Film Life

The late film icon and screen legend Kirk Douglas was married to Anne Buydens for more than six decades. Here they both look back on a lifetime filled with drama both on and off the screen. Sharing priceless correspondence with each other as well as the celebrities and world leaders they called friends, Kirk and Anne is a candid portrayal of the pleasures and pitfalls of a Hollywood life lived in the public eye. Compiled from Anne's private archive of letters and photographs, this is an intimate glimpse into the Douglases' courtship and marriage.

For a moment in the 1980s, Carolyn Pfeiffer was the only woman in Hollywood who could greenlight a movie. Working with directors like Sam Shepard and Wes Craven, and with actors like River Phoenix and Bette Davis, she had a hand in producing or distributing many landmark films, among them Ridley Scott's The Duellists, Alan Rudolph's Choose Me, and the Academy Award-winning Kiss of the Spider Woman. However, long before establishing herself as a player in the world of film, Carolyn was a horseback-riding tomboy who dreamed of exploring the world beyond her small hometown.

We'll Always Have Casablanca is celebrated film historian Noah Isenberg's rich account of this most beloved movie's origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca's production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, and the effect of the war's progress on the movie's reception.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

Regardless of whether you’re in recovery, work to help others in their recovery, or just love great movies, Addicted in Film manages to take the sometimes difficult conversation about addiction and recovery and render it accessible, informative, engaging, and at times laugh-out-loud funny.

Paul Newman, the Oscar-winning actor with the legendary blue eyes, achieved superstar status by playing charismatic renegades, broken heroes, and winsome antiheroes in such revered films as The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Verdict, The Color of Money, and Nobody’s Fool. But Newman was also an oddity in Hollywood: the rare box-office titan who cared about the craft of acting, the sexy leading man known for the staying power of his marriage, and the humble celebrity who made philanthropy his calling card long before it was cool.

Audiobook includes a special foreword on "Jerry Seinfeld, Jean Shepherd, and Compassionate Humor," by the author-narrator. For the first time, author Quentin Schultze, who taught storytelling with screenwriter Jean Shepherd, reveals the “secret” parables that Shepherd included in his screenplay for A Christmas Story. Now you won't need a decoder ring to learn why the Old Man’s leg lamp is his “trophy wife,” why the bully is named “Scut,” why there is a “Bumpus” in all of us, why Mom and the kids give a “Bronx cheer” after singing “Jingle Bells” in the Olds, and so much more.

In In the Volume, actor Hyde-White shares his story from Hollywood’s front lines, which spans more than four decades of the most transformational period in film and television history. This memoir chronicles Hyde-White’s early life growing up in England; moving to Palm Springs in the 1960s; graduating from high school at 16; getting started in Hollywood; working as a cab driver, bartender, waiter, and ski shop clerk while looking for acting gigs; playing his first part in a movie as the photographer in The Toy; and more, acting in some huge box office hits.

Born in London, in 1889, Charlie Chaplin grew up in dire poverty. Both his parents were in show business, but severe alcoholism cut short his father's flourishing career, and his beloved mother first lost her voice, then lost her mind to syphilis. Charlie, at age seven, was committed to the Hanwell School for Orphans and Destitute Children. How then did this poor, lonely child become such an extraordinary comedian, known and celebrated worldwide? Chaplin cut his teeth in British music halls, but it was America that made him.

Young, cocksure, handsome and absurdly talented, Australian actor Heath Ledger shot to prominence with his first Hollywood film "10 Things I Hate About You": and a star was born. With huge charisma and smouldering looks lighting up the screen in a series of subsequent films, Heath was soon established as Hollywood A-list, dating a series of beauties such as Heather Graham and Naomi Watts, and living every young man's dream.

Barry Avrich - a self-made, Montreal-born film producer-director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades, he has relentlessly produced films on some of the most notorious show-business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway.

Margaret Mitchell was as complex and compelling as her legendary heroine, Scarlett O'Hara, and her story is as dramatic as anything out of her own imagination. Indeed, it is the basis for the legend she created. Gone with the Wind took the American reading public by storm and went on to become one of the most popular books and motion pictures of all time. The book was a phenomenon whose success has never been equaled, but it shattered Margaret Mitchell's private life.

"Mrs. Robinson, you're trying to seduce me. Aren't you?" These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931-2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft.

With his dark good looks, muscular physique, heavy-lidded bedroom eyes, and easy smile, amateur boxer and Wall Street business man Jacob Krantz left Wall Street to cut a dashing figure on the silver screen for over five decades. Few knew that he was a Jewish man, when Paramount Pictures signed him in 1922, changed his name from Jacob Krantz to Ricardo Cortez, and widely publicized him as a “Latin lover” in the style of Rudolph Valentino, Antonio Moreno, and Ramon Navarro. Relive his dramatic story, from his poverty-stricken childhood to Wall Street and on through Hollywood.

When Gianni Bozzacchi accepted an assignment as a photographer on the set of The Comedians (1967), he didn't know that his life was about to change forever. His ability to capture the beauty of candid moments drew the attention of the film's star, Elizabeth Taylor, and prompted her to hire him as her personal photographer.

Kenneth Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes. Not to Be Missed blends cultural criticism, historical anecdotes, and inside-Hollywood controversy. Turan's selection of favorites ranges across all genres.

One of the most influential and respected entertainers of Hollywood's golden age, Gene Kelly revolutionized film musicals with his innovative and timeless choreography. A would-be baseball player and one-time law student, Kelly captured the nation's imagination in films such as Anchors Aweigh (1945), On the Town (1949), An American in Paris (1951), and Singin' in the Rain (1952). In the first comprehensive biography written since the legendary star's death, authors Cynthia Brideson and Sara Brideson disclose new details of Kelly's complex life.

In this audiobook, Simon Louvish traces the early lives of Stanley Jefferson and Norvell Hardy and the surrounding minstrel and variety theater, which influenced all of their later work. Louvish examines the rarely seen solo films of both our heroes, prior to their serendipitous pairing in 1927, in the long-lost short Duck Soup. The inspired casting teamed them until their last days. Both often married, they found balancing their personal and professional lives a nearly impossible feat.

Un nombre que destaca en este sentido en el mundo del entretenimiento es el de Walt Disney. Puede que no fuera un pionero de la animación o de las películas en sí, pero fue más bien el Shakespeare de su género: tomaba la inspiración de aquí, de allá y de todas partes, y la combinaba para crear algo que es relevante incluso hoy en día. Walt Disney fue un verdadero icono cultural, cuyas ideas y visión revolucionarias eran ejemplares y demasiado avanzadas para la época.

Conventional wisdom holds that John F. Kennedy was the first celebrity president, in no small part because of his innate television savvy. But as Kathryn Brownell shows, Kennedy capitalized on a tradition and style rooted in California politics and the Hollywood studio system. Since the 1920s, politicians and professional showmen have developed relationships and built organizations institutionalizing Hollywood styles, structures, and personalities in the American political process.