Ghost Humor

Louie Hake is 43 and teaches architectural history at a third-rate college in Michigan. His second marriage is collapsing, and he's facing a potentially disastrous medical diagnosis. In an attempt to fend off what has become a soul-crushing existential crisis, he decides to treat himself to a tour of the world's most breathtaking architectural sites. Perhaps not surprisingly, Louie gets waylaid on his very first stop in Rome - ludicrously, spectacularly so - and fails to reach most of his other destinations.

Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book. But Ziggy swiftly proves almost impossible to work with, and worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy.

Kathryn Broussard has managed her life with dignity and an I-know-you-have-feelings-but-I'm-coming-through-anyway attitude. She exudes confidence and control over the land much as a reigning queen rules her court. Her main focus - Grace, her daughter. Although grown, Grace depends on her mother's razor-sharp decision-making ability for everything. All is well in the land of dysfunctional mother-daughterhood until the unthinkable happens. Kathryn dies.

L'autore di questo audiolibro, Maurice Leblanc, ha scritto la fortunata serie di Arsenio Lupin, ma in questo ascolto il ladro gentiluomo fa solo una breve comparsa, mentre la trama si sviluppa autonomamente, tra suggestioni gotiche, superstizioni, fantasmi del passato che perseguitano l'eroina, Veronica, e suo figlio Francesco. Fino alla fine un susseguirsi di colpi di scena, e non manca il consueto gusto umoristico dell'autore. Cornice musicale dello sceneggiato francese del 1979.

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When she rolls into town with her friends in tow, Lizzie finds her mom in the clutches of a demonic entity they accidentally left behind all those years ago. Now, it’s up to Lizzie, her talking dog, and the Red Skull biker witches to make things right. With one tiny complication: Lizzie is pregnant with Dimitri Kallinikos’ baby, and the shape-shifting griffin is hell bent on keeping her safe - at the risk of life, limb, and Lizzie’s sanity. Lizzie must fight for her child and her family while battling dark spirits, demons, and morning sickness.

Conrad Avery Sutton III is dead, but he's still around. And he's bent on revenge, frat-boy style. Responsible for the hazing "accident" that killed him is supposed golden boy Ryan Hutchins. Cult sensation Will Clarke delivers a darkly comic tale described as a cross between Animal House and The Lovely Bones.

The author’s limbo is a ghost town that includes animals that had been killed by humans: a dog, some cats, cows, chickens, and wild creatures, too. The animals are content with their lot in the afterlife, but the humans have an infinity of time on their hands and not enough to do. They think about the big issues, of course, but no one can spend all their time thinking higher thoughts, so mostly they do what they did in life: they gossip, they get on each other’s nerves, and they play poker.

The house on Curmudgeon Avenue should be happy now—the nincompoop residents have all met their sorry ends. But they haven't quite left...now that a new family move in, can the house find peace? Or are the ghosts of Curmudgeon Avenue going to interfere with the goings-on, romance, and dramas that new residents bring? Gordon and Zandra Bennett, along with their lovelorn daughter, Krystina, move all the way from London to Curmudgeon Avenue. Zandra has her heart set on renovating the four-story Victorian terrace and hires Harry to rip out the old and bring in the new.

Senior snoop, Agnes Barton, has taken up residence in a Winnebago at a campground in East Tawas, Michigan. It's not the ideal place for a woman of 72 to live, but she's making do. She had planned to start a detective agency with partner in crime, Eleanor Mason, but a snag with the license has them free-wheeling it, not that it matters because they are the ones folks call when dead bodies turn up.

Sandi Webster, Los Angeles P.I., has a new case. When a drunken bum is found dead in her client's basement, she has to figure out who might have had a motive for murder other than a young, single mother. In the process of investigating the crime, Sandi uncovers secrets she'd rather not know. Sandi's partner, Pete, is searching for a killer in Nevada, leaving her to fend for herself, something she does with finesse. In the meantime, a huge dog named Bubba adopts Sandi and moves in, but shows signs of cowardice when eerie sounds are heard coming from the attic.

The deathly silence is about to be broken. She disliked the company of others and death did little to warm her spirit. She had led an independent life and she faced death in much the same way. She was finally alone, finally free from the mindless babble of others, at least that's what she thought. May Elizabeth Trump was the rarest of spirits and she was none too happy about it either. She was a dead medium, a ghost who can speak with the living, and her services were to become in great demand.

A beautiful television personality comes home to mourn her mother, as well as the life she lost when her husband became ill and the pandemic shut down her show. When her husband dies suddenly, was she simply expressing her grief with murder? Was he the intended victim, or did she narrowly escape the well-deserved wrath of her neighbors?

David Foster Wallace has been dead since his untimely self-staged exit on September 12, 2008. His lingering literary presence meets a main character here, who becomes his final pupil. DFW's Posthumous Masterclass, as the title implies, brings back DFW to expound upon the high art of writing and the lower art of living. You have in your very hands this last masterwork from the posthumous master class of one David Foster Wallace, who wants you to know more about the origins of yogurt, and where Steve McQueen's last car can be found in this love letter into the abyss.

Topper is a hilarious, ribald comedy about a mild-mannered bank manager and two capricious ghosts, George and Marion Kerby, who make it their mission to rescue Topper from the drab "summer of suburban Sundays" that is his life.

Twisty scares with heart. Ghosts, sea monsters, and a rest home for troublesome witches all feature in this collection of paranormal stories set in Wellington, New Zealand. By turns spooky and laugh-out-loud funny, these tales stew with malevolence and mischief. Climb aboard the ghost bus for a wild ride of sci-fi, fantasy, horror, and humor, and hop off a little more in love with Aotearoa's capital city.

A cottage on the coast on a windy evening. Under a pool of yellow light, two figures face each other across a kitchen table. A man and a cat. The story about to be related is so unusual yet so terrifyingly plausible that it demands to be told in a single sitting. The man clears his throat, and leans forward, expectant. 'Shall we begin?' says the cat….

Enchanted Vacation: Annabelle’s Visit is the third and last of my Annabelle Series. It is funny and heartwarming and includes old friends from several of my other books, you just might recognize an old friend.

Annabelle has always been able to fix things with a click of her fingers and a few choice words, but this Christmas, something is different. This Christmas, she realizes that the girl she has raised from birth, Jane, has grown and has a life of her own now, which includes her ultra-rich biological mother, the former bag lady Dennie Bin. It also includes the son of Annabelle’s worse foe.

Whispers in the literary realm speak of a cryptic tale known as "Only a Ghost!" penned by none other than Irenæus the Deacon himself. But hark! This is no ordinary travelogue, for it is a work of humor and fiction that was brought to life by Sabine Baring-Gould. It is said that the spirit of Irenæus, once belonging to the church of 4th century Jerusalem, haunts the streets of the "most religious city of the world" in the year 1870.