Film Production

Molding a Jurassic Universe is a collection of essays exploring the space where nostalgia and geek culture collide, all through the lens of Jurassic Park and the Jurassic Park franchise. The 21 essays muse on traumatized heroes, dinosaur martyrdom, the ethical implications of having a theme park full of extinct creatures brought back to life, cynicism as form and function in filmmaking, a shaving cream can as a foundation to worldbuilding, and more.

Indie Film Hustle presents I Made a Short Film Now WTF Do I Do with It, written by award-winning filmmaker Clarissa Jacobson. This indie film gem is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie; and succeed! I Made a Short Film Now WTF Do I Do with It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does, and much more.

"The Grand Inquisitor" is a central chapter of Dostoyevsky's novel The Brothers Karamazov. The middle brother, Ivan, is having a conversation with his younger brother, Alyosha. Ivan represents the rationalist and nihilistic ideology that permeated Russia in the 19th Century. Alyosha's beliefs counterbalance his brother's. He embodies hope. Ivan tells Alyosha a vision where the grand inquisitor, during the Spanish inquisition, encounters Jesus Christ, who has made a return to Earth.

Practical filmmaking tips, tricks, and philosophies specific to the art and craft of directing commercials for television and the web. Filmmaker Jordan Brady has directed more than 1,000 spots and shares his insights from more than 20 years filming for advertising.

Updated and timed for the 60th anniversary (Thanksgiving Day, 1942) of this movie, this critically acclaimed book draws upon years of research, including access to Ingrid Bergman's personal acting diaries and the vast Warner Brothers archives, as well as interviews with many of those close to the film, including the late Paul Henreid, Lauren Bacall, and scriptwriters Howard Koch and Julius Epstein.

Before becoming the world's most notorious dictator, Kim Jong-Il ran North Korea's Ministry for Propaganda and its film studios. Conceiving every movie made, he acted as producer and screenwriter. Despite this control, he was underwhelmed by the available talent and took drastic steps, ordering the kidnapping of Choi Eun-Hee (Madam Choi) - South Korea's most famous actress - and her ex-husband Shin Sang-Ok, the country's most famous filmmaker.

One of the most original and unsettling filmmakers of all time—the creator of the horror classics Dracula and Freaks, among others—Tod Browning is also one of the most enigmatic directors who ever worked in Hollywood. A complicated, troubled, and fiercely private man, he confounded would-be biographers hoping to penetrate his secret, obsessive world—both during his lifetime and afterward. Now, film historians David J. Skal and Elias Savada join forces for the first full-length biography of the man who earned a reputation as "the Edgar Allan Poe of the cinema."

A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.

Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production - to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction.

It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with your film is broken, and there needs to be a change.

Will we ever get tired of watching Cher navigate Beverly Hills High School and discover true love in the movie Clueless? As if! Written by Amy Heckerling and starring Alicia Silverstone, Clueless is an enduring comedy classic that remains one of the most streamed movies on Netflix, Amazon, and iTunes even 20 years after its release. In the first book of its kind, Jen Chaney has compiled an oral history of the making of this iconic film using recollections and insights collected from key cast and crew members.

George Miller made his first film, Mad Max, in 1976 after hiring unknown Mel Gibson and editing it in his kitchen. It would become the most profitable film ever made. Miller and Max is the story of two heroes. One, a globally recognised dystopian warrior. The second, the artist who created him. Written with the cooperation of a role call of cast, crew, family and associates, author Luke Buckmaster gets behind the scenes of both the set and the man: revealing the Max in Miller.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

Cinematography is both an art and science—capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. It’s not hyperbole to say that Roger Deakins is the greatest artist & scientist that the craft of cinematography has ever known. In Reflections: On Cinematography, Sir Roger Deakins offers his fans a one-of-a-kind look into his life and improbable road to Hollywood immortality.

David O. Selznick (1902–1965) was one of the most prominent film producers of the Hollywood studio era. However, film production was not his only domain. Starting in the late 1930s, he built an impressive stable of stars within his own independent company. In Starmaker: David O. Selznick and the Production of Stars in the Hollywood Studio System, author Milan Hain reveals the mechanisms by which Selznick and his collaborators discovered and promoted new stars and describes how these personalities were marketed, whether for financial gain or symbolic recognition and prestige.

Robert Altman - visionary director, hard-partying hedonist, eccentric family man, Hollywood legend - comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

Peter Cowie's book chronicles the life and the sixty-year film and stage career of Ingmar Bergman as he wrestles of themes of love, sex, and betrayal with the figure of Death hovering overhead. Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused.

Drawing from over three decades as an assistant director, McGiffert charts a revealing and informative journey through the making of many major films working with noted directors such as Robert Zemeckis, Tim Burton, Cameron Crowe, Sydney Pollack, Milos Forman, Peter Weir, Steve Zaillian, Jon Avnet, and Terry Gilliam. This behind-the-scenes book is a must-listen for casual moviegoers and committed film lovers alike.