Film Production

In this adventure, which would have played well in one of his own films, Schmuel Goldfisz left the Warsaw ghetto in 1895. He walked 300 miles to the Oder River, where he paid someone to row him across, smuggling him out of the Russian empire into Germany, past border patrols to another long walk to Hamburg. The gleam in his eye was America, "a far-away country, a vision of paradise." Schmuel Goldfisz became Samuel Goldwyn, one of the producers who created the Hollywood film industry.

Peter Cowie's book chronicles the life and the sixty-year film and stage career of Ingmar Bergman as he wrestles of themes of love, sex, and betrayal with the figure of Death hovering overhead. Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused.

Ein immerzu hungriger Junge, mit der Mutter aus dem bombardierten München in ein bitterarmes Nest in den Alpen geflohen. Ein Jugendlicher mit alles sprengender Abenteuerlust, der ganz allein lostrampt und im Südsudan schwer krank wird und sich nach Ägypten zurück durchschlägt. Ein Mann, der mitten im Dschungel ein 340 Tonnen schweres Dampfschiff über einen Berg wuchten lässt und dabei seinen tobsüchtigen Hauptdarsteller Klaus Kinski unter Kontrolle halten muss. Ein Mann, der seinem sterbenden Freund Bruce Chatwin seinen Film über Nomaden in kleinen Abschnitten vorführt.

In Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award-winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.

In today's busy world, preventing audience boredom is more important than ever. Now screenwriters and directors have an easy guidebook for making their films more captivating, spine tingling, and suspenseful. "Hitchcock Whisperer" Jeffrey Michael Bays brings the secrets of suspense out of the shadows.

In this fully updated second edition, award-winning film director and Slamdance Film Festival cofounder Dan Mirvish gives you soup-to-nuts, cradle-to-grave advice on every aspect of the filmmaking lifestyle and craft. He drops advice on playing the Hollywood and indie-film games, and shows you how to finance, cast, shoot and show your indie feature, documentary, episodic series, short film, student film, web video or big-budget blockbuster. Includes extensive tips on film festivals, distribution and continuing and sustaining your career.

Quels sont les éléments du langage cinématographique (mouvements de caméra, plans, montage, etc.) ? Comment les cinéastes les ont-ils utilisés et comment ont-ils évolués depuis le début du XXe siècle ? En répondant à ces questions, Jean-Claude Carrière, scénariste de Luis Bunuel et de Louis Malle, nous permet de décrypter les images et le son, d'en prendre une conscience nouvelle et de changer à jamais notre regard sur le cinéma.

George Miller made his first film, Mad Max, in 1976 after hiring unknown Mel Gibson and editing it in his kitchen. It would become the most profitable film ever made. Miller and Max is the story of two heroes. One, a globally recognised dystopian warrior. The second, the artist who created him. Written with the cooperation of a role call of cast, crew, family and associates, author Luke Buckmaster gets behind the scenes of both the set and the man: revealing the Max in Miller.

Drawing from over three decades as an assistant director, McGiffert charts a revealing and informative journey through the making of many major films working with noted directors such as Robert Zemeckis, Tim Burton, Cameron Crowe, Sydney Pollack, Milos Forman, Peter Weir, Steve Zaillian, Jon Avnet, and Terry Gilliam. This behind-the-scenes book is a must-listen for casual moviegoers and committed film lovers alike.

Writers will understand why they're stuck and how to get unstuck through proven methods of breaking the logjam of self-judging and second-guessing that keeps good screenplays from being finished. Attain confidence by knowing your story is clear and solid. Seal out negative influences such as industry experts and fleeting trends. This is a way to write a script with integrity that makes a screenplay story-worthy. This is how to write a screenplay that works.

In 1926, the American version of the film classic Metropolis was cut in half, now for the first time in seventy years you can experience the whole story. A very important book in the development of the audiobook industry. The music and sound effects are piped through differant speakers so the listener gets the surround sound or 3-D effect. The futuristic music alone (and the listener's imagination) tells part of the story without any words describing the action.

Will we ever get tired of watching Cher navigate Beverly Hills High School and discover true love in the movie Clueless? As if! Written by Amy Heckerling and starring Alicia Silverstone, Clueless is an enduring comedy classic that remains one of the most streamed movies on Netflix, Amazon, and iTunes even 20 years after its release. In the first book of its kind, Jen Chaney has compiled an oral history of the making of this iconic film using recollections and insights collected from key cast and crew members.

Lessons from the Set is a comprehensive filmmaking guide that takes a cinephile’s do-it-yourself approach to low-budget indie film production and distribution. The book is peppered with filmmaking tips and tricks, as well as valuable, practical insight into the process of writing, directing, producing, and distributing commercial feature films on a low budget - whether you’re working with $1,000 or $1 million.

Here are the very personal diaries of Richard E. Grant's debut behind the camera, as writer and director of his autobiographical movie of the same name.

It is both a fascinating insight into the intrigues and agonies he encounters along the way, and also a deeply moving portrait of his childhood and his love affair with Swaziland, where he was born and brought up during the last throes of the British Empire.

Boone may be a troubled young man, but his troubles are just beginning. Set up as the fall guy in a string of slasher murders, he decides he'll hide by crossing the threshold that separates us from them and sneaking into the forbidden subterranean realm of Midian. Boone will live among the monsters.

Ken Webb, a seasoned veteran on-air promo writer/director and award-winning independent filmmaker, is here to take you behind the scenes and show you all the nuts and bolts of the independent filmmaking industry. From the pain-staking process of finding the right locations to feeding the crew – you will learn everything you need.

A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.

Shooting Midnight Cowboy is not only the definitive account of the film that unleashed a new wave of innovation in American cinema but also the story of a country (and an industry) beginning to break free from decades of cultural and sexual repression.

Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set - and even further behind the scenes - of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone.

Audience-ology takes you to one of the most unknown places in Hollywood - a place where famous directors are reduced to tears and multi-millionaire actors to fits of rage. A place where dreams are made and fortunes are lost. This book is the chronicle of how real people have written and rewritten America’s cinematic masterpieces by showing up, watching a rough cut of a new film, and giving their unfettered opinions so that directors and studios can salvage their blunders, or better yet, turn their movies into all-time classics.