Film History

What if Rome never fell? Electa, on the cusp of womanhood, faces an uncertain future in Latia, the capital state in Appia. While sun-drenched Latia may be a paradise for some, it is a prison for others. Her talent for deception is the only thing keeping her alive, for now, but if Electa is anything, it’s defiant, and she will defy the path fate has laid before her and the will of men who try to control her until her last breath. Electa’s fight started as one for survival and freedom, but revelations about her own nature will change her and Appia forever.

In It's Only a Movie, the incomparable Mark Kermode took us into the weird world of a film critic's life lived in widescreen. Now, The Good, The Bad and the Multiplex takes us into the belly of the beast to ask: 'What’s wrong with the modern movie business – and how can we make it right?'

Pop culture and parody author Valerie Estelle Frankel examines the sources and predicts a Game of Thrones ending for each one. What will the Ragnarok ending look like? Or the Narnia ending? Who will live, who will die, and how goofy can the war of ice and fire possibly get?

The Star Wars films continue to revolutionize science fiction, creating new standards for cinematographic excellence and permeating popular culture around the world. The films feature many complex themes ranging from good versus evil and moral development and corruption to religious faith and pragmatism, forgiveness and redemption, and many others.

Still Laughing features never-before-told stories from the creation of one of the most groundbreaking shows in television history.

When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint". The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type.

George Chakiris famously played the angry gang leader Bernardo in the film version of West Side Story (1961), for which he won an Oscar for best supporting actor. My West Side Story is an insider's look at how this theatrical and cinematic landmark evolved from a conversation in Jerome Robbins's Manhattan apartment between him, Arthur Laurents, and Leonard Bernstein to ten Oscars, three Golden Globes, two Tony Awards, and a Grammy.

One of the most influential and respected entertainers of Hollywood's golden age, Gene Kelly revolutionized film musicals with his innovative and timeless choreography. A would-be baseball player and one-time law student, Kelly captured the nation's imagination in films such as Anchors Aweigh (1945), On the Town (1949), An American in Paris (1951), and Singin' in the Rain (1952). In the first comprehensive biography written since the legendary star's death, authors Cynthia Brideson and Sara Brideson disclose new details of Kelly's complex life.

In this audiobook, Simon Louvish traces the early lives of Stanley Jefferson and Norvell Hardy and the surrounding minstrel and variety theater, which influenced all of their later work. Louvish examines the rarely seen solo films of both our heroes, prior to their serendipitous pairing in 1927, in the long-lost short Duck Soup. The inspired casting teamed them until their last days. Both often married, they found balancing their personal and professional lives a nearly impossible feat.

Warner Bros. Studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment.

For decades, hidden from the public eye, William Morris agents made the deals that determined the fate of stars, studios, and networks alike. Mae West, Frank Sinatra, Marilyn Monroe, Danny Thomas, Steve McQueen--the Morris Agency sold talent to anyone in the market for it, from the Hollywood studios to the mobsters who ran Vegas to the Madison Avenue admen who controlled television.

Despite being underestimated due to his accent and origins, Desi Arnaz’s legacy is monumental. Purdum’s biography, enriched with unpublished materials and interviews, reveals the man behind the legend and highlights his enduring contributions to pop culture and television. This book is a must-hear biography about innovation, resilience and the relentless drive of a man who changed TV forever.

Raised in the Hollywood of the 1920s as the privileged son of a pioneer studio mogul, Budd Schulberg went on to win fame as a distinguished novelist, short story writer, playwright, Oscar-winning screenwriter, and boxing historian.

From exclusive interviews with director Ken Russell and new interviews with cast, crew, and historians, comes this examination of the beautifully blasphemous film The Devils. Based on historical fact, this controversial 1971 film is about an oversexed priest and a group of sexually repressed nuns in 17th-century France and the ensuing trials and exorcisms that followed. Detailing the production and the personalities of two of cinema’s great eccentrics, director Ken Russell and star Oliver Reed, Crouse delves deeper to explore the aftermath of the film.

Hollywood’s Dream Factory is now a nightmare of woke restrictions, identity politics run amok, and freedom-snuffing rules and regulations. The Oscars are unwatchable, as are many films and television shows thanks to the woke revolution. Virtue Bombs breaks down where Hollywood went so wrong, illustrates the slow-motion disaster infiltrating the industry, and offers a glimmer of hope for a woke-free tomorrow. Award-winning film critic Christian Toto has all the receipts, showcasing Hollywood’s virtue-signaling follies and how it could get much worse before it gets better.

Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey—from Thomas Anderson, to Neo… to Trinity. Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence.

Almost everything you know about Mickey Mouse is wrong: He wasn’t Disney’s first star; Steamboat Willie wasn’t his first movie; Mickey wasn’t a nice guy - and Walt Disney didn’t invent him. In 1928, two very different best friends invented Mickey Mouse. And the success tore them apart. Walt Disney and Ub Iwerks’ friendship is a story of betrayal, love, war, money, power, tragedy, intrigue, humor, despair, and hope. You’ll love them both - when you don’t want to drop anvils on their heads.

Today, more than 70 years after it premiered, Sunset Boulevard remains the finest ever movie made about the pathology of fame: those who lose it, those who abuse it, and those who never attain it at all. By exploring the history of Sunset Boulevard in time for the movie’s 75th anniversary, from its inception to its making to its present-day legacy, Ready for My Closeup breathes life into a beloved masterpiece of American cinema.

For a moment in the 1980s, Carolyn Pfeiffer was the only woman in Hollywood who could greenlight a movie. Working with directors like Sam Shepard and Wes Craven, and with actors like River Phoenix and Bette Davis, she had a hand in producing or distributing many landmark films, among them Ridley Scott's The Duellists, Alan Rudolph's Choose Me, and the Academy Award-winning Kiss of the Spider Woman. However, long before establishing herself as a player in the world of film, Carolyn was a horseback-riding tomboy who dreamed of exploring the world beyond her small hometown.

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?