High Rock

Hopalong rode into cattle country just east of the California line looking for his old friend Red Connors. He found Red holed up in a mountain cave with a bullet in his side and a story to tell. The ranchers around Tascotal had been losing their stock, and when Red caught the rustlers in the act, they hunted him down, shot him, and left him for dead. Jack Bolt, a savage, ruthless killer, has brought in a tough band of hardcases to run his operation.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

Levon is the dazzling, epic biography of Levon Helm - the beloved, legendary drummer and singer of The Band.

It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: In their gray surroundings, where everyone's future was preordained by some communist apparatchik, punk represented a revolutionary philosophy - quite literally, as it turned out.

A long time ago, in a suburban high school not so far away, a closeted nerd (me) and a closeted soccer star (Hutch) fell in love and planned to make their public debut at prom. Until Hutch bailed at the last minute, leaving me with a broken heart and unworn tuxedo. Tale as old as time, right? I spent the past ten years working to forget Hutch, returning to our old high school to teach and make new memories that could erase ones of him. I thought Hutch was ancient history, off living his professional athlete life.

The landmark 1954 Supreme Court ruling, Brown v. Board of Education, brought the promise of integration to Little Rock, Arkansas, but it was hard-won for the nine Black teenagers chosen to integrate Central High School in 1957. They ran a gauntlet flanked by a rampaging mob and a heavily armed Arkansas National Guard-opposition so intense that soldiers from the elite 101st Airborne Division were called in to restore order.

Rob is a pop-music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob tries dating a singer, but maybe it’s just that he’s always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think that life with kids, marriage, barbecues, and soft-rock CDs might not be so bad.

I love watching chemicals bond, but I avoid the practice myself. When I'm not teaching, I'm hanging out with my cat and putting together puzzles. I shy away from romantic entanglements because I know firsthand the collateral damage they cause. Until I bump into Anton and Sebastian: best friends, business partners, and former wrestling superstars at South Rock High who could barely pass my class. Catching up turns into drinking, which turns into dancing, which turns into them practicing wrestling moves on me, sans clothing.

The second book by Sunset Strip video vixen Bobbie Brown, Cherry on Top documents Brown's transformation from 1990s sex symbol to comedy queen, revealing the dramatic ups and downs of her biggest reinvention yet. Once the hottest girl on the Sunset Strip, the blonde beauty in the video to Warrant's 1990s hit, "Cherry Pie" is now in her late 40s, and she's letting her mouth run wild as a headliner on the comedy stage a few doors down from the rock clubs she once frequented. She's still smoking hot, but telling jokes about farting on men's balls isn't helping her find The One.

In this conclusion to his trilogy of authoritative books on Canada's most beloved and successful rock band, Martin Popoff takes us through three decades of "life at the top" for Rush's Geddy Lee, Alex Lifeson, and Neil Peart. Though this era begins with the brisk-selling Roll the Bones and sees throngs of fans sell out international tours, there is also unimaginable tragedy.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.

Mick Jagger, Jimmy Cliff, Roger Waters, Jimmy Page, Stevie Wonder, Bonnie Raitt, and many other leading artists reveal for the first time the emotions, inspirations, and techniques behind their influential works. Covering the history of rock, R&B, country, disco, soul, reggae, and pop, Anatomy of a Song is a love letter to the songs that have defined generations of listeners.

A history of Saturday Night Live that finally reveals what really went on backstage, on the set, in the writers' offices, and on the town. Dozens of stars, writers, and guest hosts recall the backstage gossip, feuds, foibles, drugs, sex, struggles, and calamities of the show that changed television.

"Surely make you lose your mind . . ." So the Eagles warn us about the outrageous and ruthless lifestyle of the ambitious rock-n-roller. In fact, Don Henley could barely listen to the track "Life in the Fast Lane" when they were recording it. He was so high that it made him sick. The band that embodied the American dream with globe-straddling success, impossibly luxurious lives, and almost supernatural talent also descended into nightmare with betrayal, hate-filled hubris, the skeletons of perceived enemies, brutally discarded lovers and former band mates left unburied in the road behind them.

In one month, I turn thirty-five with my virginity still intact. Is there anything more embarrassing than knowing most of my French students have gotten more action than me? Je suis triste. When I accidentally reveal this secret to my close friend and co-worker Seamus, South Rock's baseball coach, he offers to help me round the bases. It has to be a joke, because Seamus is one million percent straight. There's no way he'd want to fool around with a chubby language nerd like me, even though I've harbored a secret crush on him since the day he first walked into the teachers' lounge.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

Thirty years ago, Chuck Berry starred in the seminal music documentary Chuck Berry: Hail! Hail! Rock 'N' Roll, which profiled the legend during a star-studded concert celebrating his 60th birthday. Now comes the complete story behind one of America's most enduring and embattled icons. Compiled as an oral history by the film's producer, Stephanie Bennett, Johnny B. Bad combines interviews from the film's participants, including its music director - Keith Richards. These unique interviews and accounts paint a vivid and multifaceted picture of the artist.

I should be a glitter bomb of excitement about my college friends getting married. But all I can think about is running into my uber-successful ex and his new boyfriend at the wedding . . . while I'm flying painfully solo. I need a plus one, stat. Enter Raleigh Marshall. As luck (or misfortune) would have it, a picture of me and South Rock High's too-blessed-to-be-stressed football coach accidentally finds its way on social media, making people believe we're an item. Raleigh is hot, charming, and one of South Rock's most popular teachers. The problem is that he knows it.

Aside from the stitches and the head wound, Tom Henderson is the same old King Dork. He's still trying to work out who to blame for the new scar on his forehead, the memory loss, and his father's mysterious death. But illicit female hospital visitations, The Catcher in the Rye, and the Hillmont High sex-pocalypse have made him a new man. What doesn't make you stronger can kill you, though, and 10th grade, act two, promises to be a killer. Tom's down one bloodstained army coat, one Little Big Tom, and two secret semi-imaginary girlfriends.

Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.