High Art

With Stanley Crouch's untimely death in 2020, American literature lost "a critic without peer" (Ta-Nehisi Coates). Born in Los Angeles in 1945, Crouch—a towering stylist, fearless columnist, and without question, one of the finest jazz critics of all time—was Rabelaisian both in stature and in intellectual appetite. Beloved yet cantankerous, Crouch delighted and enflamed the passions of his readers in equal measure, whether writing about race, politics, literature, or music.

From the beginning, American cinema has been both a powerful mythmaker and a social critic. D.W. Griffith's Birth of a Nation, arguably the first feature film, shows us just how early in its history cinema had established its influence. Birth of a Nation famously portrayed the Ku Klux Klan in a favorable light, a portrayal that contributed to the modern resurgence of the group and brought racist depictions of African Americans imported from the minstrel show to the silver screen. In response, filmmakers of color have created nuanced and indelible portraits of race.

In an evolving networked era, social-issue documentaries like Blackfish are art for civic imagination and social critique. In Story Movements, producer and scholar Caty Borum Chattoo explores how documentaries disrupt dominant cultural narratives through complex, creative, often investigative storytelling.

Intimate and richly detailed, The Beauty of Living begins with E. E. Cummings's Cambridge upbringing and his relationship with his socially progressive but domestically domineering father. It follows Cummings through his undergraduate experience at Harvard, where he fell into a circle of aspiring writers including John Dos Passos, who became a lifelong friend. Steeped in classical paganism and literary Decadence, Cummings and his friends rode the explosion of Cubism, Futurism, Imagism, and other "modern" movements in the arts.

Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.

Everybody's Doin' It is the eye-opening story of popular music's 70-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York's spirited dives, where men and women, often black and white, mingled freely - to the horror of the elite.

In the fall of 1948 Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called "a goddam wonderful city." He was a year shy of his 50th birthday and hadn't published a novel in nearly a decade. At a duck shoot in the lagoon he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Di Robilant - whose great-uncle moved in Hemingway's revolving circle of bon vivants, aristocrats, and artists - re-creates with sparkling clarity this surprising, years-long relationship.

In this crackling memoir, the journalist and novelist Michael Idov recounts the tempestuous years he spent living alongside - and closely observing - the media and cultural elite of Putin's Russia. After accepting a surprise offer to become the editor in chief of GQ Russia, Idov and his family arrive in a Moscow still seething from a dubious election and the mass anti-Putin rallies that erupted in response. Idov is fascinated by the political turmoil but nonetheless finds himself pulled in unlikely directions.

Norman Mailer and William F. Buckley, Jr., were towering figures who argued publicly about every major issue of the 1960s: the counterculture, Vietnam, feminism, civil rights, the Cold War. Behind the scenes, the two were close friends and trusted confidantes who lived surprisingly parallel lives. In Buckley and Mailer, historian Kevin M. Schultz delves into their personal archives to tell the rich story of their friendship, arguments, and the tumultuous decade they did so much to shape.

In August of 1966, Jim Grimsley entered the sixth grade in the same public school he had attended for the five previous years, in his small eastern North Carolina hometown. But he knew that the first day of this school year was going to be different: For the first time he'd be in a classroom with Black children. That was the year federally mandated integration of the schools went into effect, at first allowing students to change schools through "freedom of choice", replaced two years later by forced integration.

Thanks to a successful interview with the painfully shy E.B. White, a beautiful, 19-year-old, blue-eyed blonde from the cornfields of Iowa lands a job as a receptionist at The New Yorker magazine. There she stays two decades, becoming general all-around factotum - watching and registering the comings and goings, marriages and divorces, scandalous affairs, failures, triumphs, and tragedies of the eccentric inhabitants of the 18th floor. Though she dreamed of becoming a writer, she never advanced at the magazine.

In the mid-1950s, Kurt Vonnegut takes a job in the PR department at General Electric in Schenectady, where his older brother, Bernard, is a leading scientist in its research lab - or "House of Magic". Kurt has ambitions as a novelist, and Bernard is working on a series of cutting-edge weather-control experiments meant to make deserts bloom and farmers flourish.

With only a guitar, a tatty copy of the Melody Maker, and his template for the perfect band, Andrew Matheson set out in 1971 to make musical history. His band, the Hollywood Brats, were prepunk prophets - uncompromising, ultrathin, wild, untamable, and outrageous. But thrown into the crazy world of the 1970s London music scene, the Brats ultimately fell afoul of the crooks and heavies that ran it and an industry that just wasn't ready for them.

At the age of 11, Michael Keith left a stable life with his mother and sisters and set off to cross the country with his irresponsible hobo of a father - a real bum. The memoir, narrated without sentimentality by this funny, world-wise little boy, describes their life on the road - the characters they meet hitching rides, their adventures with bed bugs in Salvation Army bunks, the joys of finally encountering a decent meal.

In 100 brief chapters, John M. Borack discusses and ranks the greatest moments in Beatles history. An avid Fab Four fan since childhood and a music journalist for more than 35 years, Borack has created a book to agree with and disagree with, and one that is sure to spark conversations. A love letter to the greatest rock band of all time, The Beatles 100 is a book for Beatles buffs and casual fans alike.

Ah, 55. Gateway to the golden years! Professional submitting. Emotional maturity. Easy surfing toward the glassy blue waters of retirement...Or maybe not? Middle age, for Sandra Tsing Loh, feels more like living a disorganized 25-year-old's life in an 85-year-old's malfunctioning body. With raucous wit and carefree candor, Loh recounts the struggles of leaning in, staying lean, and keeping her family well-fed and financially afloat - all those burdens of running a household that still, all-too-often, fall to women.

There has never been a show business book quite like The Show Won't Go On, the first comprehensive study of a bizarre phenomenon: performers who died onstage. From the comedy magician who dropped dead on live television to the amateur thespian who expired during a play called The Art of Murder, the book is a celebration of lives both famous and obscure, as well as a dramatic and accurate recounting of events leading to the moments they died "doing what they loved."

Along Comes the Association is the story of how Russ Giguere and his fellow band members in the legendary and influential pop group The Association came together to create unparalleled music, unique to the time and place, and never again to be repeated.

Pat Conroy was America's poet laureate of family dysfunction. A larger-than-life character and the author of such classics as The Prince of Tides and The Great Santini, Conroy was remembered by everybody for his energy, his exuberance, and his self-lacerating humor. Michael Mewshaw's The Lost Prince is an intimate memoir of his friendship with Pat Conroy, one that involves their families and those days in Rome when they were both young - when Conroy went from being a popular regional writer to an internationally best-selling author.

They were best friends. They were collaborators, literary gadflies, and champions of the common people. They were the leading lights of the Harlem Renaissance. Zora Neale Hurston, the author of Their Eyes Were Watching God, and Langston Hughes, the author of "The Negro Speaks of Rivers" and "Let America Be America Again", first met in 1925, at a great gathering of black and white literati, and they fascinated each other.