Georgian History

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia.

A personal indictment of the institute of slavery in the Southern United States, as witnessed directly by Fanny Kemble, a British actress in 1838 and 1839. In a very personal way, she relates her many varied experiences, efforts to make life easier for the slaves despite her husband's stubborn resistance. As an English citizen, she had seen the total end of slavery throughout the British Empire in 1833, just a few years before her journey to Georgia. She ends her account with a stirring defense of Harriet Beecher Stowe's novel, Uncle Tom's Cabin.

For five horrific weeks after Christmas in 1831, Jamaica was convulsed by an uprising of its enslaved people. What started as a peaceful labor strike quickly turned into a full-blown revolt, leaving hundreds of plantation houses in smoking ruins. By the time British troops had put down the rebels, more than a thousand Jamaicans lay dead from summary executions and extrajudicial murder. While the rebels lost their military gamble, their sacrifice accelerated the larger struggle for freedom in the British Atlantic.

In the latest volume of his celebrated series of Time Traveller's Guides, Ian Mortimer turns to what is arguably the most loved period in British history: the Regency (a.k.a. Georgian England). Bookended by the outbreak of the French Revolution in 1789 and the death of George IV in 1830, this is the age of Jane Austen and the Romantic poets, the paintings of Constable and the gardens of Repton, the sartorial elegance of Brummell and the poetic licence of Byron, Britain's military triumphs at Trafalgar and Waterloo and the threat of revolution and the Peterloo massacre.

In this fascinating and original book, a team of leading historians and archaeologists reconsiders every aspect of the battle. They examine the latest historical and archaeological evidence, question every assumption, and rewrite the story of the campaign in vivid detail. This is the first time that such a distinguished team of experts has focused on a single British battle. The result is a seminal study of the subject, and it is a landmark publication of battlefield archaeology.

In the early 17th century, Britain took ruthless steps to deal with its unwanted citizens, forcibly removing men, women, and children from their homelands and sending them to far-flung corners of the empire to be sold off to colonial masters. This oppressive regime grew into a brutal system of human bondage which would continue into the 20th century. Drawing on firsthand accounts, letters, and official documents, Graham Seal uncovers the traumatic struggles of those shipped around the empire.

Initially a slaving vessel itself, the Black Joke was captured in 1827 and repurposed by the Royal Navy to catch its former compatriots. Over the next five years, the vessel liberated more enslaved people than any other in Britain’s West Africa Squadron. As Britain attempted to snuff out the transatlantic slave trade by way of treaty and negotiation, enforcing these policies fell to ships such as the Black Joke as they battled slavers, weather disasters and interpersonal drama among captains and crew that reverberated across oceans.

The most urgent story in modern tech begins not in Silicon Valley but two hundred years ago in rural England, when workers known as the Luddites rose up rather than starve at the hands of factory owners who were using automated machines to erase their livelihoods. The Luddites organized guerrilla raids to smash those machines—on punishment of death—and won the support of Lord Byron, enraged the Prince Regent, and inspired the birth of science fiction. This all-but-forgotten class struggle brought nineteenth-century England to its knees.

The breathtaking latest installment in Bill O'Reilly and Martin Dugard's mega-best-selling Killing series transports listeners to the most important era in our nation's history, the Revolutionary War. Told through the eyes of George Washington, Benjamin Franklin, Thomas Jefferson, and Great Britain's King George III, Killing England chronicles the path to independence in gripping detail, taking the listener from the battlefields of America to the royal courts of Europe.

George III, Britain's longest-reigning king, has gone down in history as 'the cruellest tyrant of this age' (Thomas Paine, 18th century), 'a sovereign who inflicted more profound and enduring injuries upon this country than any other modern English king' (WEH Lecky, 19th century), 'one of England's most disastrous kings' (JH Plumb, 20th century) and as the pompous, camp and sinister monarch of the musical Hamilton (21st century). Andrew Roberts' magnificent new biography takes entirely the opposite view.

In Behind the Throne, historian Adrian Tinniswood uncovers the reality of five centuries of life at the English court, taking the listener on a remarkable journey from one Queen Elizabeth to another and exploring life as it was lived by clerks and courtiers and clowns and crowned heads: the power struggles and petty rivalries, the tension between duty and desire, the practicalities of cooking dinner for thousands and of ensuring the king always won when he played a game of tennis.

Julia Cummings has long been acquainted with loss - her mother, her brother, her sister, her friend, all gone too soon. But the loss that pushed her grief to the limit as a young girl was that of her best friend, Lucas Jonquil, who abandoned her without looking back. Now, eight years later, Lucas has returned to Lampton Park, and Julia has steeled herself - she will never forgive the man who broke her heart.

Spanning the end of the Regency, Ackroyd takes listeners from the accession of the profligate George IV, whose government was steered by Lord Liverpool, whose face was set against reform, to the "Sailor King" William IV, whose reign saw the modernization of the political system and the abolition of slavery. But it was the accession of Queen Victoria, at only 18 years old, that sparked an era of enormous innovation. Technological progress - from steam railways to the first telegram - swept the nation, and the finest inventions were showcased at the first Great Exhibition in 1851.

London: a settlement founded by the Romans, occupied by the Saxons, conquered by the Danes and ruled by the Normans. This unremarkable place - not even included in the Domesday Book - became a medieval maze of alleys and courtyards, later to be chequered with grand estates of Georgian splendour. It swelled with industry and became the centre of the largest empire in history. And rising from the rubble of the Blitz, it is now one of the greatest cities in the world.

The Victorians are often credited with ushering in our current era, yet the seeds of change were planted in the years before. The Regency (1811-1820) began when the profligate Prince of Wales - the future King George IV - replaced his insane father, George III, as Britain's ruler. Around the regent surged a society steeped in contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. The arts flourished at this time with a showcase of extraordinary writers and painters such as Jane Austen, Lord Byron, the Shelleys, John Constable, and J. M. W. Turner.

Amazing Grace is a rags-to-riches story that charts the many ways a young man squanders opportunities and experiences misery and poverty, only to unexpectedly rise to a level of respectability and privilege. This dramatic retelling of his life story is a tale of romance, in which young love sparks wild actions, only to be followed by years of seemingly hopeless longing, before eventually being crowned by a long and happy marriage. Lastly, it is a story of grace of a youth who rejects God repeatedly, only to be rescued by divine mercy that reaches deeper than he ever imagined.

Anne Lister was extraordinary. Fearless, charismatic, and determined to explore her lesbian sexuality, she forged her own path in a society that had no language to define her. She was a landowner, an industrialist, and a prolific diarist whose output has secured her legacy as one of the most fascinating figures of the 19th century. Gentleman Jack: The Real Anne Lister follows Anne from her crumbling ancestral home in Yorkshire to the glittering courts of Denmark as she resolves to put past heartbreak behind her and find herself a wife.

What was daily life in Nelson's navy really like, for everyone from the captain down to the rawest recruit? What did they eat? What songs did they sing? What was the schedule of watches? How were the officers and crew paid, and what was the division of prize-money? These questions and many more are answered in Patrick O'Brian's elegant narrative, which includes wonderful anecdotal material on the battles and commanders that established Britain's naval supremacy.

Dr Gregory Fremont-Barnes presents a detailed overview of the Forty-five Rebellion, dispelling the myths that have grown up around battles like Culloden and the figures of the Highlanders. Fremont-Barnes examines this key turning point in British history, analysing the dynastic struggle of two royal houses, the Rebellion’s manoeuvres and battles and the tragic aftermath for the Highlands.

London, 1772: a young artist called Thomas Rowlandson is making his way through the grimy backstreets of the capital, on his way to begin his studies at the Royal Academy Schools. Within a few years, James Gillray and Isaac Cruikshank would join him in Piccadilly, turning satire into an artform, taking on the British establishment, and forever changing the way we view power. Set against a backdrop of royal madness, political intrigue, the birth of modern celebrity, French revolution, American independence and the Napoleonic Wars, UPROAR! follows the satirists as they lampoon those in power.