Gothic Historical Fiction

Dorothea Truelove is young, wealthy, and beautiful. Ruth Butterham is young, poor, and awaiting trial for murder. When Dorothea's charitable work brings her to Oakgate Prison, she is delighted by the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets one of the prisoners, the teenaged seamstress Ruth, she is faced with another strange idea.

For several years, time and circumstance have managed to separate Hallie Knight and her old friend Susan Trench. But when Susan disappears from her grandfather's seaside home on historic Topsail Island, it is Hallie whom Nicholas Trench calls for help. Wealthy, ill, and irascible, he refuses to believe that his beloved granddaughter and the heir to his fortune has been lost to him.

It’s 1875, and Alva Webster has perfected her stiff upper lip after three years of being pilloried in the presses of two continents over fleeing her abusive husband. Now his sudden death allows her to return to New York to make a fresh start, restoring Liefdehuis, a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. However, fresh starts aren’t as easy as they seem, as Alva discovers when stories of a haunting at Liefdehuis begin to reach her.

"Dog days and the fresh bodies are arriving once again." So begins the fall term at South Carolina Medical College, where Dr. Jacob Thacker is on probation for Xanax abuse. His interim career - working public relations for the dean - takes an unnerving detour into the past when the bones of African American slaves, over a century old, are unearthed on the campus. Out of the college’s dark past, these bones threaten to rise and condemn the present.

Bram Stoker kept secret a tale even more terrifying than Dracula. It begins among the Carpathian peaks, when an intrepid explorer discovers a mysterious golden box. She brings it back with her to the foggy streets of Victorian London, unaware of its dangerous power…or that an evil beyond imagining has already taken root in the city. Stoker, a successful theater manager but frustrated writer, is drawn into a deadly web spun by the wealthy founders of a mission house for the poor. Far from a safe haven, the mission harbors a dark and terrifying secret.

Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait - identified as the doomed Tudor queen Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than 400 years ago.

With her signature spirit, Faith Merridew has left everything she's ever known for the man she thought was the love of her life. Instead he leaves her name - and dreams - in the dust. That is, until she crosses paths with Nicholas Blacklock, a Waterloo veteran, who offers to save her reputation with a marriage of convenience. A hardened soldier, Nick hides a deadly secret - and tries to keep Faith at arm's length. But even though Nick can command legions of men with a word, his orders go sweetly ignored by his convenient bride.

Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls’ orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family’s reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known.

In the tradition of Shirley Jackson’s We Have Always Lived in the Castle, a darkly humorous modern classic of Scottish literature about a doomed adolescent growing up in the mid-19th century—featuring a new introduction by Maggie O’Farrell, award-winning author of Hamnet.

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

Thea Knight loves a spot of mischief. She especially loves her current mischief: masquerading as her sister, while finalizing her scheme to expose the dastardly knaves whose lies ruined her life. Then big, bad-tempered Lord Luxborough upends her game by maneuvering her into marriage. But it's her sister’s name on the license, so the marriage won’t be valid. Thea’s idea? Keep pretending to be her sister until she can run away.

England, 1917. Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion. Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs - and as events escalate, she finds herself drawn to the tragic history of the house.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

From the number one best-selling author of The American Boy and The Ashes of London comes a collection of three Gothic novellas - Broken Voices, The Leper House and The Scratch - perfect for fans of The Loney by Andrew Michael Hurley.

The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly Everlasting. During the Great Depression, amidst severe poverty and dangerous work conditions, Pearly’s family and the woodsmen form a close-knit community that embraces the tame, young bear in their camp. But when a new camp supervisor—who increasingly endangers the lives of the loggers for profit—arrives, he is less accepting of Bruno.

England 1904. Mirror twins Adelaide and Victoria have spent their lives in orbit of each other– doomed to be in the other’s shadow, their lives are intertwined and inextricable as each other’s identical inverse. Adelaide is dutiful and reserved, happy to remain in her childhood home, Harewood Hall, forever. Victoria wishes for a thrilling life, exploring the world and finding a great romance–but the twins cannot live apart. Visiting Lord Stanley bewitches Victoria with his talk of a life of luxury in New York, but it is obedient Adelaide whom he marries against her will and to Victoria’s fury

There is only one way to travel across the Wastelands: on the Trans-Siberian Express, a train as famous for its luxury as for its danger. The train is never short of passengers, eager to catch sight of Wastelands creatures more miraculous and terrifying than anything they could imagine. But on the train's last journey, something went horribly wrong, though no one seems to remember what exactly happened. Not even Zhang Weiwei, who has spent her life onboard and thought she knew all of the train’s secrets.

As a boy, William Bellman commits one small, cruel act: killing a bird with his slingshot. Little does he know the unforeseen and terrible consequences of the deed, which is soon forgotten amidst the riot of boyhood games. By the time he is grown, with a wife and children of his own, William seems to be a man blessed by fortune - until tragedy strikes and the stranger in black comes. Desperate to save the one precious thing he has left, William enters into a rather strange bargain, with an even stranger partner, to found a decidedly macabre business.

Communing with spirits has been both gift and curse to Emme Walters. Now it's made her a killer's target. Emme knows why the Dowager Duchess of Briarleigh invited her to a house party--to investigate whether the duke, Rhys Brammel, murdered his wife years ago. But Emme never imagined she would fall in love with the brooding duke. Branded by society as a possible killer, Rhys is suspicious of Emme and her alleged "gift." Then a late night encounter creates awareness of her other, more attractive, aspects. When Emme's life is threatened, Rhys becomes her protector. Emme and Rhys find passion and peril as they join forces to solve the mysteries at Briarleigh. She made him believe in spirits, but can she make him believe in love?