Foster Teens

In a discontented kingdom, civil war is brewing. To unify the divided people, Conner, a nobleman of the court, devises a cunning plan to find an impersonator of the king's long-lost son and install him as a puppet prince. Four orphans are recruited to compete for the role, including a defiant boy named Sage. Sage knows that Conner's motives are more than questionable, yet his life balances on a sword's point - he must be chosen to play the prince or he will certainly be killed. But Sage's rivals have their own agendas as well.

Mary B. Addison killed a baby. Allegedly. She didn't say much in that first interview with detectives, and the media filled in the only blanks that mattered: a white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary, and the jury made it official. But did she do it?

If you have not read anything about the Baudelaire orphans, then before you read even one more sentence, you should know this: Violet, Klaus, and Sunny are kindhearted and quick-witted, but their lives, I am sorry to say, are filled with bad luck and misery. All of the stories about these three children are unhappy and wretched, and this one may be the worst of them all.

Like the previous books in A Series of Unfortunate Events, there is nothing to be heard here but misery, despair, and discomfort, and you still have time to choose something else to listen to.

Flo lives an eccentric life - she travels with a popular circus in which the main acts star orphaned children with secret shape-shifting abilities. Once Flo turns 16, she must perform, but she's not ready. While practicing jumping a flaming hurdle in a clearing beside the circus, she spots a dark figure in the trees and fears he saw her shift. The news sends the circus into a panic.

If you are looking for a story about cheerful youngsters spending a jolly time at boarding school, look elsewhere. Violet, Klaus, and Sunny Baudelaire are intelligent and resourceful children, and you might expect that they would do very well at school. Don't.

Nobody in their right minds would listen to this particular book about the lives of Violet, Klaus, and Sunny Baudelaire on purpose, because each dismal moment of their stay at the village of V.F.D. has been faithfully and dreadfully recorded on this program.

This audio is the only one which describes every last detail of the Baudelaire children's miserable stay at Heimlich Hospital, which makes it one of the most dreadful audios in the world.

On Saturday morning, 13-year-old Dicey Tillerman sits in the car at the shopping mall with her younger sister and two brothers. Momma had said, "You be good." Then she walked away. They wait for a day and a night, but Momma never comes back. Finally, Dicey decides the children should go to Bridgeport, Connecticut where Aunt Cilla lives. Maybe Momma is waiting for them there. But they don't have enough money to take the bus. Determined to keep the family together, Dicey sets off on foot with her siblings.

The moving story of an orphan, determined to know her own history, who discovers the true meaning of family. Twelve-year-old Crow has lived her entire life on a tiny, isolated piece of the starkly beautiful Elizabeth Islands in Massachusetts. Abandoned and set adrift in a small boat when she was just hours old, Crow’s only companions are Osh, the man who rescued and raised her, and Miss Maggie, their fierce and affectionate neighbor across the sandbar.

A Clue found in Book 3 sends Amy and Dan jetting off to find out just what's behind the fierce rivalry between the Tomas and Ekaterina branches of the Cahill family. Was a Clue stolen from the Tomas branch? Where is it now? And most important, can Amy and Dan get their hands on it before their rivals do? It's a wild race that will take Amy and Dan deep into the bowels of the earth... and right into the hands of the enemy.

Like handshakes or housepets, many things are preferable when not slippery. Unfortunately, in this miserable volume, I am afraid that Violet, Klaus, and Sunny Baudelaire run into more than their fair share of slipperiness during their harrowing journey up, and down, a range of strange and distressing mountains.

Carley uses humor and street smarts to keep her emotional walls high and thick. But the day she becomes a foster child and moves in with the Murphys, she's blindsided. This loving, bustling family shows Carley the stable family life she never thought existed, and she feels like an alien in their cookie-cutter-perfect household.

Being the middle child has its ups and downs. But for Grace, an only child who was adopted at birth, discovering that she is a middle child is a different ride altogether. After putting her own baby up for adoption, she goes looking for her biological family, including: Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother.

Tree-ear is an orphan boy in a 12th-century Korean potters’ village. When he accidentally breaks a pot, he must work for the master to pay for the damage by setting off on a difficult and dangerous journey that will change his life forever.

Regardless of how they pass their time while at a hotel, the three siblings will be sure to take in all the interesting sights and sounds, and write them down, just in case this episode turns out to be the darkest yet in a series of unfortunate events.

When a fortuneteller’s tent appears in the market square of the city of Baltese, orphan Peter Augustus Duchene knows the questions that he needs to ask: Does his sister still live? And if so, how can he find her? The fortuneteller’s mysterious answer (An elephant! An elephant will lead him there!) sets off a chain of events so remarkable, so impossible, that Peter can hardly dare to believe it. But it is - all of it - true.

You are presumably looking here for clues to the shocking conclusion of this terminal audiobook, or the ending of the end. The end of the end is the best place to begin the end, because if you listen to the end from the beginning of the beginning of the end to the end of the end of the end, you will arrive at the end of the end of your rope.

He's a boy called Jew. Gypsy. Stopthief. Runt. Happy. Fast. Filthy son of Abraham. He's a boy who lives in the streets of Warsaw. He's a boy who steals food for himself and the other orphans. He's a boy who believes in bread and mothers and angels. He's a boy who wants to be a Nazi someday, with tall, shiny jackboots and a gleaming Eagle hat of his own. Until the day that suddenly makes him change his mind.

Unhappy Penelope Lumley is trapped in unhappy Plinkst! Even the beets for which Plinkst is inexplicably famous fail to grow in this utterly miserable Russian village. Penelope anxiously counts the days and wonders how she will ever get back to England in time to save all the Ashtons - who, she now knows, include herself and the Incorrigible children, although their precise location on the family tree is still a mystery - from their accursèd fate. Her daring scheme to escape sends her on a wildly unexpected journey.