High Rock

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.

"Surely make you lose your mind . . ." So the Eagles warn us about the outrageous and ruthless lifestyle of the ambitious rock-n-roller. In fact, Don Henley could barely listen to the track "Life in the Fast Lane" when they were recording it. He was so high that it made him sick. The band that embodied the American dream with globe-straddling success, impossibly luxurious lives, and almost supernatural talent also descended into nightmare with betrayal, hate-filled hubris, the skeletons of perceived enemies, brutally discarded lovers and former band mates left unburied in the road behind them.

In this conclusion to his trilogy of authoritative books on Canada's most beloved and successful rock band, Martin Popoff takes us through three decades of "life at the top" for Rush's Geddy Lee, Alex Lifeson, and Neil Peart. Though this era begins with the brisk-selling Roll the Bones and sees throngs of fans sell out international tours, there is also unimaginable tragedy.

It is the dawn of the twentieth century when the beautiful, budding feminist Katherine Dexter falls in love with Stanley McCormick, son of a millionaire inventor. The two wed, but before the marriage is consummated, Stanley experiences a nervous breakdown and is diagnosed as a schizophrenic sex maniac. Locked up for the rest of his life at Riven Rock, the family's California mansion, Stanley is treated by a series of confident doctors determined to cure him.

Ted Sweeney. Affable everyman in small-town Montana. Tailgate hung on with baling wire, owner of his own business. Ten minutes ago, his biggest worry had been how to pay for the engagement ring rattling around in his pocket. But that was before he came home to find a corpse tidily arranged in his favorite recliner, his "old pal of a piece of furniture". Is it a warning or a setup or what? Sweeney can't help but admire the efficiency of the work, the slice deep across the guy's throat. Somebody knew what they were doing.

Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Mick Jagger, Jimmy Cliff, Roger Waters, Jimmy Page, Stevie Wonder, Bonnie Raitt, and many other leading artists reveal for the first time the emotions, inspirations, and techniques behind their influential works. Covering the history of rock, R&B, country, disco, soul, reggae, and pop, Anatomy of a Song is a love letter to the songs that have defined generations of listeners.

Of all the creatures of the deep blue, none is as captivating as the octopus. In Many Things Under a Rock, marine biologist David Scheel investigates four major mysteries about these elusive beings. How can we study an animal with perfect camouflage and secretive habitats? How does a soft and boneless creature defeat sharks and eels, while thriving as a predator of the most heavily armored animals in the sea? How do octopus bodies work? And how does a solitary animal form friendships, entice mates, and outwit rivals?

While most successful sidemen are lucky to spend a decade in the music business, multi-instrumentalist Mark Rivera is working on his fifth. Rivera has shared the stage with some of Rock 'n' Roll's greatest performers, including John Lennon, Paul McCartney, Elton John, Simon & Garfunkel, Foreigner, Peter Frampton, Tony Bennett, Sheila E., Joe Walsh, Hall & Oates, and Peter Gabriel. How does he do it while avoiding the typical pitfalls—falling out of favor with the band, burnout, depression?

In the nineties, Ryan Dusick and his friends Adam Levine and Jesse Carmichael dreamed about making it big . . . and against all odds, they did. This inside story recounts Maroon 5's founding and their road to becoming Grammy-winning megastars, told through the eyes of former drummer Ryan Dusick. He takes listeners behind the scenes of the band's meteoric rise to success—and the grueling demands that came with it—as well as his personal struggles with anxiety and addiction after his departure from the band.

A supercouple for Christmas. Rock 'n' roll cowboy Tucker McKay's muse has left the building. Returning to his roots at his Colorado ranch might be the inspiration he needs, and he's done everything he can to ensure his reputation shines for his eventual return to the public eye, should his muse show up again. Ready to leave town, he's not prepared for the paparazzi frenzy after a starlet falls face down on his lap at LA's trendiest new night club.

A history of Saturday Night Live that finally reveals what really went on backstage, on the set, in the writers' offices, and on the town. Dozens of stars, writers, and guest hosts recall the backstage gossip, feuds, foibles, drugs, sex, struggles, and calamities of the show that changed television.

As much music history as biography, Awop Bop Aloo Mop celebrates "Little" Richard Wayne Penniman, who burst onto the American scene in 1955 with his mega-hit "Tutti Frutti." Almost by himself, Little Richard wrote the anti-rules and poured the concrete for the foundation of a new musical art form he created. Alan Freed would call it "Rock & Roll." Dubbing himself "The Architect of Rock & Roll," Little Richard was known for his wild, flamboyant performances and outrageous costumes. He also had demons he struggled with throughout his career.

Look around. Clearly, we humans are radically different from the other creatures on this planet. But why? Where are the Bronze Age beavers? The Iron Age iguanas? Byron Reese argues that we owe our special status to our ability to imagine the future and recall the past, escaping the perpetual present that all other living creatures are trapped in. Envisioning human history as the development of a societal superorganism he names Agora, Reese shows us how this escape enabled us to share knowledge on an unprecedented scale, and predict—and eventually master—the future.

A little dare never hurt anybody. I’m ready to rock my senior year. So what if my parents are recently divorced, the captain of the cheerleading team hates me more than tan lines, or that I’ve been forced to wear the school’s smelly mascot costume? Those things I can handle. (Maybe.) But if I get to sing my original song at the town’s big centennial event, I’ll be on my way to living the life I’ve always dreamed. But there’s only one problem: Collin thinks-he’s-God’s-gift-to-women Preston. Foster kid. Bad boy. And quarterback of the Rock Valley High football team.

In 1951, Carlotta Walls Lanier was one of the nine African-American students to integrate Little Rock High School, and the first to earn a diploma. Here she provides a firsthand account of her experiences - including the bombing that rocked her home, the constant threats she and her classmates faced, and the pressure and bullying her parents endured.

James Meredith’s struggle to integrate the University of Mississippi in 1962 is still remembered vividly, but the Little Rock Nine are frequently overlooked when it comes to discussing the Civil Rights Movement, despite attempting to integrate Little Rock Central High School five years earlier. For millions of kids, high school is a tumultuous time, but for the Little Rock Nine, the first African American students to attend a previously segregated high school in Little Rock, Arkansas, those years were nightmarish.

James Meredith’s struggle to integrate the University of Mississippi in 1962 is still remembered vividly, but the Little Rock Nine are frequently overlooked when it comes to discussing the Civil Rights Movement, despite attempting to integrate Little Rock Central High School five years earlier. For millions of kids, high school is a tumultuous time, but for the Little Rock Nine, the first African American students to attend a previously segregated high school in Little Rock, Arkansas, those years were nightmarish.

When 14-year-old Carlotta Walls walked up the stairs of Little Rock Central High School on September 25, 1957, she and eight other Black students only wanted to make it to class. But the journey of the “Little Rock Nine”, as they came to be known, would lead the nation on an even longer and much more turbulent path, one that would challenge prevailing attitudes, break down barriers, and forever change the landscape of America.

At fourteen years old, Carlotta Walls was the youngest member of the Little Rock Nine. The journey to integration in a place deeply against it would not be not easy. Yet Carlotta, her family, and the other eight students and their families answered the call to be part of the desegregation order issued by the US Supreme Court in its 1954 Brown v. Board of Education case.