Film History

Movie Nightcap continues its series of exclusive episodes known as the Reserve Collection. In this high octane follow-up, hosts Jill Tighe, Abe Saffer, and Nate Fisher bring you more antics, more beer, and of course, more movies. For Volume 2, the hosts further explore the world of beer and movies and sit down with artists from both industries. We hope you enjoy this collection of episodes that is equal parts comedy, education, and passionate conversation.

银河情结，不尽眷念；回眸影坛，群星闪耀。曾经筚路蓝缕，开启民族电影新路；毕竟艺高才卓，成就中华一代巨星。影帝影后，风华绝代；大腕红角，名冠一时。…… 銀河情結，不盡眷念；回眸影壇，群星閃耀。曾經篳路藍縷，開啟民族電影新路；畢竟藝高才卓，成就中華一代巨星。影帝影后，風華絕代；大腕紅角，名冠一時。

As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history. In Hollywood's Chosen People, leading scholars consider the complex relationship between Jews and the film industry.

Silent Film Comedy was a fortuitous combination of art and technology, where the physical comedy skills and artistry passed down from the Commediadell'Arte, English music hall, and American vaudeville were captured for posterity by the newly created motion picture camera.

Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple.

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

How do perceptions of the past - not just of particular events, but of the trajectory of history as a whole - shape our experience of the world? Sensing the Past tackles this question with an unlikely source of historical insight - the work of six major Hollywood stars: Clint Eastwood, Daniel Day-Lewis, Denzel Washington, Tom Hanks, Meryl Streep, and Jodie Foster. By focusing on the career choices made by these iconic actors, Cullen uncovers a discrete set of historical narratives, revealing the surprising ways historical forces shape our understanding of the world.

The untold story of the innovative pioneers who helped make movies the preeminent art form of the 20th century by founding the Academy of Motion Picture Arts and Sciences. The founders of the now infamous Academy were a motley crew as individuals, but when they first converged in Hollywood, then just a small town with dirt roads, sparks flew and fueled a common dream: to bring artistic validity to their beloved new medium.

When the Fox Film Corporation merged with Twentieth Century Pictures in 1935, the company posed little threat to industry juggernauts such as Paramount and MGM. In the years that followed however, guided by executives Darryl F. Zanuck and Spyros Skouras, it soon emerged as one of the most important studios.

Victoria Amador utilizes extensive interviews and 40 years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress. Amador begins with de Havilland's early life; she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries, and her theatrical ambitions began at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

Following numerous courses in scuba diving, Gary Knapp embarked on a 12-year filming adventure inspired by his promise to God to share with mankind the majestic life he created both under and above the world’s oceans. Through his vivid accounts, Gary takes you on an incredible journey beneath the depths of the seas, to exotic islands, and other countries by the oceans as he travels with marine biologists on trips around the globe.

In 1939 Rev. Waitstill Sharp, a young Unitarian minister, and his wife, Martha, a social worker, accepted a mission from the American Unitarian Association: They were to leave their home and young children in Wellesley, Massachusetts, and travel to Prague, Czechoslovakia, to help address the mounting refugee crisis. Armed with only $40,000, the Sharps quickly learned the art of spy craft and covertly sheltered political dissidents and Jews and helped them escape the Nazis.

Produced during the height of the post-World War II film noir movement, Blood on the Moon is a classic Western immersed in the film noir netherworld of double crosses, government corruption, shabby barrooms, gun-toting goons, and romantic betrayals. With this volume, biographer and noir expert Alan K. Rode brings the film to life for a new generation of listeners and film lovers.

This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

The fifth and final PHANTASM took an incredible eight years to go from set to screen. The project began as an experimental short before becoming a 13-part web series and finally a feature length sequel. Shot in secret on a microbudget, RAVAGER reunites PHANTASM's core cast 35 years after the original cult classic. The new sequel filmed not in Hollywood soundstages but in the homes of cast and crew. Visual effects were handled mostly by the director.

Il cinema è da sempre il mezzo di comunicazione più audace e irriverente, sa sfidare la società e misurarne i limiti. Tra gli anni Trenta e il 1968, l'anno in cui tutto cambia, il cinema, sia in Italia che a Hollywood, non esita ad affrontare temi considerati tabù - l'adulterio, il sesso, l'omosessualità - con uno sguardo disincantato e provocatorio. Dalla censura imposta agli Studios al fascino dirompente di Brigitte Bardot e Sophia Loren, dalla retorica di epoca fascista a Tinto Brass e Pasolini, fino alle polemiche dei giorni nostri riguardo al movimento #MeToo.

Being a Fan of Disney: The Book is about my fandom, my incredible luck in being able to teach a class and host a podcast about Disney fandom, and how Disney influences our lives. I share stories about growing up a fan of Disney, returning to the parks after a long hiatus, meeting and making friends through teaching the class and hosting Being a Fan of Disney: The Podcast, and other tales.