Film History

Críticos culturales de plumas avinagradas han sentenciado durante décadas que el cine de Hollywood oculta un maligno instrumento de adoctrinamiento colectivo. Una perversión subliminal que aliena a las masas y les inocula la ideología dominante. Semejante visión del cine comercial supone que la gente es imbécil. Que se la traga siempre. Entre cuencos de palomitas. Y encima, riéndose.

Examining current debates and the questions raised by comics adaptations, including those around authorship, style, and textual fidelity, the contributors consider the topic from an array of approaches that take into account representations of sexuality, gender, and race as well as concepts of world-building and cultural appropriation in comics from Modesty Blaise to Black Panther. The result is a fascinating re-imagination of the texts that continue to push the boundaries of panel, frame, and popular culture.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made "Italian" a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci and Brioni. Rome's huge movie studio, Cinecitta, attracted a dizzying array of stars, like Charlton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra.

In this passionate love-hate letter to the film industry, Peter Bart pulls together his best columns from Variety and GQ, outlining in detail the history and inner workings of Hollywood. In story after story, Bart shows how the major studios have diverted their energies away from production of the shrewdly crafted pictures that once made the industry powerful.

As he did in his bestselling biographies of Jimmy Stewart and Clint Eastwood, acclaimed Hollywood biographer Marc Eliot digs deep beneath the myth in this revealing look at the most legendary Western film hero of all time; the man with the distinctive voice, walk, and demeanor who was an inspiration to many and a symbol of American masculinity, power, and patriotism.

Being a Fan of Disney: The Book is about my fandom, my incredible luck in being able to teach a class and host a podcast about Disney fandom, and how Disney influences our lives. I share stories about growing up a fan of Disney, returning to the parks after a long hiatus, meeting and making friends through teaching the class and hosting Being a Fan of Disney: The Podcast, and other tales.

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.

On December 22, 1953, Mort Sahl took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged - Shelley Berman, Mike Nichols, and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers, among others.

Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the US box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

In Bright Boulevards, Bold Dreams, Donald Bogle tells - for the first time - the story of a place both mythic and real: Black Hollywood. Spanning 60 years, this deliciously entertaining history uncovers the audacious manner in which many Blacks made a place for themselves in an industry that originally had no place for them. Through interviews and the personal recollections of Hollywood luminaries, Bogle pieces together a remarkable history that remains largely obscure to this day.

Ya desde el comienzo del siglo XX, Walter Benjamin reflexionaba sobre lo que supondría la masificación del arte que las nuevas técnicas de reproducción hicieron posible, y proponía que en un futuro -sin duda, el que vivimos hoy- las nuevas técnicas tenderían a la politización y ganarían un poder creciente sobre el destino de los pueblos.

For more than one hundred years, the celebrated Gothic romance Jane Eyre has been a popular subject at the movies and was quickly adapted to television in countless TV movies/miniseries, eventually becoming a Broadway musical. The Many Faces of Jane Eyre takes fans on an intriguing journey through the eclectic collection of big and small screen as well as theatrical adaptations of Charlotte Brontë’s still beloved novel.

Following numerous courses in scuba diving, Gary Knapp embarked on a 12-year filming adventure inspired by his promise to God to share with mankind the majestic life he created both under and above the world’s oceans. Through his vivid accounts, Gary takes you on an incredible journey beneath the depths of the seas, to exotic islands, and other countries by the oceans as he travels with marine biologists on trips around the globe.

Go back to the time of VCRs, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell “Hasta la vista, baby” to today's meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan's magnum opus, The Last Decade of Cinema.

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.