Film Production

Veteran Hollywood writer David Rensin travels behind the scenes and through 65 years of show business history to tell the real stories of the marvelous careers that began - and in some cases ended - in the mailroom. Based on more than 200 interviews, Rensin unfolds the never-before-told history of an American institution - in the voices of the people who lived it. Through seven decades of glamour and humiliation, you'll go where the trainees go, do what they must do to get ahead, and hear the best insider stories from the Hollywood everyone knows about but no one really knows.

Pieter Bruegel’s epic masterpiece The Way To Calvary depicts the story of Christ’s Passion set in Flanders under brutal Spanish occupation in the year 1564, the very year Bruegel created his painting. From among the more than five hundred figures that fill Bruegel’s remarkable canvas, The Mill & The Cross focuses on a dozen characters whose life stories unfold and intertwine in a panoramic landscape populated by villagers and red-caped horsemen.

There are nearly 50,000 screenplays registered with the Writer’s Guild every year. And 99 percent of them suck. But they don’t have to. That’s why I decided to write this book. So before you head out to another hundred-dollar screenwriting conference to learn how to write a screenplay or buy another paint-by-the-numbers 3-act script formula give my book a try. I can’t guarantee you’ll sell your script.

Star Wars dominates the film world. The combined box office revenue of the Star Wars movies equates to over $10 billion, making it the second highest-grossing film franchise of all time. But this franchise is no blaster from the past. Its fantastically successful films have now been followed by multiple television series set in that same galaxy far, far away. The franchise’s flagship television series, and likely the firmest fan favorite for some time to come, is The Mandalorian.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

Mani Ratnam’s Nayakan is among Time’s "100 Best Movies Ever", and his Roja launched A.R. Rahman. For the first time ever, Mani Ratnam opens up here, to Baradwaj Rangan, in a series of freewheeling conversations - candid, witty, pensive, and sometimes combative - and looks back at these and 19 other masterly films. With Rangan’s personal and impassioned introduction setting the Tamil and national context of the films, Conversations is a treat for serious lovers of cinema as well as the casual moviegoer looking for a peek behind the process.

Whether you run a video production studio or you’re an independent freelancer, a YouTuber, or an in-house content creator, this short, easy-to-listen-to and easy-to-apply book will give you the tools you need to assemble your videos quickly and powerfully. Apply these skills whether you’re editing videos for web, social media, corporate businesses, or nonprofits.

Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals is a riveting must-listen for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein's homage spotlights the movie's endless barrage of cinematic gold.

What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft.

Julie a 30 ans et n'a, jusque-là, jamais rien géré de plus que sa petite vie. Alors qu'elle n'attendait plus de réponse de la part de son prod, celui-ci l'appelle pour lui annoncer une grande nouvelle : "je crois qu'on va le faire ton film !"

Finally, a book that confronts the challenges filmmakers of all types of films face when bringing their vision to the screen. Emmy-nominated director and multi-hyphenate filmmaker Christopher Folkens (www.mysticfilms.com) provides an in-depth look at the personal journey necessary for any filmmaker to take on their debut film (or really any creative project for that matter).

Two classic filmmaking books in one box set: Fast, Cheap and Under Control: Lessons Learned from the Greatest Low-Budget Movies of All Time--Learn the tricks and pitfalls of low-budget filmmaking from 33 successful independent films and the filmmakers who created them. Fast, Cheap and Written That Way: Top Screenwriters on Writing for Low-Budget Movies--Hollywood's top screenwriters look back at their early low-budget efforts and provide valuable tips, tricks, and advice on how to create a solid screenplay for a low-budget movie.

One of the most original and unsettling filmmakers of all time—the creator of the horror classics Dracula and Freaks, among others—Tod Browning is also one of the most enigmatic directors who ever worked in Hollywood. A complicated, troubled, and fiercely private man, he confounded would-be biographers hoping to penetrate his secret, obsessive world—both during his lifetime and afterward. Now, film historians David J. Skal and Elias Savada join forces for the first full-length biography of the man who earned a reputation as "the Edgar Allan Poe of the cinema."

Short Film Structure Secrets - Short Films - There's no secret that structuring a short film can be a difficult process because of how condensed short films can be in relation to a feature film. Author Chike Camara has done it again. This book demystifies the process and gives you a breakdown of some of the most common short film types, how their structures work, why their structures work and how to take your own short film idea to the next level. In a way, it teaches you how to create a short film as well.

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.

Peter Cowie's book chronicles the life and the sixty-year film and stage career of Ingmar Bergman as he wrestles of themes of love, sex, and betrayal with the figure of Death hovering overhead. Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

Prequel. Exorcist: The Beginning traces the story of Father Merrin back to his first encounter with the devil during his missionary work in Africa.

Learning how to write a movie script is more than just figuring out the margins and hitting a few plot points along the way....

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they're both total bullcrap.