Film History

Melanin in Movies examines how Hollywood shapes the perception of Black Americans. This book challenges the idea that Hollywood is just about entertainment, exploring how the film industry actively influences society's view of Black people. By analyzing key examples and trends in Black representation, Melanin in Movies reveals how film can be both a tool for liberation and a means of oppression.

Ep02: Animações

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.

An examination of African American imagery and participation in American movies includes a timeline of important African American events in film history and discusses the achievements of noted celebrities.

Stettin 1945. Zurückgekehrt aus den Weiten Russlands und Usbekistans, wo seine Familie den Krieg und die Verfolgung durch die Nazis überlebt hat, schmiedet Artur Brauner Zukunftspläne. Auf dem Bahnhof begegnet er einer jungen Frau: Maria, die mit blond gefärbten Haaren und einer falschen Identität der Deportation aus dem Ghetto von Lemberg entgangen war - und in Hannover in einem Lagerkrankenhaus gearbeitet hatte. Jetzt ist sie auf dem Weg nach Warschau, in der Hoffnung, dort noch Überlebende ihrer Familie zu finden.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks.

A must-listen new audio book about filmmakers Ted and Leo Wharton, whose serials become popular in the 1910s.

The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J. E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood.

Movie Nightcap continues its series of exclusive episodes known as the Reserve Collection. In this high octane follow-up, hosts Jill Tighe, Abe Saffer, and Nate Fisher bring you more antics, more beer, and of course, more movies. For Volume 2, the hosts further explore the world of beer and movies and sit down with artists from both industries. We hope you enjoy this collection of episodes that is equal parts comedy, education, and passionate conversation.

As studio bosses, directors, and actors, Jews have been heavily involved in film history and vitally involved in all aspects of film production. Yet Jewish characters have been represented onscreen in stereotypical and disturbing ways, while Jews have also helped to produce some of the most troubling stereotypes of people of color in Hollywood film history. In Hollywood's Chosen People, leading scholars consider the complex relationship between Jews and the film industry.

Silent Film Comedy was a fortuitous combination of art and technology, where the physical comedy skills and artistry passed down from the Commediadell'Arte, English music hall, and American vaudeville were captured for posterity by the newly created motion picture camera.

Long considered a figurehead of family values and wholesome adolescence, the Disney franchise has faced increasing criticism over its gendered representations of children in film, its stereotypical representations of race and non-white cultures, and its emphasis on the heterosexual couple.

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

Judy: A Legendary Film Career tells the story of Garland’s movie work in unprecedented detail. Hundreds of never-before-published photos, newly-assembled contemporary reviews, insight from her costars and coworkers, and production histories are provided for each film in which she appeared. Highlighting and complimenting the feature films is a definitive biography; an examination of Judy’s short subjects; details of the movies she did not complete; and an enthralling compendium of film projects for which she was considered or rumored.

For over 20 years, John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, a son of Irish immigrants known for his black eye patch and for his hard-drinking, brawling masculinity, was renowned for both his craftsmanship and his brutality. John "Duke" Wayne was a mere stagehand and bit player in "B" Westerns, but he was strapping and incredibly handsome, and Ford saw his potential.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment.

Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now.