Film Production

Survivor on Set: The Aftermath of Sexual Abuse Book 1: Survivors Have Special Needs: On Set is a brief but detailed non-fiction manual to help Film & TV producers, cast & crew get a better understanding of what its like to be a sexual abuse survivor on set & provides helpful tips & suggestions on things you can do to help create a more supportive safe space for your actors who may struggle with what we call survivor moments when everyone else is okay. We have quotes from anonymous, anonymous actress & anonymous actor speaking from real life experience.

10 Tips for Promoting a Local Screening of Your Film describes some ways to promote a local screening. It suggests different promotional strategies for putting on your own event or helping an organization promote your screening. Then, the audiobook focuses on how to use Eventbrite and Meetup to sign-up attendees and receive advance payments. The audiobook is formatted like a journal, so listeners can write down their ideas for what to do after reading each tip.

10 Tips for Making a Final to Do List for Distributing Your Film summarizes the key tasks to do to successfully distribute your film. It features key marketing and promotion tasks, such as creating a poster, trailer, and press materials, setting up a website or page on your website for the film, making arrangements with a website, and more. The book is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

10 Tips for Making Your Own Distribution Arrangements for Your Film describes how you can distribute your film through various online video platforms including aggregators and your own website. It discusses the different types of video platforms, including third-party aggregators and video on demand (VOD) sales platforms.

10 Tips for Setting Up Local Screenings of Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience, select the best location for your screening, find a venue, and attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain an even bigger audience at future showings.

10 Tips for Setting Up Local Screenings for Your Film describes how to set up a series of local screenings in your community and nearby cities if you are doing your own distribution. It describes how to determine your audience and the best location for your screening, how to find a venue, and how attract an audience. It also describes how to collect payments, run the program, and build on these showings to gain even more of an audience for future showings.

10 Tips for Setting Up Theatrical Screening for Your Film describes how to set up a series of screening after your initial premiere. It suggests doing these additional screenings to get more recognition for a film with broad appeal, and it describes how and where to select theaters in different cities. It indicates the kinds of costs to expect for showings in different types of theaters and recommends creating a marketing plan to guide you in doing these screenings to gain more recognition to help with the other types of distribution you do.

10 Ways to Find a Distributor for Your Film describes how to best pitch your script to distributors, starting with having a good script, writing an effective query letter, creating a short treatment or synopsis, and taking steps to make your script stand out. The audiobook is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

10 Tips for Creating Promotional Video for Your Screening describes the different types of promotional materials to create. It discusses creating flyers, announcements, press releases, and social media posts. It describes the different places to promote your screening, including the newsletters of local organizations, trade fairs, and announcements at referral and networking groups.

10 Tips for Making the Arrangements for a Local Screening describes in detail how to set up a local screening. It explains how to choose a location, venue, and date, as well as determine costs and what to charge....

10 Tips for Creating a Promotional Video from Your Screening describes how to work with a videographer and video editor to create a promotional video from your screening to further promote your film. It explains what you can expect to pay and what to film. It also suggests how to provide input for editing the video and how to use the video for promotion.

10 Tips for Arranging an Initial Theatrical Screening to Gain Press and Distributor Interest describes how to set up a screening. It indicates what you need to prepare, such as a press kit, trailer, and screener, and how to how arrange for a theater and attract an audience. It suggests ways to get the press and distributors to attend.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.

10 Tips for Increasing Your Chances of Getting into Film Festivals describes how to select the festivals where you have the best chance for being selected and suggests ways to up the likelihood your film will be selected. Some of the strategies described include entering early, writing compelling letters and press releases to show how your film is aligned with the goals of the festival, and more.

10 Tips for Increasing Your Chances of Getting Attention and Awards at Film Festivals describes how to get more attention and awards by using various strategies to increase attendance and press coverage. It suggests ways to make more connections when you are there or using a surrogate to represent you. It recommends different techniques you can use online and in creating flyers, posters, and other materials to promote your festival screening.

The audiobook 10 Tips for Entering Your Film in Film Festivals describes how to choose which festivals to enter among the thousands of film festivals each year. It explains the advantages of entering and attending local festivals, discusses online festivals, and suggests ways to increase your chances of your film being selected in a festival competition. It also lists many of the most popular and coolest festivals to enter.

10 Keys for Doing Your Own Film Distribution describes the many advantages of doing your own distribution when you haven’t found a distributor, or to help you find a distributor. It also provides an overview of the many different platforms for distributing your film, from contacting retail channels, to setting up your own showings and selling off your website.

10 Legal Basics for Producing a Feature Film or Documentary describes the major legal documentaries you need to produce a feature-length film or documentary. It covers the basics of getting a fictitious name, filing for a copyright, obtaining E&O and other types of insurance, creating release forms for actors, interviewees, crew members, and other film participants, and much more.

10 Keys to Making a Low-Cost Documentary Feature describes a low-cost approach for producing a feature-length documentary with a budget under $50,000. It features an approach I have used that combines interviews with interviewees and experts along with B-roll shots of activities to use with voice-overs from the interviews. It also suggests ways to find interviewees, obtain funding for the film, and more.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.

Improvisation is a form of performance in which the players have no script. Free of conventional methods and constraints, improv gives filmmakers and actors complete freedom to explore characters and relationships and capture genuine authenticity on camera. In Improv for Indie Filmmakers, author and improv filmmaker Ivan Malekin breaks down how independent filmmakers can use improvisation in their own work to creatively collaborate with actors, speed up production, make more films, and ultimately save time and money by working efficiently at all stages of production.