Grief Poetry

Over four decades, Carolyn Forché's visionary work has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other. Her first new collection in 17 years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death.

This is an account of a life lived online. Swiping for approval. Scrolling for gratification. Searching for connection. From the glow of a screen in the middle of the night, to the harsh glare of the hospital waiting room, Validate Me, is a raw and honest look at the highs and the lows of a digital life.

The Perseverance is the remarkable debut book by British-Jamaican poet Raymond Antrobus. Ranging across history and continents, these poems operate in the spaces in between, their haunting lyrics creating new, hybrid territories. The Perseverance is a book of loss, contested language and praise, where elegies for the poet's father sit alongside meditations on the d/Deaf experience.

Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem "Brand New Ancients" won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap, and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

Heartbreak and grief touch every soul at least once in a lifetime, and Ranata Suzuki translates those raw emotions into words. The Longest Night combines strikingly poignant quotations, powerfully emotive poetry, and captivating silhouette imagery to form a mournful lover's journal that explores a side of love that is deep, dark, and hauntingly beautiful.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

In her electric fourth collection, Melissa Broder penetrates the itch of existence and explores numberless deaths: the annihilation of self, the bereavement of love, the destruction of fantasy, the transmutation, even, of our ideas of dying. What emerges is an infinite series of false endings - each a trap door containing the possibility for alchemy, rebirth, and renewal. Last Sext confronts both eternal longing and the mystery of mortality, with language hot, primal, and dark.

I recorded this the day after we lost one of our beloved pets. Rainbow Bridge is the theme of several works of poetry written in the 1980s and 1990s that speak of an other-worldly place where pets go upon death, eventually to be reunited with their owners. It brings a lump to my throat, and often a tear to my eye but also comfort as I recall good times with Pongo.

This is a story from the Chilling Ghost Stories collection. The Raven, by Edgar Allan Poe, tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

Osmond has written a powerful and challenging collection of original poems representing the complex, fragmentary nature of traumatic experience. Interleaved with these are translated excerpts of two very different texts: the Anglo Saxon epic poem Beowulf and the Qur'an. Osmond's translations from the Qur'an, in contrast to the stereotype of the Qur'an as a monolithic book full of judgment and proscription, focus on its vivid lyricism and the surprisingly riddling nature of its philosophy.

From one of the most-viewed spoken word poets of all time, a poetry collection exploring themes of loneliness, anxiety, and longing, while also celebrating the gifts that come with being alone - the chance to live on your own terms, to learn to love yourself without any distractions, and to become your own biggest champion.

Drawing from his experience as a translator, Forrest Gander includes, in the first powerfully elegiac section, a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the US border with Mexico. The poems of the third section - a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s - rise like hymns, transforming slowly from reverence to revelation.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

I Had A Brother Once is a brilliant, genre-defying work - both memoir and epic poem - about the struggle for wisdom, grace, and ritual in the face of unspeakable loss. Adam is forced to re-remember a brother he thought he knew and to reckon with a ghost, confronting his unsettled family history, his distant relationship with tradition and faith, and his desperate need to understand an event that always slides just out of his grasp.

Returning with her newest poetry book, beloved poet Courtney Peppernell combines storytelling, poetry, and prose in a uniquely inspirational way. Filled with heartfelt anecdotes and insightful messages, The Way Back Home is a tribute to rebuilding our lives after loss. Divided into sections that draw on themes of courage, resilience, purpose, and hope, the collection has Peppernell once again walking us through a redemptive journey of the heart, mind, and soul.

En Despierta Lorena Pronsky nos habla, de una manera honesta y visceral, sobre cómo superar los golpes de la vida: las pérdidas, el desamor y los miedos.

The witch: supernaturally powerful, inscrutably independent, and now - indestructible. These moving, relatable poems encourage resilience and embolden women to take control of their own stories. Enemies try to judge, oppress, and marginalize her, but the witch doesn't burn in this one.

This is a collection of poems inspired by love, loss of love, and other tragic and traumatic events that began in late July of 2000—so some poems are about love and others about the loss of that love. This is my autobiography in poetry form.