Gothic Historical Fiction

Hazel Sinnett is a lady who wants to be a surgeon more than she wants to marry. Jack Currer is a resurrection man who’s just trying to survive in a city where it’s too easy to die. When the two of them have a chance encounter outside the Edinburgh Anatomist’s Society, Hazel thinks nothing of it at first. But after she gets kicked out of renowned surgeon Dr. Beecham’s lectures for being the wrong gender, she realizes that her new acquaintance might be more helpful than she first thought.

Portrait of the Medical Student as a Young Body Snatcher. Yet I must insist that in the end, this is not a story about Death. It is perhaps a Life story, or even—yes—a Love story. It is the story of how I clawed my way from the decay of a crumbling legacy into the modern era of Reason and Science. It is the story of how I escaped the prison of archaic superstition to the freedom of enlightenment. It is the story of how a rose can blossom from even the bloodiest soil, of how light can grow from shadow, how love can grow from despair.

Based on true crimes, The Specimen is a mesmerizing story about one woman’s search for truth and vengeance in the darkest of places—where the deadliest secrets lie hidden in plain sight on a freshly dusted shelf.

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly Everlasting. During the Great Depression, amidst severe poverty and dangerous work conditions, Pearly’s family and the woodsmen form a close-knit community that embraces the tame, young bear in their camp. But when a new camp supervisor—who increasingly endangers the lives of the loggers for profit—arrives, he is less accepting of Bruno.

Wieland (1798) is an early American novel set in 1760s Pennsylvania. Based on a real case of a New York farmer who murdered his family, the story is imbued with suspense and intrigue, adopting Gothic devices such as ventriloquism and spontaneous combustion. The satanic interloper Carwin exercises his power over the narrator, Clara Wieland, wreaking havoc over the Wieland family with disastrous consequences. A central theme in the novel is the issue of the values that formed the basis of a new democratic and republican America.

With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War, she warily makes her way to her new home.

The 1850s are a time of discovery, and London is ablaze with the latest scientific theories and debates, especially when a spectacular new exhibition of dinosaur sculptures opens at the Crystal Palace. Mary is keen to make her name in this world of science alongside her geologist husband, Henry—but despite her sharp mind and sharper tongue, without wealth and connections their options are limited.

Threatened with destruction unless he fashions a wife for his Creature, Victor Frankenstein travels to England where he meets Mary and Kitty Bennet, the remaining unmarried sisters of the Bennet family from Pride and Prejudice. As Mary and Victor become increasingly attracted to each other, the Creature looks on impatiently, waiting for his bride. But where will Victor find a female body from which to create the monster's mate? Meanwhile, the awkward Mary hopes that Victor will save her from approaching spinsterhood while wondering what dark secret he is keeping from her.

All children mythologize their birth... So begins the prologue of reclusive author Vida Winter's beloved collection of stories, long famous for the mystery of the missing thirteenth tale. The enigmatic Winter has always kept her violent and tragic past a secret. Now old and ailing, she summons a biographer to tell the truth about her extraordinary life: Margaret Lea, a young woman for whom the secret of her own birth remains an ever-present pain.

Thomas Hart and Grace Macaulay have lived all their lives in the small Essex town of Aldleigh. Though separated in age by three decades, the pair are kindred spirits—torn between their commitment to religion and their desire to explore the world beyond their small Baptist community. It is two romantic relationships that will rend their friendship, and in the wake of this rupture, Thomas develops an obsession with a vanished nineteenth-century astronomer said to haunt a nearby manor, and Grace flees Aldleigh entirely for London.

Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait - identified as the doomed Tudor queen Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than 400 years ago.

Marion Shaw has been raised in the slums, where want and deprivation are all she knows. Despite longing to leave the city and its miseries, she has no real hope of escape until the day she spots a peculiar listing in the newspaper seeking a bloodmaid. Though she knows little about the far north—where wealthy nobles live in luxury and drink the blood of those in their service—Marion applies to the position. In a matter of days, she finds herself the newest bloodmaid at the notorious House of Hunger. There, Marion is swept into a world of dark debauchery.

In the wake of a scandal, the Montrose family and their three daughters - Catherine, Lydia and Emeline - flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline. All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end....

London, 1852. Genevieve Timmons has made her living posing as a spiritualist to swindle wealthy believers, until one misstep lands her in a jail cell awaiting the noose. Then a stranger, Mr. Lockhart, arrives to make her a peculiar offer. The lord he serves, Mr. Pemberton, has been grieving the mysterious death of his beautiful bride-to-be for six months. Although no foul play was ever uncovered, the young lord is convinced that she was murdered.

Confused and disoriented, Georgina Ferrars awakens in a small room in Tregannon House, a private asylum in a remote corner of England. She has no memory of the past few weeks. The doctor Maynard Straker tells her that she admitted herself under the name Lucy Ashton the day before and then suffered a seizure. When she insists he has mistaken her for someone else, Dr. Straker sends a telegram to her uncle, who replies that Georgina Ferrars is at home with him in London: "Your patient must be an imposter." Suddenly her voluntary confinement becomes involuntary....

As she battles against her forbidden passion and Sir Montague's strange machinations, Rebecca realises that her only hope for survival is to unlock the secrets of Willow Castle....

Young Fleetwood Shuttleworth is with child again. As the mistress of Gawthorpe Hall, she is anxious to provide her husband with an heir. But none of her previous pregnancies have come to term. Then she discovers a hidden letter from her physician that warns her husband that she will not survive another pregnancy. Distraught over the frightening revelation, Fleetwood wanders the woods of Pendle Hill, where she comes across a young local woman named Alice Gray who is gathering herbs. A midwife, Alice promises Fleetwood she can help her deliver a healthy baby.

1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.

Thanks to house tamer Hulda Larkin, the mischief infesting Whimbrel House has calmed. But if Hulda’s job is done, what does that mean for Merritt Fernsby, inheritor of the remote Narragansett Bay estate, who’s only now coming to terms with his enchanted place in the world? Merritt has realized his own burgeoning powers, which draw the thoughts of every plant, insect, and dog. His nights are sleepless, with an uncontrollable cacophony of voices that compel a long-overdue search into his uncanny bloodline. It’s not the only puzzle uniting Merritt and his ex-housekeeper, Hulda.

Practical, unassuming Jane Shoringfield has done the calculations and decided that the most secure path forward is this: a husband, in a marriage of convenience, who will allow her to remain independent and occupied with meaningful work. Her first choice, the dashing but reclusive Doctor Augustine Lawrence, agrees to her proposal with only one condition: that she must never visit Lindridge Hall, his crumbling family manor outside of town. Yet on their wedding night, an accident strands her at his door in a pitch-black rainstorm, and she finds him changed.