Film Genre

It is 1940. For the past decade, Walter Benjamin - the German-Jewish critic and philosopher - has been writing his masterpiece in a library in Paris, a city he loves. Now Nazi tanks have overrun the suburbs, and Benjamin is forced to flee. With a battered briefcase that contains his precious manuscript of a thousand handwritten pages, he sets off for the border and is led by chance to a young anti-Nazi who is taking Jews and other refugees over the Pyrenees into Spain, where they may (with luck) make their way to freedom in Portugal or South America.

A pair of romantic flameouts meet at a dull wedding and wind up entwined in a deserted coatroom. Shockingly, Jane and John decide not to have sex. Instead, they embark on a far more dangerous endeavor: sharing the stories of their past love affairs. They tell each other everything, aiming for radical honesty over polished seduction. Jaded as they may be, these two sense that they just might be soulmates.

Ruth Rothwax finds order and meaning in the words she writes for other people, but she can’t find words to understand the loss her family experienced during World War II. She becomes obsessed with the idea of returning to Poland with her father, Edek, making sense of her family’s past, and visiting the places where her beloved parents lived and almost died. But there’s more to this trip than Ruth can plan for. By facing Poland and the past, she might be able to confront her own future.

Since the 1970s, the name Stephen King has been synonymous with horror. His vast number of books has spawned a similar number of feature films and TV shows, and together they offer a rich opportunity to consider how one writer's work has been adapted over a long period within a single genre and across a variety of media - and what that can tell us about King, about adaptation, and about film and TV horror. Starting from the premise that King has transcended authorship, Screening Stephen King explores the impact and legacy of over 40 years of King film and television adaptations.

The nine stories and one poem in this volume formed the basis for the astonishingly original film Short Cuts, directed by Robert Altman. Collected altogether in this volume, these stories form a searing and indelible portrait of American innocence and loss. With deadpan humor and enormous tenderness, this is the work of "one of the true contemporary masters" ( The New York Review of Books).

Battling a wolf to save a little girl’s life makes Argus Brock a local hero. But what the small town of Redstone doesn’t know is that the tough teenager is a secretly a werewolf, which means the wolf Argus bit during the fight is now a werewolf, too. But unlike Argus and his wolf pack siblings, this wolf man is far from tame.

In this audiobook I have derived facts and trivia and some important spell. The derived facts depending upon the Harry Potter movies and some times the book author reveling the intresting facts.The audiobook is for true Harry Potter fans who want to know more about the facts in the story.

Independent films are becoming ever more popular, as many movie fans tire of mainstream movie formulas such as sequels, comic book characters, explosions, car chases, romantic comedies and the like. This book explores the world of indie, low-budget and other less mainstream movies. It includes reviews of specific movies, explorations of notable actors and directors as well as essays on recurring themes and genres found in independent films.

Barry Sutton é policial em Nova York e convive com a tristeza da morte da filha. Ao ser acionado para intervir em uma tentativa de suicídio, ele se depara com uma mulher que sofre da Síndrome da Falsa Memória, uma doença misteriosa que planta na cabeça de suas vítimas lembranças de vidas que elas nunca tiveram.

Avec Un château pour Hollywood, Olivier Minne signe un roman saisisant sur le plus mythique hôtel d'Hollywood. Une ode passionnée au cinéma américain. "Abigail s'avançait le long du boulevard quand elle devina devant elle, comme découpées dans le noir, les formes à la fois franches et imaginaires d'un château." Los Angeles, été 1958. Abigail Fairchild, ancienne directrice du Chateau Marmont, décide soudainement d'y reparaître après des années de retrait et de solitude.

Was Simon über Blue weiß: Er ist witzig, sehr weise, aber auch ein bisschen schüchtern. Und ganz schön verwirrend. Was Simon nicht über Blue weiß: WER er ist. Die beiden gehen auf dieselbe Schule und schon seit Monaten tauschen sie E-Mails aus, in denen sie sich die intimsten Dinge gestehen. Simon spürt, dass er sich langsam, aber sicher in Blue verliebt, doch der ist noch nicht bereit, sich mit Simon zu treffen. Dann fällt eine der E-Mails in falsche Hände - und plötzlich steht Simons Leben Kopf.

Calista Frangopoulos è una donna sposata di cinquantasette anni, con due figlie in procinto di lasciare casa. Francesca, la grande, andrà a fare l’università negli Stati Uniti e Arlene, la piccola, è stata presa per l’anno successivo a Oxford. Dopo aver lasciato Francesca all’aeroporto, Calista ricorda quando lei stessa era stata in America per tre settimane nel 1976 e l’incontro casuale che le aveva segnato l’esistenza, quando una sera a Los Angeles, con la sua amica Gill, si era ritrovata a tavola con Billy Wilder, senza sapere chi fosse.

In the Apuseni mountain range in Romania, it’s said that a fabled Keep made from the bones of Vlad the Impaler’s victims stands high enough to touch the sky. At night, things run through the forest claiming those who get too close to the truth. Some people call them demons and trolls known as the Vladorians; others say they don’t exist at all but are the creations of imagination. So, when Kimball Hayden and his team of Vatican Knights are called to investigate, they discover a horror that’s far greater than folklore.

Called the most promising artist of his generation, handsome, modest, and affectionate, Richard Dadd rubbed shoulders with the great luminaries of the Victorian Age. He grew up along the Medway with Charles Dickens and studied at the Royal Academy Schools under the brilliant and eccentric J. M. W. Turner. Based on Dadd’s tragic true story, Mad Richard follows the young artist as he develops his craft, contemplates the nature of art and fame - as he watches Dickens navigate those tricky waters - and ultimately finds himself imprisoned in Bedlam for murder, committed as criminally insane.

Divertida y trepidante novelización de la vida de la primera actriz del cine de acción de la India: Mary Evans, más conocida en el ambiente artístico como Nadia. Narrada desde el punto de vista de su protagonista, que le cuenta su propia historia a un becario mientras viaja al festival de cine de Locarno, la novela está llena de anécdotas tan hilarantes como increíbles, y resulta un delicioso repaso por los inicios del S. XX en la India Británica.

Romance, humor, glamour y mucho cine se dan cita en la historia de una mujer inolvidable...

World-renowned artist and sharp-tongued wit Clementine Pritchard is done. Years of therapy and medication have gifted her with little more than sweaty palms and gastric upset. Now, after flushing away a cabinet full of prescriptions, she gives herself 30 days to tie up loose ends (finish one final painting, make nice with her ex-husband, find a home for her cat) and enjoy one last month of art-world parties, road trips, and outrageous acts.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Mike's best years are behind him. There was a time when he was the best rider in the circuit, but a divorce and years of hard living have worn his body down. After an accident, his career comes to an abrupt end, but his boss gives him one last job: He must cross the border into Mexico, kidnap his boss’ son, Rafo, from his boss’ ex-wife, to be used as leverage in their ongoing divorce. Mike arrives to find the boy has already run away, and his plan is immediately exposed to the local police.

Finbar Dolan is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on 40. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Superbowl commercial for his diaper account in record time. Fortunately, it gets worse....

”Salighed, ro, nydelse. / Jeg bryder i dag med vilje den kronologi jeg har fulgt med fortællingerne om mine film. / Det gør jeg, fordi min ryg bliver masseret meget grundigt og præcist på en solid blå træbriks, mens jeg lytter til den franske komponist Erik Saties pianostykker Gnossiennes, som Paola tilfældigt har valgt på computeren. Det er den musik, jeg brugte i filmen 66 scener fra Amerika, og den hensætter mig altid i en særlig vemodig stemning.”