Historical Biographical Fiction

London, 1905: The city is alight with change, and the Stephen siblings are at the forefront. Vanessa, Virginia, Thoby, and Adrian are leaving behind their childhood home and taking a house in the leafy heart of avant-garde Bloomsbury. There they bring together a glittering circle of bright, outrageous artistic friends who will grow into legend and come to be known as the Bloomsbury Group. And at the center of this charmed circle are the devoted, gifted sisters: Vanessa, the painter, and Virginia, the writer.

Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper middle-class society for the free-spirited, louche world of Weimar Berlin's cabarets and drag balls.

Nineteen-year-old April Wilton has just enlisted in the WRENs in Portsmouth, where she works servicing engines on ships. She finds herself immersed in dockyard life and surrounded by soldiers - from England and America. The atmosphere is one of spontaneity and impulsiveness, brought on by the unpredictability of war. So when April meets Daniel, a young American soldier, whose mother is Sioux and father is of African descent, she doesn't hesitate when she starts to fall for him.

A brilliant, complex, and layered story, The Shadow Catcher takes its title from the name bestowed upon Edward Curtis by the American Indians when he showed them photographs of themselves. In this remarkable novel, Wiggins weaves parallel tales of this famous artist and an unsung soldier, husband, and father.

Alice may be the president's daughter, but she's nobody's darling. As bold as her signature color Alice Blue, the gum-chewing, cigarette-smoking, poker-playing first daughter discovers that the only way for a woman to stand out in Washington is to make waves - oceans of them. With the canny sophistication of the savviest politician on the Hill, Alice uses her celebrity to her advantage, testing the limits of her power and the seductive thrill of political entanglements.

It is 1914, and 25-year-old Frances Marion has left her (second) husband and her Northern California home for the lure of Los Angeles, where she is determined to live independently as an artist. But the word on everyone's lips these days is "flickers" - the silent moving pictures enthralling theatergoers. Turn any corner in this burgeoning town and you'll find made-up actors running around, as a movie camera captures it all. In this fledgling industry, Frances finds her true calling: writing stories for this wondrous new medium.

"Je rêvais de retrouver la trace et l'image d'un saint Louis à l'humanité sensible, un saint Louis de chair, à figure humaine. Le temps, en l'élevant au-dessus de nos natures, lui a peut-être rendu un mauvais service. Il m'a imposé d'aller puiser aux sources les plus authentiques."

In the mid-1940s, the great historical novelist Anya Seton embarked on a fervent search for her forebears that led her to Marblehead, Massachusetts, a "sea-girdled town of rocks and winding lanes and clustered old houses". There she found not only an ancestor, but also the setting for this, her fourth novel.

England, 1422: Owen Tudor, a Welsh servant, waits in Windsor Castle to meet his new mistress, the beautiful and lonely Queen Catherine of Valois, widow of the warrior king, Henry V. Her infant son is crowned king of England and France, and while the country simmers on the brink of civil war, Owen becomes her protector. They fall in love, risking Owen's life and Queen Catherine's reputation, but how do they found the dynasty that changes British history - the Tudors?

1910, Mexico. As the country’s revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural performer. He invites her to Hollywood, and practically overnight, the famous Miss del Río is born.

1920s Germany: Though the world has changed in the wake of the Great War, it is still ruled by men. Even a woman as resourceful and intelligent as Niki Rittenhaus needs alliances in order to survive. Her marriage to Rickard Länger, a movie producer for Berlin's Passport Pictures, seems convenient for them both. When Rickard succumbs to increasing pressure from the Nazis to make propaganda movies, a horrified Niki turns away from her own film aspirations and instead, begins to write.

On the lam for an act of violence against the American government, 25-year-old Jenny Shimada agrees to care for three younger fugitives whom a shadowy figure from her former radical life has spirited out of California. One of them, the kidnapped granddaughter of a wealthy newspaper magnate in San Francisco, has become a national celebrity for embracing her captors' ideology and joining their revolutionary cell.

Renie Lee has climbed the ladder in a man's world to be head of the Story Department at Warner Bros. Studios. Renie is an idealist who believes that "the perfect film" can be created. When she pulls an unproduced stage play set in Morocco out of the slush pile, she has a feeling this one is special, maybe not perfect but special enough to secure her place as an equal to the studio's most powerful men. No one agrees with her until two young studio writers, Julius and Philip Epstein, decide to back Renie's gamble and bring the Morocco story to the screen. Their screenplay's name: Casablanca.

Gustav Klimt gave Alma her first kiss. Gustav Mahler fell in love with her at first sight and proposed only a few weeks later. Bauhaus founder Walter Gropius abandoned all reason to pursue her. But who was this woman who brought these eminent men to their knees? In Ecstasy, Mary Sharratt answers that question. Coming of age in the midst of a creative and cultural whirlwind, Alma Schindler yearned to make her mark as a composer. But when Alma lost her heart to the great composer Gustav Mahler, he demanded that she give up music.

“Where are the hysterics, those magnificent women of former times?” wrote Jacques Lacan. Long history’s ghosts, marginalized and dispossessed due to their gender and class, they are reimagined by Maud Casey as complex, flesh-and-blood people with stories to tell.

Did photography replace an absence in her life or expose the truth of her heart’s emptiness? While growing in confidence as a photographer, 18-year-old Jessie Ann Gaebele’s personal life is at a crossroads. Hoping she’s put an unfortunate romantic longing behind her as “water under the bridge”, she exiles herself to Milwaukee to operate photographic studios for those owners who have fallen ill with mercury poisoning. Jessie gains footing in her dream to one day operate her own studio and soon finds herself in other Midwest towns, pursuing her profession.

Elizabeth of York, her life already tainted by dishonour and tragedy, now queen to the first Tudor king, Henry the VII. Joan Vaux, servant of the court, straining against marriage and motherhood and privy to the deepest and darkest secrets of her queen. Like the ravens, Joan must use her eyes and her senses, as conspiracy whispers through the dark corridors of the Tower.

Louis Comfort Tiffany, famous for his stained-glass windows, is planning a unique installation at the Paris World’s Fair, the largest in history. At their fifth-floor studio on Fourth Avenue, the artists of the Women’s Division of the Tiffany Glass Company are already working longer shifts to finish the pieces that Tiffany hopes will prove that he is the world’s finest artist in glass. Known as the “Tiffany Girls,” these women are responsible for much of the design and construction of Tiffany’s extraordinary glassworks, but none receive credit.

In 1918, a fearless 22-year-old arrives in bohemian San Francisco from the Northeast, determined to make her own way. Renaming herself Dorothea Lange, she is soon the celebrated owner of the city’s most prestigious and stylish portrait studio. By the early 1930s, determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the US enters World War II, Dorothea chooses to confront another injustice - the incarceration of thousands of innocent Japanese Americans.

Esther, hija de una familia de orígenes judíos, nace el mismo día en que se firma el Tratado de Versalles, que pone fin a la devastadora Primera Guerra Mundial. Su padre, el doctor Paul Dukas, obsesionado con su ascenso personal y profesional, y convertido al cristianismo, descubrirá muy pronto que el pasado judío de un hombre no se perdona fácilmente.