High Art

"The Illmatic Investor: From Hip-Hop to High Returns" is an innovative and engaging guide that merges the world of hip-hop with astute financial wisdom, inspired by the success of Nasir "Nas" Jones and his Queensbridge Venture Fund. This book targets listeners who are eager to learn about wealth creation through the lens of a cultural icon. It begins with an exploration of Nas's journey from a renowned hip-hop artist to a shrewd investor and co-founder of Queensbridge Venture Partners, drawing parallels between his lyrical prowess and investment strategies.

In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother.

Analysis of High Dam cinema during the July period through cinematic production and direction after the July Revolution. Analysis of the scenario, dialogue, and messages contained in the artworks, analysis of the artistic production process, and how High Dam cinema was presented through cinema at that time, and why.

Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt.

Featuring a foreword from legendary director Martin Scorcese, Woodstock: Interviews and Recollections combines stories, anecdotes, and perspectives from dozens of musicians and filmmakers about the making of the Academy Award-winning documentary Woodstock. Assembled by associate producer Dale Bell, the oral history takes listeners behind the scenes - and behind the camera - at the decade-defining event.

In the fall of 1948 Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called "a goddam wonderful city." He was a year shy of his 50th birthday and hadn't published a novel in nearly a decade. At a duck shoot in the lagoon he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Di Robilant - whose great-uncle moved in Hemingway's revolving circle of bon vivants, aristocrats, and artists - re-creates with sparkling clarity this surprising, years-long relationship.

At least 12 million people listen to Osgood every day on CBS radio, and millions more watch him on CBS News Sunday Morning. All of them would agree that no one delivers quite the way he does the offbeat stories that make listeners stop and pay attention; the commentaries in which he shares his sense of wonder, dismay, or amusement; the well-spun tales of irony that often burst forth into wordplay or even poetry.

Had Hitler succeeded in conquering Europe, he would have crowned himself Holy Roman Emperor. The Nazis had in their possession priceless artifacts that would give Hitler legitimacy in his subjects' eyes: the Crown Jewels of the Holy Roman Empire including the Spear of Destiny, alleged to have pierced Christ's side at the Crucifixion. Looted from the royal treasury in Vienna, Austria, the Crown Jewels were hidden in a secret bunker deep beneath Nrnberg castle, known to few.

When we think of '70s cinema, we think of classics like The Godfather and Taxi Driver...but the riches found in the overlooked B-movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times".

The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.

Pat Conroy was America's poet laureate of family dysfunction. A larger-than-life character and the author of such classics as The Prince of Tides and The Great Santini, Conroy was remembered by everybody for his energy, his exuberance, and his self-lacerating humor. Michael Mewshaw's The Lost Prince is an intimate memoir of his friendship with Pat Conroy, one that involves their families and those days in Rome when they were both young - when Conroy went from being a popular regional writer to an internationally best-selling author.

Gary Webb is the former San Jose Mercury News reporter whose 1996 "Dark Alliance" series on the so-called CIA-crack cocaine connection created a firestorm of controversy and led to his resignation from the paper amid escalating attacks on his work by the mainstream media. Author and investigative journalist Nick Schou published numerous articles on the controversy and was the only reporter to significantly advance Webb's stories.

Fun, bright, and playful, power pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, power pop has meant many things to many people. In Go All the Way, today's best and brightest writers go deep on what certain power pop bands and songs mean and have meant to them. Whether they love or hate it, Go All the Way is a dive into the Beatles-inspired pop rock of the last five decades.

Marguerite Higgins was both the scourge and envy of the journalistic world. A longtime reporter for the New York Herald Tribune, she first catapulted to fame with her dramatic account of the liberation of Dachau at the end of World War II. Brash, beautiful, ruthlessly competitive, and sexually adventurous, she forced her way to the front despite being told the combat zone was no place for a woman. While the Herald Tribune exploited her feminine appeal—it was Maggie's dogged determination, talent for breaking news, and unwavering ambition that brought her success from one war zone to another.

Don Paterson is one of our most acclaimed contemporary poets, possessed of "an infinite sensitivity to the world" (Zadie Smith). But his current standing gives few hints of his hilariously misspent youth. An indifferent student prone to obsessions (with girls at school and . . . origami), Paterson nevertheless made clear early on his immense gift for observation. In Toy Fights, he vividly re-creates the customs of the Scottish working class, from the titular childhood game ("basically twenty minutes of extreme violence without pretext") to the virtues of the sugary sweet known as tablet.

From 1974 to 2012, during his years as publisher and editor-in-chief of the New Republic, Martin Peretz was a familiar presence on the political scene. In its time under his leadership, the magazine was always fresh, erudite, contrarian, and brave. Anyone interested in finding out the most distinctive expert takes on the issues that mattered—whether they be domestic or international, cultural or political—knew that the New Republic was required reading.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

Raised up from poverty by a determined single mother, gifted and beautiful twin sisters Christa and Cara Parravani were able to create a private haven of splendor and amusement that they shared between themselves. They earned their way into a prestigious college, established careers as artists (a photographer and a writer, respectively), and entered young marriages. But plagued by their father's early rejection of them and further damaged by being raped as a young woman, Cara veered into depression, drugs, and a shocking early death.

In September 1769, 3,000 people descended on Stratford-upon-Avon to celebrate the artistic legacy of the town's most famous son, William Shakespeare. Attendees included the rich and powerful, the fashionable and the curious, eligible ladies and fortune hunters, and a horde of journalists and profiteers. For three days, they paraded through garlanded streets, listened to songs and oratorios, and enjoyed masked balls. It was a unique cultural moment - a coronation elevating Shakespeare to the throne of genius. Except it was a disaster....

The night before her father dies, 18-year-old Jeannie Vanasco promises she will write a book for him. But this isn't the book she imagined. The Glass Eye is Jeannie's struggle to honor her father, her larger-than-life hero but also the man who named her after his daughter from a previous marriage, a daughter who died. After his funeral, Jeannie spends the next decade in escalating mania, in and out of hospitals - increasingly obsessed with the other Jeanne. Obsession turns to investigation as Jeannie hunts for clues into the mysterious circumstances of her death.