High Art

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How to Say No is a delightful collection of brief ancient writings about Cynicism that captures all the outrageousness, wit, and wisdom of its remarkable cast of characters—from Diogenes in the fourth century BCE to the column-stander Symeon Stylites in late antiquity.

Paris. The name alone conjures images of chestnut-lined boulevards, sidewalk cafés, breathtaking façades around every corner: in short, an exquisite romanticism that has captured the American imagination for as long as there have been Americans.

Internationally best-selling author Lyndsay Faye became enamored with tales of Sherlock Holmes and his esteemed biographer, Dr. John Watson, as a child and later began spinning these quintessential characters into her own works of fiction - from her acclaimed debut novel, Dust and Shadow, which pitted the famous detective against Jack the Ripper, to a series of short stories for the Strand Magazine, whose predecessor published the very first Sherlock Holmes short story in 1891.

In 2011, when she was in her late 50s, beloved author and journalist Joyce Maynard met the first true partner she had ever known. Jim wore a rakish hat over a good head of hair; he asked real questions and gave real answers; he loved to see Joyce shine, both in and out of the spotlight; and he didn't mind the mess she made in the kitchen. He was not the husband Joyce imagined, but he quickly became the partner she had always dreamed of. Then, just after their one-year wedding anniversary, her new husband was diagnosed with pancreatic cancer.

Arguably the greatest choreographer who ever lived, George Balanchine was one of the cultural titans of the twentieth century—the New York Times called him "the Shakespeare of dancing." His radical approach to choreography—and life—reinvented the art of ballet and made him a legend. Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas, Mr. B carries us through Balanchine's tumultuous and high-pitched life story and into the making of his extraordinary dances.

Gina Frangello spent her early adulthood trying to outrun a youth marked by poverty and violence. Now a long-married wife and devoted mother, the better life she carefully built is emotionally upended by the death of her closest friend. Soon, awakened to fault lines in her troubled marriage, Frangello is caught up in a recklessly passionate affair, leading a double life while continuing to project the image of the perfect family. When her secrets are finally uncovered, both her home and her identity will implode, testing the limits of desire, responsibility, love, and forgiveness.

In Broadcast Hysteria, A. Brad Schwartz examines the history behind the infamous radio play. Did it really spawn a wave of mass hysteria? Schwartz is the first to examine the hundreds of letters sent directly to Orson Welles after the broadcast. He draws upon them, and hundreds more sent to the FCC, to recapture the roiling emotions of a bygone era, and his findings challenge conventional wisdom. Relatively few listeners believed an actual attack was underway.

I'm Dying Up Here chronicles the collective coming of age of the standup comedians who defined American humor during the past three decades. Born early in the Baby Boom, they grew up watching The Tonight Show, went to school during Vietnam and Watergate, migrated en masse to Los Angeles in the mid-1970s, and created an artistic community unlike any before or since. They were arguably the funniest people of their generation, living in a late-night world of sex, drugs, dreams, and laughter.

In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across 29 states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes.

By early 1943, it had become increasingly clear the Allies would win the Second World War. Christian intellectuals on both sides of the Atlantic thought the soon-to-be-victorious nations were not culturally or morally prepared for their success. These Christian intellectuals - Jacques Maritain, T. S. Eliot, C. S. Lewis, W. H. Auden, and Simone Weil, among others - sought both to articulate a sober and reflective critique of their own culture and to outline a plan for the moral and spiritual regeneration of their countries in the post-war world.

There's no wrong way to be a woman. There are countless wrong ways to be a man. James Breakwell should know. He's tried just about all of them. Journalism. Pig ownership. Felony lawn gnome theft. Whatever masculinity is supposed to be, this can't be it. But can you really fail at something no one can quite define? Apparently. Now, in a series of funny, sharply observed, and occasionally poignant essays, everyone's favorite internet-famous father of four daughters lays down a lifetime of lessons in what it means to be a man.

By now it's clear that whether you're promoting a business, a product, or yourself, social media is near the top of what determines your success or failure. And there are countless pundits, authors, and consultants eager to advise you. But there's no one like Guy Kawasaki, the legendary former chief evangelist for Apple and a pioneer of business blogging, tweeting, Facebooking, Tumbling, and much more. Guy has teamed up with Peg Fitzpatrick, who he says is the best social-media person he's ever met, to offer The Art of Social Media - the one essential guide to get the most bang for your time, effort, and money.

A compendium of quotes and riffs by P.J. O'Rourke on subjects ranging from government to fishing to apps, to be published on what would have been his seventy-fifth birthday.

In 1987, Tom and Ray Magliozzi, also known as Click and Clack, the Tappet Brothers, made the leap from nursing the motley car population of New England to creating the nationally beloved public radio phenomenon that we all know as Car Talk.

Billy Collins, U.S. poet laureate from 2001 to 2003, plays a game called, "I can feel it coming in the air tonight", in which he responds to questions about musician Phil Collins. Al Gore tries to match his former boss’ mastery of the My Little Pony children’s show in a game called "Maybe you can beat Bill Clinton at this". Olympian Jackie Joyner-Kersee rhymes with "cursy", so she is invited to play a game called "May Thunder Blast Your Head!" about curses from around the world. Of course.

By understanding the psychological forces that drive The Walking Dead's action, fans can better grasp Robert Kirkman's compelling fictional universe. Which characters suffer PTSD, which show the most hope for recovery, and which instead show post-traumatic growth? Has Rick Grimes lost his mind? In 19 chapters from a range of esteemed contributors, The Walking Dead Psychology: Psych of the Living Dead answers these and many other questions.

Dave Kindred has covered dozens of Super Bowls and written about stars like Muhammad Ali, Tiger Woods, and Michael Jordan. But a high-school girls basketball team—the Lady Potters of Morton, Illinois—stands apart from the rest.

The Hatchback of Notre Dame includes many memorable Car Talk classics, including Morley Safer of CBS' Sixty Minutes displaying a downright embarrassing obsession with his Peugeot and space shuttle astronaut John Grunsfeld, who calls from Hawaii. (Well, 700 miles over Hawaii, actually). And there's one of Click and Clack's all-time favorite callers - their pal, Dave from Bemidji - sharing the sordid tale of his journey to Alaska.

In this Very Short Introduction Ritchie Robertson covers the life and work of Johann Wolfgang von Goethe (1749-1832): scientist, administrator, artist, art critic, and supreme literary writer in a vast variety of genres. Looking at Goethe's poetry, novels, and drama pieces, as well as his travel writing, autobiography, and essays on art and aesthetics, Robertson analyzes some of the key themes in his works: love, nature, religion, and tragedy.