Historical Biographical Fiction

Hollywood, 1938: As soon as she learns MGM is adapting her late husband’s masterpiece for the screen, 77-year-old Maud Gage Baum sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book - because she’s the only one left who knows its secrets. But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow”, Maud recognizes the yearning that defined her own life story.

When We Cease to Understand the World is a book about the complicated links between scientific and mathematical discovery, madness, and destruction. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, Erwin Schrödinger - these are some of the luminaries into whose troubled lives Benjamín Labatut thrusts the listener, showing us how they grappled with the most profound questions of existence.

In Flora Thompson's semi-autobiographical series Lark Rise to Candleford, she explores the Oxfordshire country life of her protagonist Laura in the 1880s and 1890s. This collection includes all three works in the trilogy, Lark Rise, Over to Candleford, and Candleford Green.

In 1665, a young man from Martha's Vineyard became the first Native American to graduate from Harvard College. Upon this slender factual scaffold, Brooks has created a luminous tale of love and faith, magic and adventure. The narrator of Caleb's Crossing is Bethia Mayfield, growing up in the tiny settlement of Great Harbor amid a small band of pioneers and Puritans. Restless and curious, she yearns after an education that is closed to her by her sex....

In 1890, Vincent Van Gogh dies penniless, unknown, a man tortured by his own mind. Eleven years later his work is exhibited in Paris and his unparalleled talent finally recognised. The tireless efforts of one woman gave the world one of its greatest creative minds. But twenty-eight year old Johanna Van Gogh-Bonger, Vincent’s sister-in-law and the keeper of his immense collection of paintings, sketches and letters, has, until now, been written out of history. This beautiful, moving novel finally gives this extraordinary woman a voice.

Corbin College, not quite upstate New York, winter 1959-1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies. Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive comedy of blending, identity, and politics.

Margaret George's novel brings into focus the larger-than-life King Henry VIII, monarch of prodigious appetites for wine, women, and song.

The year is 1853, and the Habsburgs are Europe's most powerful ruling family. With his empire stretching from Austria to Russia, from Germany to Italy, Emperor Franz Joseph is young, rich, and ready to marry.

Her beauty almost certainly saved her from the rising Nazi party and led to marriage with an Austrian arms dealer. Underestimated in everything else, she overheard the Third Reich's plans while at her husband's side, understanding more than anyone would guess. She devised a plan to flee in disguise from their castle, and the whirlwind escape landed her in Hollywood. She became Hedy Lamarr, screen star.

Reluctant midwife Emma Trimpany is just 17 when she assists at the harrowing birth of the Dionne quintuplets: five tiny miracles born to French farmers in hardscrabble Northern Ontario in 1934. Emma cares for them through their perilous first days, and when the government decides to remove the babies from their francophone parents, making them wards of the British king, Emma signs on as their nurse.

In the long hot summer of 1939, Britain is preparing for war, but on a riverside farm in Suffolk there is excitement of another kind. Mrs. Pretty, a widowed farmer, has had her hunch proved correct that the strange mounds on her land hold buried treasure. As an archaeological dig proceeds against a background of mounting national anxiety, it becomes clear that this is no ordinary find, and the discovery leads to a host of jealousies and tensions.

Was Mary Magdalene a prostitute, a female divinity figure, a church leader, or all of those? Biblical references to her are tantalizingly brief, but we do know that she was the first person to whom the risen Christ appeared - and the one commissioned to tell others the good news, earning her the ancient honorific "Apostle to the Apostles". Today, Mary continues to spark controversy, curiosity, and veneration. In a vivid re-creation of Mary Magdalene's life story, Margaret George convincingly captures this renowned woman's voice.

In the glittering and ruthlessly competitive world of opera, Maria Callas was known simply as la divina: the divine one. With her glorious voice, instinctive flair for the dramatic and striking beauty, she was the toast of the grandest opera houses in the world. But her fame was hard won: raised in Nazi-occupied Greece by a mother who mercilessly exploited her golden voice, she learned early in life to protect herself from those who would use her for their own ends.

Dracula. A name of horror, depravity and the darkest sensuality. Yet the real Dracula was just as alluring, just as terrifying, his story not of a monster but of a man - and a contradiction. For the one they called 'The Devil's Son' was both tyrant and lawgiver, crusader and mass slaughterer, torturer and hero, lover and murderer. His tale is told by those who knew him best. The only woman he ever loved, who he must sacrifice. His closest comrade and traitor.

A writer resembling Zoé Valdés - a Cuban exile living in Paris with her husband and young daughter - is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement, until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and their affair ended with her commitment to an asylum at the hands of Picasso's friends.

In the pre-dawn hours of August 24th, 1305, in London's Smithfield Prison, the outlaw William Wallace - hero of all the Scots and deadly enemy of King Edward of England - sits awaiting the dawn, when he is to be hanged and then drawn and quartered. This brutal sundering of his body is the revenge of the English. Wallace is visited by a Scottish priest who has come to hear his last confession, a priest who knows Wallace like a brother. Wallace's confession - the tale that follows - is all the more remarkable because it comes from real life.

Set in the vibrant fourteenth century of Chaucer and the Black Death, the story features knights fighting in battle, serfs struggling in poverty, and the magnificent Plantagenets—Edward III, the Black Prince, and Richard II—who rule despotically over a court rotten with intrigue. Within this era of danger and romance, John of Gaunt, the king’s son, falls passionately in love with the already-married Katherine. Their affair persists through decades of war, adultery, murder, loneliness, and redemption.

An exhaustively researched novel weaves both historical fact and plausible fiction in bringing the story of Mary Queen of Scots to life.

Elizabeth of York is the oldest daughter of King Edward IV. Flame-haired, beautiful, and sweet-natured, she is adored by her family; yet her life is suddenly disrupted when her beloved father dies in the prime of life. Her uncle, the notorious Richard III, takes advantage of King Edward’s death to grab the throne and imprison Elizabeth's two younger brothers, the rightful royal heirs. Forever afterward known as the princes in the tower, the boys are never seen again.

This novel allows the unscrupulous and proud Queen of the Nile to recount her own tale. A masterful recreation of history.