di un film horror perduto stendono sulle esili gioie della nostra quotidianità una patina sinistra e asfissiante.

Die Zeit, die uns trennt. Mit Leidenschaft hat die Familie Lindemann das Kino "Die Schauburg" in Leipzig betrieben. Bis sie nach dem Krieg enteignet wird. Besonders Mutter Ursula fällt es schwer, sich an die Vorgaben der neuen Machthaber zu halten. Ihr Mann Gerhard kommt versehrt von der Front zurück und versucht mühsam, wieder ins Leben zu finden. Auch ihre Tochter Sigrid, die sich kaum an Friedenszeiten erinnern kann, ist verunsichert. Ob die Ausbildung zur Lehrerin das Richtige für sie ist? Nur Stefan, der Sohn, hält an seinem alten Traum fest.

In the 1880s Old American West, after befriending a little girl in a town built for him to rob, a legendary outlaw trains to take on a band of miscreants who don’t buy into his mystique, save the little girl, and for the first time in his life, become a real hero. Ever wonder what Blazing Saddles would look like if Mel Brooks wrote it in 2023? Here you have it.

Ein Transporter ist in der Südtiroler Kurstadt Meran in ein belebtes Straßencafé gerast. Es gibt Verletzte, der Fahrer flieht: ein Anschlag! Capo Commissario Sonja Schwarz steht vor einigen Rätseln: Wer ist der Mann? Auf wen hatte er es abgesehen? Wo versteckt er sich nun? Gleichzeitig nimmt ein undurchsichtiger Gast Sonjas Weingut allzu genau unter die Lupe – ist sie selbst in Gefahr? Der aktuelle Kriminalroman zur erfolgreichen TV-Reihe mit über 7 Millionen Zuschauer:innen pro Folge.

Barry Sutton é policial em Nova York e convive com a tristeza da morte da filha. Ao ser acionado para intervir em uma tentativa de suicídio, ele se depara com uma mulher que sofre da Síndrome da Falsa Memória, uma doença misteriosa que planta na cabeça de suas vítimas lembranças de vidas que elas nunca tiveram.

Es ist ein Tag wie jeder andere im Leben des fünfjährigen Saroo: Auf dem Bahnhof einer indischen Kleinstadt sucht er nach Münzen und Essensresten. Schließlich schläft er vor Erschöpfung in einem wartenden Zug ein. Der fährt den kleinen Jungen ans andere Ende von Indien, nach Kalkutta. Völlig alleine an einem der gefährlichsten Orte der Welt schlägt er sich wochenlang auf der Straße durch, landet im Waisenhaus und gelangt so zu den Brierleys, die Saroo ein neues Zuhause in Australien schenken.

Homicide detective Fran Anders's latest case throws her into the lives of Mike and Alisa Jepson, a couple whose marriage is disintegrating fast. When leads coming into the precinct point at Mike Jepson as guilty of murder, Fran watches the damage wrought on this couple, yet is unable to ignore the incriminating evidence. When Mike ends up arrested and in jail, Alisa takes comfort in a friend - Dee Dee - who moves in with her but soon becomes her worst nightmare.

In near-future America, film critic Noah Body uploads his reviews to a content aggregator. His job is routine: watch, seethe, pan. He dreams of making his own film, free from the hackery of commercial cinema. Faced with writing about lousy movies for a website that no one reads, Noah smuggles into his work episodes from his trainwreck of a life. We learn that his apartment in Miniature Aleppo has been stripped of furniture after his wife ran off with his best friend - who Noah believes has possessed his body.

Have you ever dreamed of writing the screenplay for a Disaster movie? If so, then here is how some of the world's top Disaster genre screenwriters do it…and how you can succeed in this genre too. The ideas in this book have been used by real screenwriters of major blockbusters - whether they realize it or not. Disaster Genre Secrets for Screenwriters distills their mastery for you and is here to serve as your screenwriting guide. Don't worry! None of the ideas and techniques in this book are rocket science. Frankly, if you can watch a Disaster movie, you can write one.

Divertida y trepidante novelización de la vida de la primera actriz del cine de acción de la India: Mary Evans, más conocida en el ambiente artístico como Nadia. Narrada desde el punto de vista de su protagonista, que le cuenta su propia historia a un becario mientras viaja al festival de cine de Locarno, la novela está llena de anécdotas tan hilarantes como increíbles, y resulta un delicioso repaso por los inicios del S. XX en la India Británica.

Romance, humor, glamour y mucho cine se dan cita en la historia de una mujer inolvidable...

”Salighed, ro, nydelse. / Jeg bryder i dag med vilje den kronologi jeg har fulgt med fortællingerne om mine film. / Det gør jeg, fordi min ryg bliver masseret meget grundigt og præcist på en solid blå træbriks, mens jeg lytter til den franske komponist Erik Saties pianostykker Gnossiennes, som Paola tilfældigt har valgt på computeren. Det er den musik, jeg brugte i filmen 66 scener fra Amerika, og den hensætter mig altid i en særlig vemodig stemning.”