Gothic Psychological Suspense

Robert Reid moved his family to Scotland’s Outer Hebrides in the 1990s, driven by hope, craving safety and community, and hiding a terrible secret. But despite his best efforts to fit in, Robert is always seen as an outsider. And as the legendary and violent Hebridean storms rage around him, he begins to unravel, believing his fate on the remote island of Kilmeray cannot be escaped.

From the moment we met, Nicholas Crawford has been an enigma. He’s a man with an unknown past and a mysterious future. He’s a criminal, a liar, a mastermind, and the love of my life. I became a criminal for him. I rescued him. Now, it’s his turn to do something for me. When I discover that everything I believed about my family is a lie, I need his help to uncover the truth. Who am I? Where do I come from? Why is there so much deceit? I’m in a dark place, and I’m all alone. He is the only person who can pull me out of it.

In 1886, a respectable young woman must acquire a husband. But Violet Pring does not want to marry. She longs to be a professional artist and live on her own terms. When her scheming mother secures a desirable marriage proposal from an eligible Brighton gentleman for her, Violet protests. Her family believes she is deranged and deluded, so she is locked away in Hillwood Grange Lunatic Asylum against her will. In her new cage, Violet faces an even greater challenge: she must escape the clutches of a sinister and formidable doctor and set herself free.

Sixteen-year-old Sage is a lonely child. Her adoptive parents watch her obsessively, as if studying her for warning signs of...something. And maybe they're right to - even she can't make sense of the strange things she sees and hears. She possesses knowledge that other teenagers don't, that her parents and teachers - no adult - could possibly have. So when Sage finally makes a friend who understands her alarming gift, he becomes her confidant, a precarious link to the truth about who she really is.

We were always The Four. From our very first day at High Realms. The four scholarship pupils. Outsiders in a world of power and privilege. And, according to everyone else, we were dangerous. It would have made our lives a lot easier if Marta had simply pushed our prefect Genevieve out of our bedroom window that day. Certainly, it would have been tragic. She would have died instantly. But Marta didn’t push her then, or–if you choose to believe me–at any other time. If she had, all of what we went through would not have happened.

One hot summer's day, John Cole decides to shut his bookshop early, and possibly forever, and drives out of London to see his brother. When his car breaks down on an isolated road, he goes looking for help and finds a dilapidated house. As he approaches, a laughing woman he's never seen before walks out, addresses him by name and explains she's been waiting for him. Entering the home, John discovers an enigmatic clan of residents all of whom seem to know who he is, and also claim they have been awaiting him arrival.

You did nothing. That doesn’t mean you’re innocent. On a night out, four friends witness a stranger in trouble. They decide to do nothing to help. Later, a body washes up on the banks of the Thames - and the group realises that ignoring the woman has left blood on their hands. But why did each of them refuse to step in? Why did none of them want to be noticed that night? Who is really responsible? And is it possible that the victim was not really a stranger at all?

Agnes Corey, a junior editor at a small independent publisher, has been hired by enigmatic author Veronica St. Clair to transcribe the sequel to her 1993 hit phenomenon, The Secret of Wyldcliffe Heights. St. Clair has been a recluse since the publication of the Jane Eyre-esque book, which coincided with a terrible fire that blinded and scarred her. Arriving in the Hudson Valley at St. Clair’s crumbling estate, which was once a psychiatric hospital for “wayward women,” Agnes is eager to ensure St. Clair’s devoted fans will get the sequel they’ve been anticipating for the past thirty years.

In Gold Creek, Michigan, legend has it that the ghost of a local grave digger still walks the cemetery, swinging his shovel, looking for his next victim to bury. But when the town’s wealthy undertaker dies, his estranged daughter must contend with the ghosts that haunt her own family.

Seven months ago, Ollie surrendered to the darkness, abandoning me in the process. He stripped me of my walls, only to leave me defenseless. Now he's back, along with fresh new faces and obstacles standing in our way. He says to trust no one. Not even him. How am I supposed to be strong for us both when I'm losing my grip?

When Eleanor Harper becomes the director of a renowned artists' retreat, she knows nothing of Cliffside Manor's dark past as a tuberculosis sanatorium, a "waiting room for death". After years of covering murder and violence as a crime reporter, Eleanor hopes that being around artists and writers in this new job will be a peaceful retreat for her as much as for them.

Penny and Hattie are sisters in a small town, bound tight to the point of knots. They share a secret they cannot escape, even while it pulls them apart. One night, a match is lit, and Penny's terrible husband is killed - a marriage going up in flames and offering the potential of a new life. The sisters retreat into their family home, a house of secrets and memories, and try to live in the shadow of what they put in motion. But Penny's husband is not the only thing they are hiding - both from the outside world and from each other.

In 1995, six university students moved into the house at 215 Caldwell Street. Months later, one of them was found dead on the sofa the morning after their end-of-year party. His death was ruled an accident by the police. The remaining five all knew it wasn’t, and though they went on with their lives, the truth of what happened to their sixth housemate couldn’t stay buried forever. Twenty years later, all five of them arrive - lured separately under various pretenses - at Wolfheather House, a crumbling, secluded mansion on the Scottish isle of Doon.

All Things Seen and Unseen follows Alex Nguyen, an isolated, chronically ill university student in her early 20s. After a suicide attempt and subsequent lengthy hospitalization, she finds herself without a job, kicked out of campus housing, unable to afford school, and still struggling in the aftermath of a relationship’s dissolution. Hope comes in the form of a rich high school friend who offers Alex a job housesitting at her family’s empty summer mansion on a gulf island.

Still in shock after the tragic death of husband Richie, Cassie Macreddin hopes that her new home, historic Hindon House, is the place where she can heal her pain and hide her secrets. But Hindon House has secrets of its own. Cassie soon realises that not everyone is pleased at her arrival and that someone is actively trying to make her leave Hindon House…but who? And why? As events escalate, Cassie must fight to save her home…and maybe even her life.

From the attic of Lyntons, a dilapidated English country mansion, Frances Jellico sees them - Cara first - dark and beautiful - then Peter - striking and serious. The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.

Goldengrove’s towers and twisted chimneys rose at the very edge of the peaceful Weald, a stone’s throw from the poisonous marshes and merciless waters of Rye Bay. Young Tabby Palethorp had been running wild there, ever since her mother grew too ill to leave her room. I was the perfect choice to give Tabby a good English education: thoroughly respectable and far too plain to tempt her lonely father, Sir Kit, to indiscretion. I knew better than to trust my new employer with the truth about my past. But knowing better couldn’t stop me from yearning for impossible things.

Aspiring author Graye Templeton will do anything to escape the horrific childhood crime that haunts her. After a life lived in shadows, she’s accepted a new job as protégé to Laura West, influential book blogger and wife of an acclaimed novelist. Laura’s connections could make Graye’s publishing dreams a reality. But there’s more to Laura than meets the eye. Behind the veneer of a charmed life, Laura’s marriage is collapsing. Her once-lauded husband is descending into alcoholism and ruin and bringing Laura nearer to the edge.

Swept away from Louisiana bayou country as a child, Miranda Miller is a woman without a past. She has a husband and child of her own and a fulfilling job in a Manhattan museum, but she also has questions - about the tragedy that cut her off from family and caused her to be sent away and about those first five years of her life, which were erased from her memory entirely. Summoned to the bedside of Willy Pedreaux, the old caretaker of her grandparents' antebellum estate, Miranda goes back to Louisiana at last, hoping to learn the truths of her past and receive her rightful inheritance.

Since her husband’s unsolved murder three years ago, Iris Blodgett’s life has unraveled. Awash in grief and buried in debt, she can’t pay her mortgage—and now that she’s lost her job, she has no idea how she’ll provide for her unruly teenage daughter, Ellory. Facing eviction, Iris turns to her new beau, prominent architect Hugh Smoll, for a shoulder to cry on. But the seemingly perfect Hugh offers her something more: an invitation to move in to his mother’s centuries-old mansion while he renovates the property.