Greek Women

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Ellen and her two best friends share a mid-life crisis by hatching a plan to renovate an 1860s Greek revival in the nearby historic district of San Antonio. Although Ellen isn't one to believe in ghosts, she comes face to face with something inexplicable in the attic. Her ghost-enthusiast friends convince her that they must help the spirit find closure, and as they dig deeper into the past, they uncover a shocking history that someone in the neighborhood doesn't want exposed. But Ellen and her friends don't give up easily.

The great city of Troy is under siege as Greek heroes Achilles and Agamemnon wage bloody war over a stolen woman. In the Greek camp, another woman is watching and waiting: Briseis. She was a queen of this land until Achilles sacked her city and murdered her husband and sons. Now she is Achilles' concubine: a prize of battle. Briseis is just one among thousands of women backstage in this war - the slaves and prostitutes, the nurses, the women who lay out the dead - all of them voiceless in history.

Before every new beginning, there must be an ending.... Running from heartbreak, Chloe Marston leaves her old life in London for a fresh start in New York. Working at a luxury concierge company, she makes other people’s lives run perfectly, even if her own has ground to a halt. But a terrible accident forces her to step into a new role, up close and personal with the company’s most esteemed and powerful clients.

Cassandra Penelope Dankworth is a creature of habit. She likes what she likes (museums, jumpsuits, her boyfriend, Will) and strongly dislikes what she doesn't (mess, change, her boss drinking out of her mug). Her life runs in a pleasing, predictable order…until now. Then, something truly unexpected happens: Cassie discovers she can go back and change the past. One small rewind at a time, Cassie attempts to fix the life she accidentally obliterated, but soon she'll discover she's trying to fix all the wrong things.

Ella Palmer has neither the money nor the connections to warrant the interest of Nikolai Drakos's archenemy. Yet the unassuming beauty has done just that - and claiming her will be Nikolai's ultimate satisfaction! The ruthless tycoon will use any means necessary to ensure Ella's compliance, so he buys out her family's debts. Debts he'll forgive if Ella becomes his mistress. But when he discovers the true extent of her innocence, Nikolai is forced to consider something new: It appears the indomitable Greek is about to take a bride!

Greek to Me is a charming account of Norris’s lifelong love affair with words and her solo adventures in the land of olive trees and ouzo. Along the way, Norris explains how the alphabet originated in Greece, makes the case for Athena as a feminist icon, seeks the fabled Baths of Aphrodite, and reveals the surprising ways Greek helped form English. Filled with Norris’s memorable encounters with Greek words, Greek gods, Greek wine - and more than a few Greek men - Greek to Me is the Comma Queen’s fresh take on Greece and its exotic yet strangely familiar language.

Among the women of Greek mythology, the witch Medea may be the most despised. Known for the brutal act of killing her own children to exact vengeance on her deceitful husband, Jason, the leader of the Argonauts, Medea has carved out a singularly infamous niche in our histories.

Eve has her own story, and she's been waiting millennia for Barbara McBride-Smith to tell it. It's the same for Mrs. Noah. Talk about misunderstood or under-appreciated women! McBride-Smith singles them out for her trademark feminist humor. And following Eve and Mrs. Noah's stories are four of McBride-Smith's retellings of Greek myths from her West Texas good-ole-girl perspective.

Athena Spencer's entire family has been put to work when a big fat Greek wedding rehearsal is booked at the Parthenon. All hands are needed for rolling grape leaves, layering moussaka, and keeping the bride calm. But then the groom goes MIA and there's far more to worry about then just whether Yiayia's lemon rice soup has gone cold. No matter how tangy the tzatziki, everyone's appetite is ruined when the groom is found dead, a pair of scissors planted in his back. Then the bride accuses Athena's sister Selene, a hairstylist, of seducing and stabbing her fiance.

In London 1946, the Right Sort Marriage Bureau is just beginning to take off, and the proprietors, Miss Iris Sparks and Mrs. Gwendolyn Bainbridge, are in need of a bigger office and a secretary to handle the growing demand. Unfortunately, they don’t yet have the necessary means. So when a woman arrives - a cousin of Gwen’s - with an interesting and quite remunerative proposition, they two of them are all ears. The cousin, one Lady Matheson, works for the queen in “some capacity” and is in need of some discreet investigation.

In The Greek’s Forced Bride, Greek billionaire Leo Christakis is convinced the drab, shapeless suits worn by Natasha are simply a cover for the gold-digging harlot who lies beneath. Mistakenly thinking Natasha’s been stealing from his company, Leo commands her to be at his beck and call—in and out of the bedroom.

In 1998, a 16-year-old girl is found dead. She’s posed on a swing on her boarding school’s property, dressed all in white, with no known cause of death. Whispers and rumors swirl, with no answers. But there are a few who know what happened; there is one girl who will never forget. One year earlier: a new student, Violet, steps on the campus of Elm Hollow Academy, an all-girl’s boarding school on the outskirts of a sleepy coastal town. This is her fresh start, her chance to begin again in the wake of tragedy, leave her demons behind.

Calliope Adham—young, strong-willed, and recently widowed—is schoolmistress in the village of Molyvos when Hitler's army invades Greece in 1941. Well-read and linguistically gifted, she is recruited by the Germans to act as their liaison officer. It is the beginning of a personal and national saga that will last for several decades. Calliope's wartime duties bring her into close contact with Lieutenant Lorenz Umbreit, the Wehrmacht commander. The schoolmistress is an active member of the Greek Resistance, yet her friendship with the German blossoms against all odds.

On the beautiful beaches of Crete, an old woman is handing out scraps of paper. Sofia, eighty-five years old, unable to speak, is desperate to find a daughter she has never known. After a tragic childhood in Athens and a soaring career as a singer, the brutal treatment of the man she loved by a tyrannical regime forced her to give up her daughter mere days after her birth. Now she longs to be reunited with her child before it's too late. Meanwhile in London, Zoe is searching too. In the months since the disappearance of her teenage daughter, Zoe's life has crumbled apart.

After a decade of building her career in the city, Beca is ready to escape the humdrum. When she sees her dream home for sale in her hometown, it starts to seem like fate. But when she arrives and visits her grandparents' ice cream parlour, Beca is horrified to find out that the new owner, her ex-boyfriend Ed, has stripped the heart out of it. Determined to honour her family's legacy, Beca decides to follow in their footsteps and make delicious ice cream with the help of a long-forgotten recipe book and boat house.

Dominic, however, is a man who doesn't give up easily, and Mattie very quickly falls for his irresistible charm. She has never experienced such an intensely powerful attraction before. She also has a new dream job, but then the bombshell drops: she discovers that not only is Dominic her new boss, but she's also pregnant with his baby.

In a village on Naxos lies a gorgeous guest house and taverna that never opened. Cressida’s husband died suddenly three years ago—the taverna was their dream—but she’s been too lost in grief to keep that dream alive. Marjory "Jory" St. James, a young traveler who always feels more at home on the move, arrives on Naxos in the middle of the night as if summoned by the island. She quite unexpectedly becomes Cressida’s very first guest. Jory quickly discovers that this island vacation is more than just a sightseeing adventure as all of the women in town are more than what they seem.

In My Greek Drama, Gianna Angelopoulos - known in her home country simply as "Gianna" - has written a memoir that is as much about Greece's journey as her own. From her childhood in Crete, to law school in Thessaloniki, to Athens, where she overcame male-dominated legal and political cultures to help redefine public service in Greece, Gianna worked her way into becoming one of the most respected women in Greek public life.

Two young women, dormitory mates, embark on their education at a big state university. Five years later, one is earning a good salary at a prestigious accounting firm. With no loans to repay, she lives in a fashionable apartment with her fiance. The other woman, saddled with burdensome debt and a low GPA, is still struggling to finish her degree in tourism. In an era of skyrocketing tuition and mounting concern over whether college is "worth it", Paying for the Party is an indispensable contribution to the dialogue assessing the state of American higher education.