Film History

Dueling Banjos: The Deliverance of Drew is a collection of stories of the making of the iconic movie, Deliverance, told from the perspective of one of the four main actors in the film, Ronny Cox, who played the character of Drew. Based on the novel by James Dickey, the movie was filmed in the summer of 1971 and was released the following year in 1972. Forty years later, it remains one of the most recognized films in movie history for being raw, emotional, violent and shocking - yet it leaves a lasting impression of artistic excellence.

Julia Childs's TV show, The French Chef, was extraordinarily popular during its broadcast from 1963 until 1973. Child became a cultural icon in the 1960s, and, in the years since, she and her show have remained enduring influences on American cooking, American television, and American culture. In this concise book, Dana Polan considers what made Childs program such a success. It was not the first televised cooking show, but it did define and popularize the genre. Polan examines the development of the show, its day-to-day production, and its critical and fan reception.

No art form is as instantly and continuously gratifying as film. When the houselights go down and the lion roars, we settle in to be shocked, frightened, elated, moved, and thrilled. We expect magic. While we're being exhilarated and terrified, our minds are also processing data of all sorts - visual, linguistic, auditory, spatial - to collaborate in the construction of meaning. Thomas C. Foster's Reading the Silver Screen will show movie buffs, students of film, and even aspiring screenwriters and directors how to become accomplished readers of this great medium.

Until now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the nightmare of the Red Scare and how it victimized political innocents. But Ronald and Allis Radosh tell for the first time the “backstory” behind this myth. They show how the Soviet Comintern targeted the film capital in the late 1920s, taking us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence.

"Everything about me is in my films," Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg's works for the light they shine upon the man himself. Through such powerhouse hits as E.T., Jurassic Park, and Indiana Jones, to less-appreciated movies like the haunting Schindler's List, Haskell shows how Spielberg's uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

Professor Joseph Luzzi, the director of Italian studies at Bard College and an award-winning author, offers a comprehensive look at Italian cinema from its inception in 1895 through its major periods and influences. Having altered the landscape of Italian art and society, as well as inspiring filmmakers the world over, Italian cinema proves a fascinating study. Major focuses of the course include neorealism, the Spaghetti Western, the Italian giallo, and Italian-style comedy.

On a cold November day in Amsterdam in 2004, the celebrated and controversial Dutch filmmaker Theo van Gogh was shot and killed by an Islamic extremist for making a movie that "insulted the prophet Mohammed." The murder sent shock waves across Europe and around the world. Shortly thereafter, Ian Buruma returned to his native land to investigate the event and its larger meaning as part of the great dilemma of our time.

Ron Howard is long overdue to have his filmography viewed through the lens of the auteur theory. Since his debut in the late-1970s, he has remained one of the most prolific and recognizable working filmmakers, and yet... his "directed by" titles have garnished a low amount of commentary by film academics. Even younger mainstream directors have earned more than one volume of academic attention ? and yet Howard, who has continually developed himself, seems to only get treated with pop-culture-trivia "fun fact" regarding his acting career.

A palavra pressa é o particípio passado, em latim, do verbo premere (apertar). Assim, pode-se dizer que A História do Cinema para Quem Tem Pressa se propõe a contar uma das maiores sagas do século 20 (e deste início do 21) para quem precisa apertar o passo ou está apertado de tempo. E quem não está? Sabadin traça um panorama do cinema – linguagem que há mais de um século revoluciona nossa maneira de ver a vida –, desde a época em que seus inventores nem sabiam direito o que fazer com ele, até os dias de hoje, quando movimenta bilhões de dólares pelos cinco continentes.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.

The right reasons to fall in love with The Bachelor When it debuted in 2002, The Bachelor raised the stakes of first-wave reality television, offering the ultimate prize: true love. Since then, thrice yearly, dozens of camera-ready young-and-eligibles have vied for affection (and roses) in front of a devoted audience of millions. In this funny, insightful examination of the world’s favorite romance-factory, Suzannah Showler explores the contradictions that are key to the franchise’s genius, longevity, and power and parses what this means for both modern love and modern America.

Grandes temas a través de la historia y el cine es un libro dirigido a todo aquel interesado en conocer en profundidad algunos de los problemas más relevantes de nuestra historia pasada y presente. Analizado con gran rigor histórico y redactado de forma didáctica y amena, la autora aborda cuestiones claves como los nacionalismos, las represiones políticas, el enfrentamiento entre la ciencia y la fe, las grandes plagas de la historia o las minorías religiosas y étnicas. Cada uno de estos temas se entreteje en torno a una serie de películas seleccionadas.

إذا كنت من محبي الأفلام والانغماس في تفاصيلها ويهتم برأي الناقد عنها، فهذا الكتاب سيروي ظمأك ويشبع شغفك بمراجعة سبعة أفلام بشكل تفصيلي برؤية شخصية وفنية أكثر منها نقدية.

Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two aspects of American culture resulted in them being treated and regulated in similar ways. Rather than looking at drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power.

Twilight for the Gods: The Art and History of Film Editing is a passionate exploration of the important role played by editing in the process of filmmaking and a functional guide to using editing most effectively. The book explains how an editor is, in many ways, responsible for the final rewriting of a script - and that editing is in reality a pictorial form of writing.

Did you know that the UAE ranks first among Middle East and North African countries in terms of economic freedom? That it also ranks among the top nations in the world in terms of security, stability, and diplomatic influence? If you’re like most people, you probably don’t know much about UAE’s legal system, its business environment, your rights and responsibilities. UAE Business Essentials is a no-nonsense guide to help you understand the system, protect yourself and thrive in one of the most vibrant economies in the world.

Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film. Smash Hit: Race, Crime, and Culture in Boxing Films uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.

In The World According to Tom Hanks, through deep research and interviews, Gavin Edwards will explore and celebrate how Tom Hanks lives his life, mirroring the way that he embodies optimism and integrity in his movie roles. This book will give insight into the actor by collecting the best stories about how he behaves in the world, providing a loving retrospective of his film career, and putting it all into the context of his all-American philosophy.

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide.