Film History

Updated and expanded for the third edition, this volume combines scholarship with movie lore to present a comprehensive account of the development and influence of the American screenwriter. The text is written in an informal style and includes anecdotes and stories that spotlight the writers' creative work and their struggle to achieve recognition.

One of the world's most iconic movie stars, Kirk Douglas has distinguished himself as a producer, philanthropist, and author of ten works of fiction and memoir. Now, more than fifty years after the release of his enduring epic Spartacus, Douglas reveals the riveting drama behind the making of the legendary gladiator film. Douglas began producing the movie in the midst of the politically charged era when Hollywood’s moguls refused to hire anyone accused of Communist sympathies.

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

Professor Joseph Luzzi, the director of Italian studies at Bard College and an award-winning author, offers a comprehensive look at Italian cinema from its inception in 1895 through its major periods and influences. Having altered the landscape of Italian art and society, as well as inspiring filmmakers the world over, Italian cinema proves a fascinating study. Major focuses of the course include neorealism, the Spaghetti Western, the Italian giallo, and Italian-style comedy.

Are you a fan of ThunderCats? Have you ever wondered why this classic animated series still resonates with audiences decades after its debut? Look no further than Unveiling Thundercats: Analysis Of The Classic Animation’s Main Themes, Life Lessons And Character Arcs. Whether you're a die-hard ThunderCats fan or a newcomer to the series, Unveiling Thundercats offers a fresh and insightful look at this beloved animated classic. Don't miss out on this essential guide to one of the most iconic cartoons of all time!

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

The 1920s was a bustling time in Hollywood, as starry-eyed young women sought fame and fortune—only to discover that their dreams did not match the reality of the film industry. Edgcumb Pinchon was there to report on it all. He interviewed women who worked as “extras” in Hollywood, and was himself involved in the film business as a screenwriter and author. He describes here the hierarchy of those on set (in front of and behind the camera) with first-hand knowledge and humor.

Premiering the day after the JFK assassination, Doctor Who humbly launched one of the entertainment world's first super-brands. We begin with a look at TV programming of the day and the original pitch documents before delving into the Daleks, which almost didn't make the cut but inspired many monsters to follow. After three years, First Doctor William Hartnell left, prompting the BBC to recast their hit rather than end it, giving us the first "regeneration" and making TV history.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Following her success with Playboy Swings, Patty Farmer looks at Playboy’s relationship with comedians and cartoonists in her new book Playboy Laughs. Playboy Laughs invites listeners onto the sets of the organization’s groundbreaking TV shows, Playboy Penthouse and Playboy After Dark. These popular variety series brought top-tier comedians, impressionists, and monologists—as well as the finest musicians—into people’s homes each week.

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.

Ever wish you could have your very own lightsaber like Luke Skywalker and Obi-Wan Kenobi? Or that you could fly through space at the speed of light like Han Solo and Poe Dameron? Well, those ideas aren't as outlandish as you think. In The Physics of Star Wars, you'll explore the mystical power of the Force using quantum mechanics, find out how much energy it would take for the Death Star or Starkiller Base to destroy a planet, and discover how we can potentially create our very own lightsabers.

Wawrczeck zeichnet ein subjektives Porträt eines der größten Künstler des 20. Jahrhunderts. Man sitzt mit ihm vor dem Fernseher, wenn er den ersten Hitchcock-Film sieht, begleitet ihn ins Tonstudio zu den Aufnahmen der "Drei ???" und zieht mit ihm durch die Welt: Von Hamburg über New York, von Bodega Bay nach London, immer auf der Spur von Hitchcocks Meisterwerken. Er erzählt, wie ihm Hitchcocks Filme bei der Suche nach der eigenen Identität halfen und ihm zeigten, dass die Beantwortung der Frage "Bin ich verrückt oder sind es die anderen?" immer vom Standpunkt abhängt.

The legend Newsweek once dubbed “Superflack,” Bobby Zarem knows all of Hollywood’s secrets, and he’s not afraid to share them all. Even if you don’t believe all his dish, you’ll never look at the movie business the same. In light of Peter Bogdanovich’s January 6 death, The Originals releases a never-before-heard 2019 interview in which the Oscar-nominated director narrates his own story. Candid, shocking, and often hilarious, Bogdanovich shares tales of the mistakes that bedeviled his career.

Tan grandiosa es la gesta del cine que solo una bilogía freak pudo hacerle justicia. En el primer tomo encontrarán los orígenes de la técnica, además del asentamiento definitivo del sistema de estudio y la constelación de estrellas de la técnica, además del asentamiento definitivo del sistema de estudio y la constelación de estrellas de la época dorada de Hollywood.

El pueblo de Chinchero -a 28 kilómetros del Cusco- estaba, en 1970, en un territorio hermoso, todavía intocado por la maquinaria aplastante del turismo masivo. Hasta ahí llegó el joven y conflictivo Dennis Hopper para rodar la que vislumbraba como una obra maestra de la contracultura hippie: The Last Movie.

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.