Film Life

Unraveling the tumultuous, decades-spanning story of the Dolan family’s friends, lovers, and adversaries, Double Feature is about letting go of everything - regret, resentment, ambition, dignity, moving pictures, the dead - and taking it again from the top. Combining propulsive storytelling and mordant wit against the backdrop of indie filmmaking, Double Feature brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.

Margaret Mitchell was as complex and compelling as her legendary heroine, Scarlett O'Hara, and her story is as dramatic as anything out of her own imagination. Indeed, it is the basis for the legend she created. Gone with the Wind took the American reading public by storm and went on to become one of the most popular books and motion pictures of all time. The book was a phenomenon whose success has never been equaled, but it shattered Margaret Mitchell's private life.

For a moment in the 1980s, Carolyn Pfeiffer was the only woman in Hollywood who could greenlight a movie. Working with directors like Sam Shepard and Wes Craven, and with actors like River Phoenix and Bette Davis, she had a hand in producing or distributing many landmark films, among them Ridley Scott's The Duellists, Alan Rudolph's Choose Me, and the Academy Award-winning Kiss of the Spider Woman. However, long before establishing herself as a player in the world of film, Carolyn was a horseback-riding tomboy who dreamed of exploring the world beyond her small hometown.

Barry Avrich - a self-made, Montreal-born film producer-director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades, he has relentlessly produced films on some of the most notorious show-business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway.

The late film icon and screen legend Kirk Douglas was married to Anne Buydens for more than six decades. Here they both look back on a lifetime filled with drama both on and off the screen. Sharing priceless correspondence with each other as well as the celebrities and world leaders they called friends, Kirk and Anne is a candid portrayal of the pleasures and pitfalls of a Hollywood life lived in the public eye. Compiled from Anne's private archive of letters and photographs, this is an intimate glimpse into the Douglases' courtship and marriage.

Young Sam Hardacre leaves behind his life at the Abbey to continue the family tradition by starting his own business empire. Meanwhile, Harry Hardacre is now head of the household but wonders which of the young Hardacre men should inherit his father's legacy. Joe's widow, Helen, plots the ultimate revenge on those who crossed her. And two best friends fight for the love of Maud and Albert's glamorous film-star daughter, Janet.

Was bleibt von uns, wenn alles, was wir kannten, untergeht? Der große Roman über Verlust und Neuanfang. Die Wolken hängen schwer über der Geest, als Ingwer Feddersen, 49, in sein Heimatdorf zurückkehrt. Er hat hier noch etwas gutzumachen. Großmutter Ella ist dabei, ihren Verstand zu verlieren, Großvater Sönke hält in seinem alten Dorfkrug stur die Stellung. Er hat die besten Zeiten hinter sich, genau wie das ganze Dorf. Wann hat dieser Niedergang begonnen? In den 1970ern, als nach der Flurbereinigung erst die Hecken und dann die Vögel verschwanden?

In The World According to Tom Hanks, through deep research and interviews, Gavin Edwards will explore and celebrate how Tom Hanks lives his life, mirroring the way that he embodies optimism and integrity in his movie roles. This book will give insight into the actor by collecting the best stories about how he behaves in the world, providing a loving retrospective of his film career, and putting it all into the context of his all-American philosophy.

Ray Shepard is a wealthy architect who has mystified his friends by marrying Evelyn, a woman who works at a nail salon. Evelyn, in turn, hides a secret past about her former life in the circus, her ex-husband's mysterious death, and the colorful tattoos she carefully conceals under her clothes. When Evelyn starts to cave under the pressure of living in Ray's rarified world, she suggests they take in Ingrid, a 16-year-old girl with blue hair, a pet iguana, and no place to stay for the summer.

Quand on a envie de jouer avec ses parents le matin, il faut vérifier qu'ils sont réveillés. S'ils ne sont pas bien réveillés, on peut leur apporter un grand bol de café. Si on a renversé presque tout le café, il faut trouver une autre solution.

Jonathan Taplin’s extraordinary journey has put him at the crest of every major cultural wave in the past half century. His is a lifetime marked not only by good timing but by impeccable instincts - from the folk scene of Woodstock, to Hollywood’s rebellious film movement and beyond, Taplin is not just a witness but a lifelong producer, the right-hand man to some of the greatest talents of both pop culture and the underground. The Magic Years is both a rock memoir and a work of cultural criticism from a key player who watched a nation turn from idealism to nihilism.

Noel Cronin’s autobiography, founder of Talking Pictures TV, is a must-listen for those interested in British film history. He takes us from his schooldays in north London to a job as a post-boy at Rank, then as a film editor in Soho in the Swinging Sixties and Seventies, starting a film distribution company, to the ground-breaking Talking Pictures TV. It shows the grit and determination necessary to make a living in the film business, and the leaps of faith one should take if you’ve got a good idea.

In this audiobook, Simon Louvish traces the early lives of Stanley Jefferson and Norvell Hardy and the surrounding minstrel and variety theater, which influenced all of their later work. Louvish examines the rarely seen solo films of both our heroes, prior to their serendipitous pairing in 1927, in the long-lost short Duck Soup. The inspired casting teamed them until their last days. Both often married, they found balancing their personal and professional lives a nearly impossible feat.

Ryan O’Neal and Farrah Fawcett: He was the handsome Academy Award-nominated star of Paper Moon and the classic romance Love Story. She was the beautiful, all-American Charlie’s Angel, whose poster adorned the bedroom walls of teenage boys everywhere. One of the most storied love affairs in Hollywood history, their romance has captivated fans and media alike for more than three decades.

Owen Gleiberman has spent his life watching movies-first at the drive-in, where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old, then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak, his enthrallingly candid, funny, and eye-opening memoir, Gleiberman captures what it's like to live life through the movies, existing in thrall to a virtual reality that becomes, over time, more real than reality itself.

"Creepy crawling" was the Manson Family's practice of secretly entering someone's home and, without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for close to fifty years, firmly lodging themselves in our minds.

The 1920s was a bustling time in Hollywood, as starry-eyed young women sought fame and fortune—only to discover that their dreams did not match the reality of the film industry. Edgcumb Pinchon was there to report on it all. He interviewed women who worked as “extras” in Hollywood, and was himself involved in the film business as a screenwriter and author. He describes here the hierarchy of those on set (in front of and behind the camera) with first-hand knowledge and humor.

With his dark good looks, muscular physique, heavy-lidded bedroom eyes, and easy smile, amateur boxer and Wall Street business man Jacob Krantz left Wall Street to cut a dashing figure on the silver screen for over five decades. Few knew that he was a Jewish man, when Paramount Pictures signed him in 1922, changed his name from Jacob Krantz to Ricardo Cortez, and widely publicized him as a “Latin lover” in the style of Rudolph Valentino, Antonio Moreno, and Ramon Navarro. Relive his dramatic story, from his poverty-stricken childhood to Wall Street and on through Hollywood.

From the earliest days of silent films and the swinging era of the Roaring Twenties, through the Golden Age of the studio system and the patriotic call of WWII, to the Red Scare paranoia of the McCarthy years, the history of the Schenck brothers is the story of Hollywood itself—and the enduring power of the American Dream. Moguls is a must-listen for film fans, history buffs, and anyone who loves the movies.

Hawk Koch is a renowned film producer who has served as president of the Academy of Motion Picture Arts and Sciences. He has produced some of the most iconic films of all time, including The Way We Were, Chinatown, Heaven Can Wait, Gorky Park, and Wayne’s World, among many others. He was born into the business, the son of legendary Howard W. Koch, who ran Frank Sinatra’s production company, was head of Paramount Studios, and was president of the Academy. Growing up, Hawk was dealt an immense amount of privilege.