Film Production

Danny Plotnick showcases the history of Super 8 filmmaking in this must-listen audiobook. Super 8 offers a detailed look at the beloved medium - one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney.

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.

A rollicking, provocative, racy, colorful irreverent show business memoir culled from Michael Kutza’s decades rubbing elbows with the giants of film at the Chicago International Film Festival and numerous other festivals around the globe. It includes many of the lowlights as well as the highlights of a life lived just off-screen.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

Charming and classically handsome, John Gilbert (1897-1936) was among the world's most recognizable actors during the silent era. He was a wild, swashbuckling figure on screen and off, and accounts of his life have focused on his high-profile romances with Greta Garbo and Marlene Dietrich, his legendary conflicts with Louis B. Mayer, his four tumultuous marriages, and his swift decline after the introduction of talkies.

Tony Award winner Tonya Pinkins' new book, Red Pill Unmasked, is an inside look at the on-screen and behind-the-scenes development and production of her first feature film, Red Pill, which is available on AmazonPrime and other platforms. Tonya shares her writing and directing process, as well as the historical and symbolic references in the film. She includes many inside stories about how the film almost didn't happen because there was a "red pill" on the production set.

Noel Cronin’s autobiography, founder of Talking Pictures TV, is a must-listen for those interested in British film history. He takes us from his schooldays in north London to a job as a post-boy at Rank, then as a film editor in Soho in the Swinging Sixties and Seventies, starting a film distribution company, to the ground-breaking Talking Pictures TV. It shows the grit and determination necessary to make a living in the film business, and the leaps of faith one should take if you’ve got a good idea.

Défier les lois de la physique avec "Ant-Man", et celles de l'anatomie avec "Godzilla". S'aventurer aux abords d'un trou noir... et y plonger avec "Interstellar". Communiquer avec les aliens comme dans "Premier Contact". Se retrouver seul sur Mars et tenter d'y survivre. Étudier Prometheus et s'interroger sur l'origine et l'évolution des espèces extraterrestres.

Sonnets & Sunspots tells the story of one of the most beloved popular science series of all time and the charismatic educator who became an icon to several generations of students. The audiobook is also a fascinating history of popular science programming in television and film, from its primitive beginnings to the 21st century. Along the way there are entertaining behind-the-scenes stories of each production and the personalities that were involved with them.

Filmmakers, film students, documentary makers for film and television, and lovers of pop culture will hear, in the filmmakers’ own words, the challenges and triumphs faced in making documentaries. Firsthand knowledge is shared on such topics as how the documentary process differs from making fictional films, storytelling technique, ethical boundaries, funding, film festivals, and much more.

Packed with interviews from director John Carpenter, screenwriter Bill Phillips, producer Richard Kobritz, stars Keith Gordon and Alexandra Paul, plus various members of the cast and crew including co-composer Alan Howarth and SFX artist Roy Arbogast, Hell Hath No Fury: The Making of Christine is a definitive look at the 1983 cinematic adaptation of Stephen King’s terrifying novel about the eponymous demonic Plymouth Fury and the obsessive teenage boy who loves her.

Whether it is a director insisting on a final cut, a star demanding a bigger motor home, a producer holding the line on a budget, or a grip with a gripe, it seems that the world of moviemaking is nothing but Sturm und Drang. Shoot Out presents a raucous look at how movies get made and the players involved, from writers, producers, directors, and stars to agents and marketers. For film buffs, aspiring filmmakers, students, and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what, and why of the film business.

Harry Cohn was the cofounder and president of Columbia Pictures, which he ran from the 1930s through the 1950s. Cohn—who abhorred personal publicity—left no writings, made no speeches, and rarely submitted to interviews. Despite this, acclaimed biographer Bob Thomas brilliantly illuminates the life of the powerful but elusive studio head in King Cohn: The Life and Times of Hollywood Mogul Harry Cohn. Thomas details the studio head's rise from a New York City song-plugger to a Poverty Row impresario, highlighting his reign as one of the most powerful men in Hollywood.

More than 85 years after his untimely death at just age 37, Irving Thalberg remains a legendary Hollywood figure. Called the “Boy Wonder of Hollywood,” Thalberg quickly climbed the ranks at MGM studios to become one of the most powerful and high-profile producers of the time, elevating filmmaking to an art form. In this definitive biography, Bob Thomas brings Thalberg's legend to life, recounting how the producer's remarkable talent for developing stars and scripts led to the creation of beloved movies such as Ben-Hur, Romeo and Juliet, and Camille.

For over 20 years, John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, a son of Irish immigrants known for his black eye patch and for his hard-drinking, brawling masculinity, was renowned for both his craftsmanship and his brutality. John "Duke" Wayne was a mere stagehand and bit player in "B" Westerns, but he was strapping and incredibly handsome, and Ford saw his potential.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

Hawk Koch is a renowned film producer who has served as president of the Academy of Motion Picture Arts and Sciences. He has produced some of the most iconic films of all time, including The Way We Were, Chinatown, Heaven Can Wait, Gorky Park, and Wayne’s World, among many others. He was born into the business, the son of legendary Howard W. Koch, who ran Frank Sinatra’s production company, was head of Paramount Studios, and was president of the Academy. Growing up, Hawk was dealt an immense amount of privilege.

Director Jared Cohn has been through the Hollywood trenches and achieved his lifelong dream on the other side. With 50 films to his name and credits alongside greats like Bruce Willis and William Shatner, Jared has seen the good and bad of Hollywood, and he lays it all bare as he recounts his journey as a director. Fifty Movies Made is packed with stories of Jared’s behind-the-scenes adventures, his missteps, and the grit and determination it takes to make it in Hollywood.

Despite increasing corporate mergers and bottom-line thinking, the entertainment business will never function like a bank or an insurance company because it is an industry rooted in imagination. Rules are meant to be broken. The best work is often produced in an environment where plans change by the minute and nothing seems to make sense. To wit, those who choose this profession must alter preconceived notions of work itself, sometimes discovering that fantasy and horror describe both movie genres and life on the job.