High Art

Michael Krasny has been telling Jewish jokes since his bar mitzvah, and it's been said that he knows more of them than anyone on the planet. He certainly states his case in this wise, enlightening, and hilarious book that not only collects the best of Jewish humor passed down from generation to generation but explains the cultural expressions and anxieties behind the laughs.

Thanks to a successful interview with the painfully shy E.B. White, a beautiful, 19-year-old, blue-eyed blonde from the cornfields of Iowa lands a job as a receptionist at The New Yorker magazine. There she stays two decades, becoming general all-around factotum - watching and registering the comings and goings, marriages and divorces, scandalous affairs, failures, triumphs, and tragedies of the eccentric inhabitants of the 18th floor. Though she dreamed of becoming a writer, she never advanced at the magazine.

Hollywood stars have always furthered fashion's cause of seducing the masses into buying designers' clothes by acting as living billboards. Now, red carpet celebrities are no longer content to just advertise and are putting their names on labels that reflect the image they - or their stylists - created.

With only a guitar, a tatty copy of the Melody Maker, and his template for the perfect band, Andrew Matheson set out in 1971 to make musical history. His band, the Hollywood Brats, were prepunk prophets - uncompromising, ultrathin, wild, untamable, and outrageous. But thrown into the crazy world of the 1970s London music scene, the Brats ultimately fell afoul of the crooks and heavies that ran it and an industry that just wasn't ready for them.

At the age of 11, Michael Keith left a stable life with his mother and sisters and set off to cross the country with his irresponsible hobo of a father - a real bum. The memoir, narrated without sentimentality by this funny, world-wise little boy, describes their life on the road - the characters they meet hitching rides, their adventures with bed bugs in Salvation Army bunks, the joys of finally encountering a decent meal.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

Ah, 55. Gateway to the golden years! Professional submitting. Emotional maturity. Easy surfing toward the glassy blue waters of retirement...Or maybe not? Middle age, for Sandra Tsing Loh, feels more like living a disorganized 25-year-old's life in an 85-year-old's malfunctioning body. With raucous wit and carefree candor, Loh recounts the struggles of leaning in, staying lean, and keeping her family well-fed and financially afloat - all those burdens of running a household that still, all-too-often, fall to women.

Since 2001, the US Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: Hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building.

With Stanley Crouch's untimely death in 2020, American literature lost "a critic without peer" (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music.

Good Morning, Olive (named for one of the most beautiful and temperamental of Broadway's ghosts) is about the ghosts that haunt theatres in New York and around the world. Broadway is the playground of stars, so it's probably not surprising to learn that even its ghosts are stars. Meet some of Broadway's best known—and most active—celebrity ghosts. Don't worry: like Casper, they tend to be friendly. For the most part.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing.

The celebrated author of over twenty-five books, Vollmann's equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist's deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms. In Shadows of Love, Shadows of Loneliness, a series of essays commissioned especially for this book lays out Vollmann's views on what photographs can and should say.

Even as our world has suffered through successive upheavals, Jesse McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of Black art making". Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones.

December 1862 drove the United States toward a breaking point. The Battle of Fredericksburg shattered Union forces and Northern confidence. As Abraham Lincoln's government threatened to fracture, this critical moment also tested five extraordinary individuals whose lives reflect the soul of a nation. The changes they underwent led to profound repercussions in the country's law, literature, politics, and popular mythology. Taken together, their stories offer a striking restatement of what it means to be American.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.