Gothic English Mystery

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

They were a perfect and beautiful family - until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother.

Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept—no matter how bizarre the interview or how vague the job description. By day, she is assistant to the family doctor and his charge—the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.

Elle Edwards, who has been told she's a product of her mother's sinful mistake, has never gone to school, never met a teenager her own age, never even been allowed off of her grandparents' property. Convinced that their granddaughter is infected with evil, Myra and Prescott Edwards believe that only the harshest child-rearing methods will prevent Elle from becoming an instrument of the devil.

The descendant of adventuring-dead-aristocrats, Clarissa Knightley supplements a modest inheritance by penning gothic novels that cost more than they earn. Upon learning that she has mysteriously inherited a share of an earl's estate, she rashly packs up her household. In remote Gravesyde Priory, she hopes to find a safe haven and family who will welcome her and her young nephew. Instead, she discovers a drunken American army captain, his African servant, and ancient, surly caretakers.

After years of avoiding each other, Daisy Darker’s entire family is assembling for Nana’s 80th birthday party in Nana’s crumbling gothic house on a tiny tidal island. Finally back together one last time, when the tide comes in, they will be cut off from the rest of the world for eight hours. The family arrives, each of them harboring secrets. Then at the stroke of midnight, as a storm rages, Nana is found dead. And an hour later, the next family member follows…

Chris and Cathy made such a loving home for 14-year-old Jory - so handsome, so gentle. And for Bart, who had such a dazzling imagination for a nine-year-old. Then the lights came on in the house next door. Soon the Old Lady in Black was there, watching them, guarded by her strange old butler. Soon she had Bart over for cookies and ice cream and asked him to call her "Grandmother". And soon Bart's transformation began....

Heaven Leigh Casteel may be the prettiest, smartest girl in the backwoods, but her cruel father and weary stepmother work her like a mule. For the sake of her brother Tom and the other little ones, Heaven clings to the hope that someday she can show the world they are worthy of love and respect. But when the children’s stepmother can’t take it anymore and abandons the family, Heaven’s father hatches a scheme that will alter her young life forever. Being sold to a strange couple is just the beginning....

Single mother Kate Reese is on the run. Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out. At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six awful days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged.

The Lost Country centers on Edgewater, who's recently been discharged from the navy, and a one-armed con man named Roosterfish who takes him under his wing as they both search desperately for a forgotten past and a future that may never come. The Lost Country cements Gay as one of the strongest voices in Southern literature, alongside Cormac McCarthy, Flannery O'Connor, and William Faulkner.

The only family Ruby Landry has ever known are her loving guardian Grandmere Catherine, a Cajun spiritual healer, and her drunken Grandpere Jack. Although thinking about her dead mother and mysterious father sometimes makes her feel sad and solemn, Ruby is grateful for what she has, especially when her attraction to handsome Paul Tate blossoms into a wonderful love affair. But Paul’s wealthy parents forbid him to associate with a poor Landry. Then, finding her father in his massive New Orleans mansion, Ruby is quickly subjected to his world of lies, torment...and madness.

Alike in every single way...with one dark exception. As identical twins, their mother insists that everything about them be identical: their clothes, their toys, their friends...the number of letters in their names: Haylee Blossom Fitzgerald and Kaylee Blossom Fitzgerald. If one gets a hug, the other must, too. If one gets punished, the other must be, too.

Meg works for a casino in LA, catching cheaters and popping a few too many pain pills to cope, following a far different path than her sister Haley, a famous actress. But suddenly reports surface of Haley dying at the remote rehab facility where she had been forced to go to get her addictions under control.

There are whispers of suicide, but Meg can't believe it. She decides that the best way to find out what happened to her sister is to check in herself—to investigate what really happened from the inside.

In 1890, Corrine Dixon meets and is swept away by the charms of rich, sophisticated, and handsome Garland Foxworth. After discovering that she’s pregnant, Garland does what appears to be the honorable thing and marries her in a huge wedding ceremony on the luxurious Foxworth Hall grounds while both families keep her pregnancy a secret. Now the mistress of the labyrinthine estate, Corrine discovers that nothing is what is seems. Garland is not the man she expected, and she’s uncomfortable with his intense infatuation with his deceased mother’s memory.

"With the roar of thunder and the speed of a galloping horse comes the tide to Mont St. Michel", goes the old nursery song. So when the aged patriarch of the du Rocher family falls victim to the perilous tide, even the old man's family accepts the verdict of accidental drowning. But too quickly, this "accident" is followed by a bizarre discovery in the ancient du Rocher chateau: a human skeleton, wrapped in butcher paper, beneath the old stone flooring. Professor Gideon Oliver, lecturing on forensic anthropology at nearby St. Malo, is asked to examine the bones.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

Audrina remembers a better time, when her husband, Arden, was a young man with a heart filled with devotion for her. He didn't used to be this ambitious, this expansive...this cruel. But then, the death of Aurdina's father changed a great many things. When the reading of her father's will reveals that Audrina herself will control 51 percent of the family brokerage, the halls of Whitefern again don't feel safe. Arden's protestations become frantic, nearly violent.

With nowhere to go, no one to help her, Leigh fled into the arms of Luke Casteel! Leigh Van Voreen had to escape from Boston's Farthinggale Manor. The foul secret she harbored within her seemed to darken her life forever. Jillian, her mother, would not believe her...and Tony Tatterton, her stepfather, had betrayed her most cruelly. But the pure devotion of Luke Casteel promised her hope and respect. Only Luke knew her deepest of secrets...only Luke would love and protect her.