Film History

John Wayne projected dignity, integrity, and strength in all his films, even when his characters were flawed, and whatever character he played was always prepared to confront injustice in his own way. More than thirty years after his death, he remains the standard by which male stars are judged and an actor whose morally unambiguous films continue to attract sizeable audiences.

Glenn Ford: A Life chronicles the volatile life, relationships, and career of the renowned actor, beginning with his move from Canada to California and his initial discovery of theater. It follows Ford’s career in diverse media - from film to television to radio - and shows how Ford shifted effortlessly between genres, playing major roles in dramas, noir, westerns, and romances. This biography by Glenn Ford’s son, Peter Ford, offers an intimate view of a star’s private and public life.

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

When the head of Columbia Pictures, David Begelman, got caught forging Cliff Robertson's name on a $10,000 check, it seemed, at first, like a simple case of embezzlement. It wasn't. The incident was the tip of the iceberg, the first hint of a scandal that shook Hollywood and rattled Wall Street.

Beneath the stylized violence and thrilling car crashes, the Mad Max films consider universal questions about the nature of human life, order and anarchy, justice and moral responsibility, society and technology, and ultimately, human redemption. In Mad Max and Philosophy, a diverse team of political scientists, historians, and philosophers investigates the underlying themes of the blockbuster movie franchise, following Max as he attempts to rebuild himself and the world.

From exclusive interviews with director Ken Russell and new interviews with cast, crew, and historians, comes this examination of the beautifully blasphemous film The Devils. Based on historical fact, this controversial 1971 film is about an oversexed priest and a group of sexually repressed nuns in 17th-century France and the ensuing trials and exorcisms that followed. Detailing the production and the personalities of two of cinema’s great eccentrics, director Ken Russell and star Oliver Reed, Crouse delves deeper to explore the aftermath of the film.

In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip Little Nemo in Slumberland, itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman.

At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's traditional blend of business and art. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making - and unmaking - of movies, from Frankenstein to Spellbound to Grand Hotel. The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

Movies (And Other Things) is a book about, quite frankly, movies (and other things). One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day? Another of the chapters creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all.

Updated and timed for the 60th anniversary (Thanksgiving Day, 1942) of this movie, this critically acclaimed book draws upon years of research, including access to Ingrid Bergman's personal acting diaries and the vast Warner Brothers archives, as well as interviews with many of those close to the film, including the late Paul Henreid, Lauren Bacall, and scriptwriters Howard Koch and Julius Epstein.

Unearth the terrifying and true tales behind some of the scariest horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killers who inspired Hannibal Lector in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder, and exorcism.

Brando is perpetually fascinating, both for the power of the characters he portrayed and for his tumultuous personal life. Best-selling biographer Stefan Kanfer seamlessly intertwines the man and the work to give us the fullest and most illuminating appraisal yet. Kanfer takes us from Brando's troubled childhood to his arrival in New York in the 1940s, where he studied with the legendary Stella Adler and became, at age 23, the star of Broadway in A Streetcar Named Desire.

The '90s was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power, of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide.

First biography of the great actress in a brilliant interpretation of Danuta Stenka. One-hundred-two years of fascinating life, turbulent career, and dramatic turns in history. Gabriel Michalik paints a subtle portrait of the legend of the theatre and cinema, the people she met, and the era through which she lived with natural elegance, grace, and unusual cheerfulness, in spite of dramatic obstacles.

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity.

In this elegant and compelling biography, best-selling writer Shawn Levy writes of these many De Niros - the characters and the man - seeking to understand the evolution of an actor who once dove deeply into his roles as if to hide his inner nature, and who now seemingly avoids acting challenges, taking roles which make few apparent demands on his overwhelming talent.

As the 100th anniversary of the fateful night approaches, Palmer follows up innumerable conflicting stories and theories that still, to this day, surround the doomed liner. Charles Herbert Lightoller, Palmer’s great uncle, was the highest-ranking surviving officer from the disaster. It was only after the great man’s death in 1952 that his sister, Gertrude, Palmer’s eccentric grandmother, began to hint to her young grandson of the contradictory accounts of both her brother’s supposed heroism and his suspect testimonies at the investigations into the sinking.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

Step behind the curtain of one of television’s most iconic shows with Live from New York! Five Decades of Laughs, Legends, and Lobster Claws. This unauthorized, unhinged, and unapologetic deep dive into Saturday Night Live takes you on a wild ride through 50 years of comedy chaos, legendary sketches, and the stars who made it all happen. From Chevy Chase’s pratfalls to Eddie Murphy’s Gumby, from “More Cowbell” to Kate McKinnon’s alien-abducting RBG, this book is your backstage pass to the laughter, drama, and occasional cocaine-fueled meltdowns that defined SNL.

Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production - to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction.