Grief Poetry

Shards are the chipped-off pieces and eroded grains of myself that I collected from my mid-20s, when I was almost homeless again (yes, again), through my 30s, when I fought through that poverty, depression, and grief to find myself as a survivor. A poet doesn't just love you for a moment. She lets you puncture her skin with the way you feel, lets it heal, and then rubs it now and then to feel you again. This debut collection of poetry by a Cleveland, Ohio artist tells stories of traumas, breaking cycles, sexy romances, and the bond between the poet and listener.

A parent's worst nightmare is to receive the news that their child is gone. The grief that follows is overwhelming. Through her love of poetry, Wanda Weathersby shares her journey of grief after the death of her precious son Calvin. Her journey shows the power of celebrating the memories and the importance of a strong support system to help through these difficult times. If you have lost a child or a loved one, experience the healing and love that God poured out for this mom during these difficult times and be inspired to find your own path of healing with him.

The soul's journey is one that discovers the true nature of the divine and each soul is love itself. Peeling off all layers of reality, only awareness and love remain. My poems have healed and transformed me, by sharing them I hope they will heal and inspire others.

In The Mended Heart, author and poet Rhonda Dawes Milner brings listeners an inspirational book of poetry and prose, offering them comfort and hope when they are going through difficult times. Drawing from her own experiences of joy and happiness, pain and sorrow, she shares words that encourage and lift the spirits of those who need to be reminded they are not alone.

Deeply personal but also expansive in its imaginative scope, Nouns & Verbs brings together 35 years of writing from Campbell McGrath, one of America’s most highly lauded poets. Offering a hint of where he’s headed while charting the territory already explored, McGrath gives us startlingly inventive new poems while surveying his previous work - lyric poems, prose poems, and a searing episodic personal epic, “An Odyssey of Appetite”, exploring America’s limitless material and spiritual hungers.

I am open; these words are my sutures. Shades is an attempt to reconcile who I am as a man, with a society that seems to be fluctuating and struggling at every turn. I show my encounters with family, religion, queerness, heartbreak, COVID-19, and politics. This is a look at my life in 2021, shown through poetry.

From the author's leather-bound book kept locked at the base of his bed, we journey through New York City, chilled farmlands and isolated cabins in the woods. Calloway's solid masculine approach is refreshingly original. We have all felt the warmth of the world around us and we have all felt the cold. This author holds our hand as he leads us down rich passageways of the psyche.

These verses twist trauma and grief into self-loving peace, a therapy cushion of words and doodle artwork. Come feel the dark so we can see the light again.

Wraith Like Me is the journey of a woman from childhood through her mid-30s. These strange poems chronicle her experiences with trauma, abuse, anxiety, and a bottomless rage. The words begin the trails of healing, hope, and self-acceptance (a story that will continue in future poetry collections).

Outside Gravity - Poems from a Personal Journey by Paul Burnore contains lyrical, crafted poems about loss, grief, and coming to terms with both death and life. These poems are seasoned by an international life and close observation about what really matters. In Outside Gravity, many poems grapple with the loss of a young son and the nearly crippling grief that followed. But this loss is balanced with broader reflections about death, along with a rebalancing of life containing love and the splendor of nature.

My Way With Words is reamed from decades of jotted thoughts and poems. Jotted thoughts are easily understood, but jotted poems I believe in my case deserves an explanation. Many of my poems were completed beginning to end with no changes between or very little editing and that includes a few longer poems.

Questa famosa raccolta di poesie, pubblicata tra il 1914 e il 1915 racconta sotto forma di epitaffio la vita dell'ipotetica cittadina di Spoon River, i cui abitanti sono sepolti nel cimitero locale. Le storie si intrecciano alle storie, offrendo un ritratto commovente e crudo delle vite reali che si nascondevano dietro alle apparenze.

I wrote most of these poems when I was in a bad place, a dark state of mind that eased its hold when I wrote them down, and so these poems were created, they maybe disturbing for most and very intense, but if you have been in a dark place too, you may understand.

Countee Cullen was already a prominent literary figure when he published Color, his auspicious debut collection of poetry. In deceptively simple verse, and in harmony with lyric tradition rather than rebellion against it, Cullen covered such complex terrain as race, faith, mortality, sexuality, and identity. Cullen may be less well known today than his contemporaries, but his emotional candor, creative ambition, and impudent humor retain an unforgettable spark.

Jessica’s poems were written as a direct response to the sudden death of her husband four weeks before she was ordained priest in the Church of England, and many reflect her faith. These honest poems chart her journey from the first unbelieving days through anger, pain, withdrawal, survival, and eventual acceptance, and even joy. These poems show those who are grieving that they are not alone, and that there is hope for love, life, and laughter once again.

John Foy’s newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O’Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse.

The author’s personal journey of transformation following her son Blaise’s suicide. The book traces her path from grief to understanding and healing, shown through a collection of 21 fables and poems she wrote to Blaise in the year after his untimely death. This audiobook explores Laura’s message that it is in your power to overcome personal difficulties, no matter what, by creating something beautiful in the wake of whatever has befallen you. The terrible times you suffer are not the end of life, but can become a new beginning.

With electrifying boldness and fearlessness of vision, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.

A microscopic and intense view of the sometimes invisible and ignored parts of the world we inhabit. Peering into cities and our place within them, the poet searches for meaning after the death of his father, and observes the flora and fauna, which provide beauty and nourish us. This book delights the senses and poses the question, are we contributing to, or ultimately destroying our planet?

This is a book about who I was and who I am. About pain and depression and suicide and regrowth. It's about hope and living a future you didn't expect to live. More specifically, it is about my suicide attempt in 2019, after years of struggling with alcoholism, depression, and self-harm. It's about my second chance and making it all that it can be. It uses my writing from before my attempt and after my attempt to compare how I changed and my views of life.