Film History

Ron Howard is long overdue to have his filmography viewed through the lens of the auteur theory. Since his debut in the late-1970s, he has remained one of the most prolific and recognizable working filmmakers, and yet... his "directed by" titles have garnished a low amount of commentary by film academics. Even younger mainstream directors have earned more than one volume of academic attention ? and yet Howard, who has continually developed himself, seems to only get treated with pop-culture-trivia "fun fact" regarding his acting career.

In a long line of beloved books, Loud Pictures stands as Marc Spitz’s final project. This big, broad, noisy, and expansive exploration of art marries the two things Marc loved most—movies and rock and roll. In many ways, films can become imprinted on our brains because of their soundtracks.

A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays.

Grandes temas a través de la historia y el cine es un libro dirigido a todo aquel interesado en conocer en profundidad algunos de los problemas más relevantes de nuestra historia pasada y presente. Analizado con gran rigor histórico y redactado de forma didáctica y amena, la autora aborda cuestiones claves como los nacionalismos, las represiones políticas, el enfrentamiento entre la ciencia y la fe, las grandes plagas de la historia o las minorías religiosas y étnicas. Cada uno de estos temas se entreteje en torno a una serie de películas seleccionadas.

Twilight for the Gods: The Art and History of Film Editing is a passionate exploration of the important role played by editing in the process of filmmaking and a functional guide to using editing most effectively. The book explains how an editor is, in many ways, responsible for the final rewriting of a script - and that editing is in reality a pictorial form of writing.

A palavra pressa é o particípio passado, em latim, do verbo premere (apertar). Assim, pode-se dizer que A História do Cinema para Quem Tem Pressa se propõe a contar uma das maiores sagas do século 20 (e deste início do 21) para quem precisa apertar o passo ou está apertado de tempo. E quem não está? Sabadin traça um panorama do cinema – linguagem que há mais de um século revoluciona nossa maneira de ver a vida –, desde a época em que seus inventores nem sabiam direito o que fazer com ele, até os dias de hoje, quando movimenta bilhões de dólares pelos cinco continentes.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

L'amour du cinéma italien, Jean-Claude Carrière, scénariste de Luis Buñuel et de Louis Malle, nous parle avec passion de son amour du cinéma italien, des films et des metteurs en scène et des acteurs qu'il a connus et qui l'ont marqués : Roberto Rossellini, Federico Fellini, Michelangelo Antonioni, Monica Vitti, Marcello Mastroianni... Élégance, tendresse, humour et gravité.

The winner of 11 Tony awards for the 2015-16 season, Lin-Manuel Miranda's "Hamilton" is a breathtaking musical based on the life of American Founding Father Alexander Hamilton. The ground-breaking musical, filled with both hip-hop and traditional Broadway songs, tells the story of Hamilton, whose life included poverty, loss, political success and a great love story has surprising relevance to our world today.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

Julia Childs's TV show, The French Chef, was extraordinarily popular during its broadcast from 1963 until 1973. Child became a cultural icon in the 1960s, and, in the years since, she and her show have remained enduring influences on American cooking, American television, and American culture. In this concise book, Dana Polan considers what made Childs program such a success. It was not the first televised cooking show, but it did define and popularize the genre. Polan examines the development of the show, its day-to-day production, and its critical and fan reception.

The 1920s was a bustling time in Hollywood, as starry-eyed young women sought fame and fortune—only to discover that their dreams did not match the reality of the film industry. Edgcumb Pinchon was there to report on it all. He interviewed women who worked as “extras” in Hollywood, and was himself involved in the film business as a screenwriter and author. He describes here the hierarchy of those on set (in front of and behind the camera) with first-hand knowledge and humor.

The right reasons to fall in love with The Bachelor When it debuted in 2002, The Bachelor raised the stakes of first-wave reality television, offering the ultimate prize: true love. Since then, thrice yearly, dozens of camera-ready young-and-eligibles have vied for affection (and roses) in front of a devoted audience of millions. In this funny, insightful examination of the world’s favorite romance-factory, Suzannah Showler explores the contradictions that are key to the franchise’s genius, longevity, and power and parses what this means for both modern love and modern America.

The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present.

The following recording is a discussion between movie star Vivien Leigh, film producer Samuel Goldwyn and British Theatre critic Kenneth Tynan.

Michael Koresky's most formative memories were simple ones. A movie rental. A mug of tea. And a few shared hours with his mother. Years later and now a successful film critic, Koresky set out on a journey with his mother to discover more about their shared cinematic past. They rewatched ten films that she first introduced to him as a child, one from every year of the '80s, each featuring women leads.

Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry—illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA’s Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital.

Psycho Cinema articles are a collection of articles that discuss, explain and analyze the psychological aspects of Arab cinema.

Produced during the height of the post-World War II film noir movement, Blood on the Moon is a classic Western immersed in the film noir netherworld of double crosses, government corruption, shabby barrooms, gun-toting goons, and romantic betrayals. With this volume, biographer and noir expert Alan K. Rode brings the film to life for a new generation of listeners and film lovers.

Analysis of the Egyptian social and economic conditions during the July era through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue and messages contained in the artistic works, analysis of the artistic production process, how these conditions were presented through cinema at that time, and why.