High Art

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made "Italian" a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci and Brioni. Rome's huge movie studio, Cinecitta, attracted a dizzying array of stars, like Charlton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra.

From 1974 to 2012, during his years as publisher and editor-in-chief of the New Republic, Martin Peretz was a familiar presence on the political scene. In its time under his leadership, the magazine was always fresh, erudite, contrarian, and brave. Anyone interested in finding out the most distinctive expert takes on the issues that mattered—whether they be domestic or international, cultural or political—knew that the New Republic was required reading.

Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the US box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media.

In late-1940s Long Branch, a historic but run-down Jersey Shore resort town, in a neighborhood of Italian, Black, and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father, and a rebellious tomboy mother, Pinsky was an unruly but articulate high school C student, whose obsession with the rhythms and melodies of speech inspired him to write.

Songs that sell the most copies become hits, but some of those hits become something more—iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them.

With Stanley Crouch's untimely death in 2020, American literature lost "a critic without peer" (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

Intimate and richly detailed, The Beauty of Living begins with E. E. Cummings's Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other "modern" movements in the arts.

Danny Plotnick showcases the history of Super 8 filmmaking in this must-listen audiobook. Super 8 offers a detailed look at the beloved medium - one not only embraced by suburban dads, the target audience of the format, but by the art world, punk rockers, and ultimately popular culture. Filmmakers who got their start in Super 8 include Robert Zemeckis, Jim Jarmusch, Todd Haynes, Sam Raimi, Wes Anderson, and Alex Gibney.

Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.

Everybody's Doin' It is the eye-opening story of popular music's 70-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York's spirited dives, where men and women, often black and white, mingled freely - to the horror of the elite.

Norman Mailer and William F. Buckley, Jr., were towering figures who argued publicly about every major issue of the 1960s: the counterculture, Vietnam, feminism, civil rights, the Cold War. Behind the scenes, the two were close friends and trusted confidantes who lived surprisingly parallel lives. In Buckley and Mailer, historian Kevin M. Schultz delves into their personal archives to tell the rich story of their friendship, arguments, and the tumultuous decade they did so much to shape.

In August of 1966, Jim Grimsley entered the sixth grade in the same public school he had attended for the five previous years, in his small eastern North Carolina hometown. But he knew that the first day of this school year was going to be different: For the first time he'd be in a classroom with Black children. That was the year federally mandated integration of the schools went into effect, at first allowing students to change schools through "freedom of choice", replaced two years later by forced integration.

Thanks to a successful interview with the painfully shy E.B. White, a beautiful, 19-year-old, blue-eyed blonde from the cornfields of Iowa lands a job as a receptionist at The New Yorker magazine. There she stays two decades, becoming general all-around factotum - watching and registering the comings and goings, marriages and divorces, scandalous affairs, failures, triumphs, and tragedies of the eccentric inhabitants of the 18th floor. Though she dreamed of becoming a writer, she never advanced at the magazine.

With only a guitar, a tatty copy of the Melody Maker, and his template for the perfect band, Andrew Matheson set out in 1971 to make musical history. His band, the Hollywood Brats, were prepunk prophets - uncompromising, ultrathin, wild, untamable, and outrageous. But thrown into the crazy world of the 1970s London music scene, the Brats ultimately fell afoul of the crooks and heavies that ran it and an industry that just wasn't ready for them.

At the age of 11, Michael Keith left a stable life with his mother and sisters and set off to cross the country with his irresponsible hobo of a father - a real bum. The memoir, narrated without sentimentality by this funny, world-wise little boy, describes their life on the road - the characters they meet hitching rides, their adventures with bed bugs in Salvation Army bunks, the joys of finally encountering a decent meal.

In 100 brief chapters, John M. Borack discusses and ranks the greatest moments in Beatles history. An avid Fab Four fan since childhood and a music journalist for more than 35 years, Borack has created a book to agree with and disagree with, and one that is sure to spark conversations. A love letter to the greatest rock band of all time, The Beatles 100 is a book for Beatles buffs and casual fans alike.

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."