Film History

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.

For over 20 years, John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, a son of Irish immigrants known for his black eye patch and for his hard-drinking, brawling masculinity, was renowned for both his craftsmanship and his brutality. John "Duke" Wayne was a mere stagehand and bit player in "B" Westerns, but he was strapping and incredibly handsome, and Ford saw his potential.

For a series set in our future, Star Trek revisits the past constantly. Kirk and Spock battle Nazis, Roman gladiators, and witness the Great Depression. When they're not doubling back on their own earlier timelines, the crew uses the holodeck to spend time in the American Old West or Victorian England. Alien races have their own complex and fascinating histories, too. The Star Trek universe is a sci-fi imagining of a future world that is rooted in our own human history. Gene Roddenberry created a television show with a new world and new rules in order to comment on social and political issues of the 1960s.

Alanis Obomsawin used the art of documentary film making to bring into public consciousness the plight of the indigenous people of Canada. As a member of the Abenaki Nation herself, Alanis encountered bullying and the promotion of European cultural superiority in her community.

Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate.

Only one performance style has dominated the lexicon of the casual moviegoer: "Method acting." The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

Wayne Clingman and Douglas Hess explore the seedy relationship between the Mafia and Hollywood, beginning with the Pre-code era up through the filming of Deep Throat and beyond. Clingman and Hess unearth stories about notorious personages like Abner Zwillman, Gus Greenbaum, and Al Capone, and reveal the effect they had on movie-making, both by reputation and by direct interactions.

Ride Lonesome, the fifth film in the "Ranown cycle," is both the best and most representative of the whole series, which has been called "the most remarkable convergence of artistic achievement in the history of low-budget moviemaking." Director Bud Boetticher captures the alienation and loneliness of an America faced with the Cold War and the daily threat of nuclear annihilation. Shot in seventeen days for under a half-million dollars, Ride Lonesome is a masterpiece of cinematic minimalism.

Der große Erzähler Werner Herzog fragt nach der seltsamsten aller Erzählungen: der von der Wahrheit. Was ist wahr? In einer Welt, die durch Fake News, politische Manipulation und künstliche Intelligenz verunsichert ist, die auf kalte Fakten setzt und doch die Poesie und den Film erfunden hat, muss Wahrheit mehr als bloß stumpfe Empirie bedeuten. Von einem erfundenen Schlachtensieg des Pharao Ramses bis zum modernen Mythos der Entführung durch Außerirdische, von ekstatischen Momenten am Filmset bis zu seinen Begegnungen mit der Wirklichkeit durch tagelanges Gehen reiht Werner Herzog auf einmalige Weise faszinierende Überlegungen und Erinnerungen aneinander. Ein Hörbuch für alle, die sich wundern können.

Being a Fan of Disney: The Book is about my fandom, my incredible luck in being able to teach a class and host a podcast about Disney fandom, and how Disney influences our lives. I share stories about growing up a fan of Disney, returning to the parks after a long hiatus, meeting and making friends through teaching the class and hosting Being a Fan of Disney: The Podcast, and other tales.

With the success of the Wonder Woman movies and the results following the outcry of the #MeToo movement, now is the time to highlight the female influences in film history previously left unheard!

Based on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre offers individuals a unique opportunity for insight and understanding of their own lives.

When former government staffer Alisha Aitken-Radburn was given a 'villain edit' on her first season of The Bachelor, she wasn't entirely surprised – there are only a handful of character tropes producers can manipulate into storylines. But the backlash on social media was unexpectedly intense, and Alisha found her sense of identity completely rocked by a single comment: 'You are a bad person'. Determined to shake the 'villain' label, she returned to reality TV screens, and this time, she got a different edit.

Following her success with Playboy Swings, Patty Farmer looks at Playboy’s relationship with comedians and cartoonists in her new book Playboy Laughs. Playboy Laughs invites listeners onto the sets of the organization’s groundbreaking TV shows, Playboy Penthouse and Playboy After Dark. These popular variety series brought top-tier comedians, impressionists, and monologists—as well as the finest musicians—into people’s homes each week.

In Sicily: Land of Love and Strife, the process of capturing the island nation on film is revealed. Mark Spano invites the listener to follow him on his journey to celebrate the real Sicily, and to change the public perception of his family's homeland.

Popular entertainment has frequently been hailed as the harbingers of social downfall, but is it really that simple? From public executions to theater, from ballet to video games, this brief essay examines the turmoil that surrounds history's most cherished forms of entertainment.

Are you a fan of ThunderCats? Have you ever wondered why this classic animated series still resonates with audiences decades after its debut? Look no further than Unveiling Thundercats: Analysis Of The Classic Animation’s Main Themes, Life Lessons And Character Arcs. Whether you're a die-hard ThunderCats fan or a newcomer to the series, Unveiling Thundercats offers a fresh and insightful look at this beloved animated classic. Don't miss out on this essential guide to one of the most iconic cartoons of all time!

Ever wonder what the people who bring us our TV entertainment are thinking? Television and pop culture historian and author Herbie J Pilato has, and now takes listeners on a provocative and entertaining look into the agenda behind TV shows and the resulting trends. Even when it seemed television programming was primarily mindless, there was serious thought behind what audiences were presented. The networks, after all, believe in giving the people what they want, even when the people should have known better.