Film Production

Star Wars dominates the film world. The combined box office revenue of the Star Wars movies equates to over $10 billion, making it the second highest-grossing film franchise of all time. But this franchise is no blaster from the past. Its fantastically successful films have now been followed by multiple television series set in that same galaxy far, far away. The franchise’s flagship television series, and likely the firmest fan favorite for some time to come, is The Mandalorian.

Best known for his horror/sci-fi/fantasy films including Phantasm, The Beastmaster, Bubba Ho-tep, and John Dies at the End, now Don Coscarelli’s taking you on a white-knuckle ride through the rough and tumble world of indie film. This memoir fits an entire film school education into a single audiobook. It’s loaded with behind-the-scenes stories and will prove indispensable for fans of Coscarelli’s movies, aspiring filmmakers, and anyone who loves a story of an underdog who prevails while not betraying what he believes.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

The animations of Japan's Studio Ghibli are among the most respected in the movie industry. Their delightful films rank alongside the most popular non-English language films ever made, with each new eagerly anticipated release a guaranteed box-office hit. Yet this highly profitable studio has remained fiercely independent, producing a stream of imaginative and individual animations. The studio's founders, the late Isao Takahata and Hayao Miyazaki, have created timeless masterpieces. Although their films are distinctly Japanese, their themes are universal.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

It's one of the greatest movie romances of all time. Yet the friction and controversy surrounding The Way We Were was so enormous, the movie was nearly never made at all. Drawing on Laurents's and Pollack's unpublished writings, as well as interviews with Streisand, Redford, and other key players, this is the definitive account of a film that changed the rules of moviemaking and defined romance ever since.

From the hustle and bustle of film production in Hollywood to running the biggest “how-to” filmmaking press in the world, Michael has lived a life accompanied by countless paradigm thinkers such as Buckminster Fuller and Salvador Dalí, and he puts his heart and soul in every chapter to show you what the journey to true success, on every level of life, looks like.

Is it your dream to make feature films? Get advice on how to do that by some of the best in the business! It’s like going to film school without ever leaving home!

Short Film Structure Secrets - Short Films - There's no secret that structuring a short film can be a difficult process because of how condensed short films can be in relation to a feature film. Author Chike Camara has done it again. This book demystifies the process and gives you a breakdown of some of the most common short film types, how their structures work, why their structures work and how to take your own short film idea to the next level. In a way, it teaches you how to create a short film as well.

In this fully updated second edition, award-winning film director and Slamdance Film Festival cofounder Dan Mirvish gives you soup-to-nuts, cradle-to-grave advice on every aspect of the filmmaking lifestyle and craft. He drops advice on playing the Hollywood and indie-film games, and shows you how to finance, cast, shoot and show your indie feature, documentary, episodic series, short film, student film, web video or big-budget blockbuster. Includes extensive tips on film festivals, distribution and continuing and sustaining your career.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

Will we ever get tired of watching Cher navigate Beverly Hills High School and discover true love in the movie Clueless? As if! Written by Amy Heckerling and starring Alicia Silverstone, Clueless is an enduring comedy classic that remains one of the most streamed movies on Netflix, Amazon, and iTunes even 20 years after its release. In the first book of its kind, Jen Chaney has compiled an oral history of the making of this iconic film using recollections and insights collected from key cast and crew members.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Drawing from over three decades as an assistant director, McGiffert charts a revealing and informative journey through the making of many major films working with noted directors such as Robert Zemeckis, Tim Burton, Cameron Crowe, Sydney Pollack, Milos Forman, Peter Weir, Steve Zaillian, Jon Avnet, and Terry Gilliam. This behind-the-scenes book is a must-listen for casual moviegoers and committed film lovers alike.

Peckinpah: A Portrait in Montage (The Definitive Edition) is a comprehensive biography on the American filmmaker Sam Peckinpah, creator of such films as The Wild Bunch, Ride the High Country, Straw Dogs, and Junior Bonner. Written by Garner Simmons, whose relationship with Peckinpah began in 1973 and continued until the director’s death in December of 1984, the book is read by the gifted actor Jason Culp, son of the late Robert Culp.

How can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more.

What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft.

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.

For more than three decades, director Ken Kwapis has charted a career full of exceptional movies and television, from seminal shows like The Office to beloved films like He’s Just Not That into You. He is among the most respected directors in show business, but getting there wasn’t easy. He struggled just like everyone else. With each triumph came the occasional faceplant. Using his background and inside knowledge, But What I Really Want to Do Is Direct tackles Hollywood myths through Ken’s highly entertaining experiences.

Emmy-winning editor Jordan Goldman, ACE, takes you inside the cutting room and pulls back the curtain on how and why directors, showrunners, and editors decide whether your performance makes it to the screen. He explains the key things actors should do—and shouldn't do—to avoid getting cut out. Topics include what an editor does, how editors evaluate your work, why actors get cut, what you can control, and what you can't control.