Greek Philosophy

In these aphorisms, the philosopher reflects on our mortality and the knowledge that we will suffer in this life. However, each of us has the choice to endure with dignity those setbacks that we cannot control, he contends. Acceptance is core in Stoic doctrine.

The Enchiridion is a collection of the most profound teachings of Epictetus (c. AD 55-135), who taught that philosophy is a way of life and not just a matter of theory. The Enchiridion is a canonical text of Stoic philosophy and contains all the fundamentals. Among them is the principle of not being concerned with that which is out of one’s control. Misfortune should not disturb the individual at all and should not be perceived negatively.  

To Epictetus, all external events are beyond our control, and we should calmly accept whatever happens. However, individuals are responsible for their own actions, which they can examine and control through self-discipline.

Life in Ancient Greece and Rome was tough. Violent wars and terrible diseases were much more common. And yet, some philosophers - and even one emperor - have found a way to stay resilient and reasonably happy in those hard, unpredictable times! Their ideas, known as Stoicism, have stood the test of time. And they'll make you stronger and wiser than most modern-day popular psychology.

This audiobook is a study of three philosophers - Rene Descartes, Friedrich Nietzsche, and Karl Marx. Become more familiar with these men and their inspiring ideas about life, society, and so much more. 

"De la brevedad de la Vida", es un ensayo de Séneca, en el que el autor utiliza la prosa epistolar para dar a conocer, en veinte breves apartados, sus pensamientos filosóficos sobre la vida. Séneca plantea y desarrolla una paradoja, pues, frente a la idea generalizada de que la vida es breve, él considera que es larga si se sabe vivir de acuerdo con la razón, en el camino de la sabiduría y la virtud. Lo que exige no dejarse arrastrar por las pasiones y las obligaciones no rectas. Probablemente esta obra estuvo influenciada por la experiencia de sus años de destierro.

Unterwegs mit den großen Denkern der Antike: Wie schon der erfolgreiche Vorgängerband "Philosophie to go", so verknüpft auch "Weisheit to go" die Erfahrungen der Menschen von heute mit der Weisheit bedeutender antiker Philosophen aus Ost und West. Der Unruhe, dem Stress und der Oberflächlichkeit unseres Alltags setzt Albert Kitzler die zeitlosen Wahrheiten von Seneca, Sokrates, Buddha, Konfuzius, Laotse und anderen Philosophen aus Rom, Griechenland, Indien und China entgegen.

The extraordinary principles of Stoicism instructed through the narrative of its most acclaimed defender.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

The full title of Seneca’s work Of Providence is "Why do misfortunes happen to good men, if providence exists?". The longer title reflects the essay’s theme which is more concerned with theodicy and the question of why bad things happen to good people, rather than with providence. The essay is written as a dialogue in six brief sections, opened by Lucilius complaining to his friend Seneca that misfortunes befall to good people too. How does this fit with the goodness associated with the design of providence? 

Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that "beauty makes all beautiful things beautiful," but when Socrates presses him to say precisely what he means, Hippias is unable to deliver such a definition. The more Socrates probes, the more absurd the responses from Hippias become.

"Plato was not a Platonist! I would like to show... that anyone who reads the dialogues of Plato without bias or an ax to grind will find a humorous, witty, pleasant friend; and not a desiccated scholarly mandarin. Plato was an open-minded, tolerant, reasonable individual, not a tight-lipped, pietistic, puritan. In a word, Plato was an Athenian, not a Spartan!". In the twenty-four centuries that have passed since the Athenians put Socrates to death, every generation has interpreted the meaning of Plato’s work differently.

En Apología de Sócrates, Platón da una versión del discurso que Sócrates pronunció como defensa, ante los tribunales atenienses, en el juicio en el que se le acusó de corromper a la juventud y no creer en los dioses de la polis. Aunque su datación exacta es incierta, el texto, por su temática, pertenece al ciclo platónico de las primeras obras llamadas Socráticas, que Platón escribió en su juventud, e incluso se piensa que es su primera obra. ​La Apología se divide en tres partes.

Dieses Hörbuch enthält vier Berichte über vergessene und unvergessene Weisheiten der Antike: Die Selbstbetrachtung des Marc Aurel (121-180 n.Chr.), Aus den Schriften und Briefen des Philosophen Epikuros (341-270 v.Chr.), Aus Senecas (1-65 n.Chr.) Briefen und Schriften, Aus den Schriften des Marcus Tullius Cicero (106-43 v.Chr.). Regie: Julius Albert Flach.

Meno is a Socratic dialogue written by Plato. In it, the two characters, Meno and Socrates, discuss "arete", or virtue. This dialogue is also famous for introducing "Meno's Paradox".

Inhalt - Die griechische Welt: Das Jünglingsalter der Geschichte - Erster Abschnitt: Die Elemente des griechischen Geistes, Das in sich Fremdartige, Vermischung mit fremden Völkern, Fürsten als Heroen, Der Trojanische Krieg, Griechische Kolonien, Der Sinn im Sinnlichen, Die schöne Individualität - Zweiter Abschnitt: Die Gestaltungen der schönen Individualität - Erstes Kapitel: Das subjektive Kunstwerk, Der menschliche Körper als Organ des Geistigen - Zweites Kapitel: Das objektive Kunstwerk, Verwandlung der Naturmächte in individuelle Götter, Zufälligkeit der griechischen Götter.

Von Heraklits Werk sind keine Originaltexte überliefert. Zur Verfügung stehen allein Bruchstücke. Problematisch ist, dass diese Bruchstücke aus den Werken diverser anderer antiker Autoren entnommen sind. Häufig sind es indirekte Zitate des Typs "Heraklit sagt,...". Nur selten finden sich direkte Zitate. Problematisch ist zudem, dass in der Fachliteratur bis heute umstritten ist, welche Fragmente authentisch sind. Die Authentizität von 1 bis 3 Dutzend Fragmenten ist umstritten.

For the first time in any modern language, a female scholar and translator reimagines The Art of War. Sun Tzu’s ancient book of strategy and psychology has as much to tell us today as when it was first written 2,500 years ago. In a world forever at odds, his rules for anticipating the motivations and strategies of our competitors never cease to inspire leaders of all kinds.

The Phaedrus by Plato, is a dialogue between Plato's protagonist, Socrates, and Phaedrus, an interlocutor in several dialogues. It was probably written around 370 BC, at about the same time as Plato's Republic and Symposium. Ostensibly about love, the discussion in the dialogue focuses on the art of rhetoric and how it ought to be practiced. The dialogue appears in the direct words of Socrates and Phaedrus, without an introduction.

Aristotle's Poetics (335 BCE) is the earliest surviving work of dramatic theory and first surviving philosophical treatise on dramatic or literary theory. The work begins with a preliminary discourse on tragedy, epic poetry, and comedy as the chief forms of imitative poetry. By "imitative", Aristotle means the imitation of action in words as a creative process. He distinguishes comedy, tragedy, the satyr play, lyric poetry, and epic poetry by their differences in musical rhythm, harmony, meter, melody, nature of the characters, and the manner in which the narrative is presented.