Folklore History

Woven from Joseph Campbell’s previously unpublished work, this volume explores Judeo-Christian symbols and metaphors - and their misinterpretations - with the famed mythologist’s characteristic conversational warmth and accessible scholarship. Campbell’s insights highlight centuries of confusion between literal and metaphorical interpretations of Western religious symbols that are, he argues, perennially relevant keys to spiritual understanding and mystical revelation.

An undeniable masterpiece of Western Civilization, The Metamorphoses is a continuous narrative that covers all the Olympian legends, seamlessly moving from one story to another in a splendid panorama of savage beauty, charm, and wit. All of the gods and heroes familiar to us are represented. Such familiar legends as Hercules, Perseus and Medusa, Daedelus and Icarus, Diana and Actaeon, and many others, are breathtakingly recreated.

Ce cours de Mythologie est une réelle réussite de simplicité, de clarté et cependant sans infidélité. M. Géruzez aborde les origines de la Mythologie, ses symboles et détaillent chaque divinité selon son appartenance : Ciel - Terre - Enfers - Divinités allégoriques - Héros ou Demi-dieux. De Jupiter à Hercule en passant par Neptune, Bacchus mais aussi en abordant les Furies et les Danaïdes, cet ouvrage donne une instruction claire des croyances des Grecs et des Romains.

One day in 1872, self-taught Assyriologist George Smith was sifting through a pile of clay tablets when he realized he was reading about "a flood, storm, a ship caught on a mountain, and a bird sent out in search of dry land". This is the riveting story of the discovery of the world's first literary epic, the "Epic of Gilgamesh".

They live in shadows - deep in the forest, late in the night, in the dark recesses of our minds. They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. Yet no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them: werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits.

Using an infamous deception about a fake mountain range in British Columbia as her jumping-off point, Katie Ives explores the lure of blank spaces on the map and the value of the imagination. In Imaginary Peaks she details the cartographical mystery of the Riesenstein Hoax within the larger context of climbing history and the seemingly endless quest for newly discovered peaks and claims of first ascents. Imaginary Peaks is an evocative, thought-provoking tale, immersed in the literature of exploration, study of maps, and basic human desire.

Storyland begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants, covers the founding of Britain, England, Wales, and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape, and the yearning to belong, inhabited by characters now half-remembered: Arthur, Brutus, Albina, and more.

Dive into the captivating realm of The Legends and Myths of Hawaii, where the mystical allure of the Pacific islands comes alive through the mesmerizing fables and folk-lore shared by none other than the esteemed King David Kalakaua. Prepare to be transported to a time when oral traditions were the heart of Hawaiian culture, as the illustrious monarch weaves a tapestry of enchanting stories that have been cherished for generations.

Discover fascinating ancient Japanese fairy tales as well as the folk tales of the Ainu/Aino. The first book in this collection, titled Japanese Fairy Tales, was written by Iwaya Sazanami and translated by Yei Theodora Ozaki, a 20th-century translator of Japanese short stories and fairy tales. The second book in this collection is a rare one that is not usually available in audio format: Aino Folk-Tales by Basil Chamberlain, one of the most prominent British Japanologists active in Japan during the latter half of the 19th century.

Ancient Mesopotamia history is defined by several key inventions that impacted the globe, including the concept of time, algebra, the wheel, sailboats, maps and writing. Another characteristic of Mesopotamia is the shifting succession of governing bodies from various regions and cities that seized power over a period of thousands of years.

I’m sure you’ve heard the name Thor, especially with all the superhero movies. In this book, we’ll tell you all about how he was born and all of the interesting things he did. But before all that, we’ll also take a quick look at what myths are, where they come from, and why they’re important.

Tales of the Elders of Ireland (Acallam na Senórach) represents the largest literary text surviving from 12th-century Ireland, the most comprehensive early collection of Fenian stories and poetry. Three parallel worlds interact: the contemporary Christian world of Saint Patrick with his scribes, clerics, occasional angels, and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and an array of Irish kings; and the timeless Otherworld, peopled by ever-young shape-shifting fairies.

Heroes, gods, and mortals. The Greek myths are the founding narratives of Western civilization: to understand them is to know the origins of philosophy, literature, art, science, law, and more. Indeed, as Luc Ferry shows in this masterful book, they remain a great store of wisdom, as relevant to our lives today as ever before.

In this third volume of The Masks of God - Joseph Campbell’s major work of comparative mythology - the preeminent mythologist looks at the pagan religions of Greece, Rome, and the Celts, as well as the Abrahamic religions - Zoroastrianism, Judaism, Christianity, and Islam. Exploring the West’s shift from female-centered to male-centered mythology, Campbell examines the distinguishing characteristics and the shared root concepts of these mythologies. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.

The modern history of Africa was, until very recently, written on behalf of the indigenous races by the white man, who had forcefully entered the continent during a particularly hubristic and dynamic phase of European history. The embrace of Christianity and Islam, even today, is not necessarily to the exclusion of ancestral spirits, nor the essentials of witchcraft and sorcery. The precarious security of albino people in east and central Africa, whose body parts are sought after in traditional “medicine,” is testimony to the fact that these superstitions are alive and well.

Scotland, the 11th Century. Born in a noble household and granddaughter of a forgotten Scottish king, a young girl carries the guilt of her mother’s death and the weight of an unknowable prophecy. When she is married, at fifteen, to the Mormaer of Moray, she experiences firsthand the violence of a sadistic husband and a kingdom constantly at war. To survive with her young son in a superstitious realm, she must rely on her own cunning and wit, especially when her husband’s downfall inadvertently sets them free.

In a magisterial work, Jaan Puhvel unravels the prehistoric Indo-European origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared religious, mythological, and cultural heritage. Separate chapters on individual traditions as well as on recurrent themes—god and warrior, king and virgin, fire and water—give life to Comparative Mythology as both a general introduction and a detailed reference.

Hercules, Zeus, Thor, Gilgamesh - these are the figures that leap to mind when we think of myth. But to David Leeming, myths are more than stories of deities and fantastic beings from non-Christian cultures. Myth is at once the most particular and the most universal feature of civilization, representing common concerns that each society voices in its own idiom.

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women - some carried by wings, others by clouds, rainbows, floating scarves, and flying horses - reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions.

Join us as we enter the Ancient Norse Realms, and journey into a captivating world of gods and goddesses, mythical creatures, and legendary heroes.