Germany European History

The Holy Roman Empire lasted 1,000 years, far longer than ancient Rome. Yet this formidable dominion never inspired the awe of its predecessor. Voltaire quipped that it was neither holy, Roman, nor an empire. Yet as Peter H. Wilson shows, the Holy Roman Empire tells a millennial story of Europe better than the histories of individual nation-states.

The Nine follows the true story of the author’s great aunt Hélène Podliasky, who led a band of nine female resistance fighters as they escaped a German forced labor camp and made a 10-day journey across the front lines of World War II from Germany back to Paris. Drawing on incredible research, this powerful, heart-stopping narrative is a moving tribute to the power of humanity and friendship in the darkest of times.

For nearly a century, historians have depicted Germany as a rabidly nationalist land, born in a sea of aggression. Not so, says Helmut Walser Smith, who, in this groundbreaking 500-year history, challenges traditional perceptions of Germany's conflicted past, revealing a nation far more thematically complicated than 20th-century historians have imagined.

Drawing on an unprecedented range and variety of original research, Hitler's Empire sheds new light on how the Nazis designed, maintained, and lost their European dominion - and offers a chilling vision of what the world would have become had they won the war. Mark Mazower forces us to set aside timeworn opinions of the Third Reich, and instead shows how the party drew inspiration for its imperial expansion from America and Great Britain.

From a master of popular history, the lively, immersive story of the race to seize Berlin in the aftermath of World War II as it’s never been told before.

At the end of 1941, it seemed to many people, especially in Germany, that the war was virtually over. Some began to consider what a postwar Europe would look like after a Nazi victory. With nothing to stop them, the Nazis became the most rapacious looters of art the world had ever seen, to the extent that it has been estimated that the Nazis may have acquired up to 20 percent of all art in Western Europe. Some works were returned after the war, many disappeared, and still others have become the subject of intense speculation.