Grief Poetry

This is a collection of poems inspired by love, loss of love, and other tragic and traumatic events that began in late July of 2000—so some poems are about love and others about the loss of that love. This is my autobiography in poetry form.

The witch: supernaturally powerful, inscrutably independent, and now - indestructible. These moving, relatable poems encourage resilience and embolden women to take control of their own stories. Enemies try to judge, oppress, and marginalize her, but the witch doesn't burn in this one.

Holocaust Island was the inaugural winner of the David Unaipon Award in 1989. Graeme Dixon's poems address contemporary and controversial issues – from Black deaths in custody to the struggles of single mothers – and are as relevant today as when his book was first published. This dynamic collection is threaded with poems of spirited humour and sharp satire. Dixon's powerful voice rings out loud and clear.

The powerful new collection of poetry and prose from social media’s answer to Carol Ann Duffy, Charly Cox. She Must Be Mad explores coming-of-age: the pain and beauty of love, the relief and the agony of turning from girl to woman, the isolation of an untethered mind and the power and subjugation of the body. Charly captures the formative experiences of today’s young women from the poignant to the prosaic in writing that is at once witty, wry and heartfelt.

Courage is a common hope that we can cultivate together. These prayers and poems can be listened to in group settings—among friends, families, and worshipping communities—and are also ideal for personal reflection.

This book is an attempt to create something beautiful from this chaos; to make sense of the things we dare not breathe to life. Focusing on loss, heartbreak, mental health, and the impact of isolation on a tired mind, these poems are the starlings that gather above the water. This book is the hope that we can learn to heal; that the future can survive the past.

From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.

POWIEŚĆ O DOJRZEWANIU, BEZRADNOŚCI I ROZPACZY. Jakie tajemnice skrywa stary domek letniskowy? Mieszka w nim Sara, młoda, samotna kobieta. Od siedmiu lat niemal codziennie wkłada znoszone buty i przemierza wielokilometrową trasę w poszukiwaniu grzybów. W ten sposób zarabia na życie i... utrzymuje więź z przeszłością. Wiadomość o śmierci matki przywołuje wspomnienia i wnosi do życia Sary szereg zmian. Bolesne sekrety skrywane od lat powracają i nie pozwalają już o sobie zapomnieć. Istnieje tylko jeden sposób, by wreszcie od nich uciec.

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

Kae Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem "Brand New Ancients" won the prestigious Ted Hughes Prize for innovation in poetry. Tempest's wholly unique blend of street poetry, rap, and storytelling - combined with the spellbinding delivery of an open-air revivalist - has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music.

We Alive, Beloved moves beyond being a poetry collection; it's a celebration of the profound aspects of our existence. Each poem seeks to immortalize the fleeting moments of joy, love, resilience, and inspiration that often slip through the grasp of our fast-paced lives.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

After receiving the news that in vitro would be her only hope for biological children, award-winning poet Emily Adams had to learn to live in a new world of needles, embarrassing tests, long waiting periods, and expensive doctor appointments.

n recorrido poético a través de 41 versos que exploran la fragilidad de la vida, la muerte y la conexión con la naturaleza. Cada poema es un susurro sobre el tiempo, las sombras y la aceptación de lo efímero. Una reflexión profunda sobre el equilibrio entre luz y oscuridad, el amor, el miedo y la memoria, que invita a la introspección y al descubrimiento de la verdadera libertad en la transitoriedad de la existencia.

With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.

Grief. An emotion we all experience at one time or another, but there is no grief greater then the loss of a loved one. In this short poem by William Hope Hodgson, the narrator is alone with his grief and the realization that what had been will never be again.

A classic poem written to mirror the pain of the loss of romance. There is no remedy. There seems no hope. The anguish comes through loud and clear in this piece, written by William Hope Hodgson and narrated by Glenn Hascall.

This is a story from the Chilling Ghost Stories collection. The Raven, by Edgar Allan Poe, tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere.

Osmond has written a powerful and challenging collection of original poems representing the complex, fragmentary nature of traumatic experience. Interleaved with these are translated excerpts of two very different texts: the Anglo Saxon epic poem Beowulf and the Qur'an. Osmond's translations from the Qur'an, in contrast to the stereotype of the Qur'an as a monolithic book full of judgment and proscription, focus on its vivid lyricism and the surprisingly riddling nature of its philosophy.

Drawing from his experience as a translator, Forrest Gander includes, in the first powerfully elegiac section, a version of a poem by the Spanish mystical poet St. John of the Cross. He continues with a long multilingual poem examining the syncretic geological and cultural history of the US border with Mexico. The poems of the third section - a moving transcription of Gander’s efforts to address his mother dying of Alzheimer’s - rise like hymns, transforming slowly from reverence to revelation.