Foster House

Reclusive investigator Megan French is lured from isolation by a mysterious client who wants her to investigate the infamous Hate House. Too late, she discovers Hate House isn't a job, it's a trap. Gaslighted and manipulated, French is caught in an elaborate revenge plot seeking to unbalance her mind before framing her for a horrible crime.

Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, Cinemascope and Vistavision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios, the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television.

This sequel to Gibbons' beloved classic Ellen Foster stands on its own as an unforgettable portrait of a redoubtable adolescent making herself up out of whole cloth. Now 15, Ellen is settled into a permanent home with a new mother. Strengthened by adversity and blessed with enough intelligence to design a salvation for herself, she still feels ill at ease in the world.

Susan Thornton watched in terror as her lover died a brutal death in a college hazing. And in the four years that followed, the four young men who participated in that grim fraternity ritual also died violently—or so she thought. Twelve years later, Susan wakes in a hospital bed. Apparently involved in a fatal accident, she can’t remember who she is or why she is there. All she knows is that her life is unfolding into a menacing nightmare—and that the faces that surround her, are those of the four men involved in that murder years ago.

From the author of Messy Grace, a former pastor raised by gay parents, comes a compassionate playbook to help Christians, church staff, and ministry leaders create a culture of belonging without sacrificing theological convictions.

What really happened to the girl who walked into the woods and vanished forever? It’s a never-forgotten mystery that clings like a shadow in a short story about dark memories and inescapable fears.

Driven by an uncanny mystery from his youth, Ian Randall became a “spiritual cleanser”, ridding disturbances from homes. But his belief in the beyond was challenged by his wife’s death. Merle House, the root of Ian’s obsession, could change that. The woods are restless again. Maybe here, Ian will find what he needs - if he’s willing to make a deal with the dark.

Is it a hoax, or is it something unspeakably real? In this short story about evil games and spiraling secrets, whatever bargain you strike, there’s a price to be paid. Mason Brandt dropped out of seminary and found a job at a spiritual center offering guidance to troubled teens. Mason was one himself years ago - a suspect in a young girl’s disappearance. When a female student is found murdered, Mason is dogged by suspicion and flees. He hopes Merle House will offer him sanctuary once again.

Matthew, Claire, Ian, and Mason haven’t set foot on the Merle family property since the summer they were sixteen. They tried for years to put their history behind them, to forget the mystery of the girl who vanished so long ago. But a powerful force from their past is still at play. This time, there’s no hiding from it.

In Victorian England, orphan Mary Quinn lives on the edge. Sentenced as a thief at the age of 12, she’s rescued from the gallows by a woman posing as a prison warden. In her new home, Miss Scrimshaw’s Academy for Girls, Mary acquires a singular education, fine manners, and a surprising opportunity. The school is a cover for the Agency — an elite, top secret corps of female investigators with a reputation for results — and at 17, Mary’s about to join their ranks.

How can we ever be sure that we really know the other? To test the limits of our ability to inhabit lives that are not our own, Charles Foster set out to know the ultimate other: the nonhumans, the beasts. And to do that, he tried to be like them, choosing a badger, an otter, a fox, a deer, and a swift.

After his book becomes a best seller, novelist Jack Ripley moves into a house on the edge of Cutler Harbor with his wife and two daughters. Nearly a century old, Winthrop House is newly-restored and boasts a gorgeous oceanfront view. But everything is not what it seems. Though picturesque, Jack learns that the house has been shunned for decades by the locals, owing to a number of mysterious disappearances and inexplicable deaths on the grounds.

Engine 40, Ladder 35 was one of the firehouses hardest hit in the aftermath of the terrorist attack on the World Trade towers. On the morning of September 11, 2001, two rigs carrying 13 men set out from this firehouse, located on the West Side of Manhattan near Lincoln Center; 12 of the men would never return. The story of what happens when one small institution gets caught in an apocalyptic day, it is a book that will move readers as few others have in our time.

Most of us mosey between single, dating and committed in a half-rapturous, half-tortured loop for a large portion of our lives.There's no right or wrong when it comes to love, life and relationships. There are no rules, and there is no normal when it comes to the heart; it's different for each of us, every single time.But a fresh perspective never hurts, especially if the same shit keeps happening again and again. Thankfully, this audiobook lovingly serves up a few for you to consider.

Forty years ago, Walt Kelly's comic strip character Pogo famously intoned: "We have met the enemy, and he is us." Now, as the evidence for climate change becomes overwhelming, we learn the hard reality behind that witticism. The possible destruction, and certain transformation, of the ecosphere has been brought about by our own activities. What will our new world look like? How will we - can we - adapt? The clash of a rapidly changing environment with earth's self-styled ruling species, humans, provides ample creative fodder for this riveting anthology of original science fiction.

"House Chores with Mom" is a heartwarming and engaging bedtime storybook that invites children and parents alike to embark on a journey of everyday adventures within the walls of their home. Each chapter unfolds with vivid descriptions and rich sensory experiences, capturing the essence of shared moments and cherished routines.

An adventure to blow you away! That's what Jack and Annie get when the Magic Tree House whisks them back to the 1870s. They land on the prairie near a one-room schoolhouse, where they meet a teenaged schoolteacher, some cool kids, and one big, scary bully. But the biggest and scariest thing is yet to come.

Anastasia is a completely average almost-eleven-year-old. That is, UNTIL her parents die in a tragic vacuum-cleaner accident. UNTIL she's rescued by two long-lost great-aunties. And UNTIL she's taken to their delightful and, er, "authentic" Victorian home, St. Agony's Asylum for the Criminally Insane. But something strange is going on at the asylum. Anastasia soon begins to suspect that her aunties are not who they say they are. So when she meets Ollie and Quentin, two mysterious brothers, the three join together to plot their great escape!

Escrito en 2005 y debatido ampliamente tras la muerte del autor, este discurso es un legado conciso de uno de los grandes pensadores de nuestro tiempo. Transido con su humor único, su intelecto preciso y su filosofía práctica, Esto es agua muestra los retos de la vida diaria y ofrece consejos que nos renuevan con cada lectura.

Poppy, Dash, Azumi, and Dylan may have made it out of Shadow House - but the grounds are a whole new nightmare. Someone they thought was a friend is hunting them, and there's no place that's safe now that they've woken the shadow creature. If they want to survive, they'll have to figure out once and for all what the house wants from them, and what - or who - they'll need to leave behind in order to escape...or risk being trapped within Shadow House forever.