Historical Detective Mystery

Father Brennan Burke is struggling, and he’s been coping the only way he knows how: self-medicating with drink. He’s barely managing, but his troubles intensify when the body of one of his parishioners washes up on the coast of Halifax. Meika Keller came to Canada after escaping past a checkpoint in the Berlin Wall. An army colonel is charged with her murder, and defense lawyer Monty argues that Meika’s death was a suicide, which is the last thing Father Burke wants to hear.

It’s 1941, and the Mitford household is splintered by the vicissitudes of war. To bring the clan together—maybe for one last time—Deborah invites them to Chatsworth for Christmas, along with a selection of society’s most impressive and glamorous guests, as well as old family friend Louisa Cannon, a private detective. One night, a psychic arrives, and to liven things up Deborah agrees she may host a séance. But entertainment turns to dark mystery as the psychic reveals that a maid was murdered in this very same house—and she can prove it.

In the winter of 1906, Lady Emily and husband Colin are invited to the opulent home of Baroness Ursula von Duchtel in the Bavarian alps. Outside is a mountainous winter wonderland with a view of Mad King Ludwig’s fairy tale castle. Inside, the villa hosts a magnificent but eclectic art collection—as well as an equally eclectic collection of fellow guests, among them a musician, an art dealer, a coquette from the demi-monde, and Kaspar, the Baroness’ boorish son-in-law, whom, it begins to appear, someone wants dead.

Ella has discovered a secret room in the Yellow Cottage, but with it comes a ghost. Who was she? And how did she die? Ella needs to find the answers before either of them can find peace. But suddenly, things take a nasty turn for the worse.

Margaret Starling wasn't the sort of woman anyone expected to be murdered. She was a wealthy upper-class widow. But money alone won't protect you when someone decides it's high time you met your maker. Margaret wasn't as well-regarded as she'd always thought she was. But Mrs. Jeffries and Inspector Witherspoon know that justice isn't a popularity contest, and they won't rest until they sift through the suspects to catch a sinister scrooge.

London, 1855. A young and eager Charles Lenox faces his toughest case yet: A murder without a single clue. Slumped in a third-class car at Paddington Station is the body of a handsome young gentleman. He has no luggage, empty pockets, and no sign of identification on his person. And putting together the clues to the mystery of the man's identity only raises more questions, when Lenox discovers that the crime has a significant connection to America.

The ladies of the Mayfair Orchid and Exotic Plant Society are known for a bit of friendly rivalry, but the backstabbing has never been literal - until now. When Hiram Filmore, an orchid hunter and supplier, is found dead in Mrs. Helena Rayburn's conservatory, Inspector Witherspoon is called in to weed out a murderer. When it comes out that Mrs. Rayburn and her flowery friends knew each other from long ago, Mrs. Jeffries begins to suspect that there's more to unearth about this case than meets the eye.

New York, Autumn, 1907: Former private detective Molly Murphy Sullivan is happy with her place in the world. She and her policeman husband, Daniel, have built quite a life for themselves in Greenwich Village, in their modest-yet-beautiful home in Patchin Place, filled with family, friends, and laughter. Molly and Daniel have a good marriage, a true partnership where they value each other’s opinions in all things. So when he tells her they’re moving to a fancy home on Fifth Avenue—and that he’s running for the sheriff of New York—Molly is left reeling.

When a girl is gruesomely murdered, thief taker Charlie Tuesday reluctantly agrees to take on the case. But the horrific remains tell him this is no isolated death. The killer’s mad appetites are part of a master plan that could destroy London – and reveal the dark secrets of Charlie’s own past. Now the thief taker must find this murderous mastermind before the plague obliterates the evidence street by street. This terrifying pursuit will take Charlie deep into the black underbelly of old London, where alchemy, witchcraft and blood-spells collide. In a city drowned in darkness, death could be the most powerful magic of all.

On the north coast of Cornwall, an apparent act of mercy is repaid by an arrest for murder. Four young women have been accused of the crime. A shocked father calls in a favor at the Home Office. Scotland Yard is asked to review the case.

However, Inspector Ian Rutledge is not the first inspector to reach the village. Following in the shoes of a dead man, he is told the case is all but closed.

The world is poised for social and political change, but England holds tight to its traditions, classes, and prejudices. When an explosion in London kills two policemen and seriously injures three more, many believe that anarchists are the culprits. But Thomas Pitt, commander of Special Branch, knows the city's radical groups well enough to suspect otherwise: that someone with decidedly more personal motives lit the deadly fuse.

An exquisite silver coffee-pot in the shape of a locomotive is on its way to Cardiff in the care of silversmith, Hugh Kellow. When the coffee-pot is stolen and a murder is committed, Inspector Colbeck and Sergeant Leeming are called in to investigate.

Commander William Monk has learned to live with the fact that he cannot remember the events of his life prior to a horrific carriage accident years ago. But when a ghost from his past, a man he has no recollection of, attempts to frame him for a series of murders, he must rely on the help of his wife, Hester, and his close friend, Oliver Rathbone, in order to free himself - from both the charges and the demons that have haunted him since the accident.

In 1912 Ian Rutledge watched as a man was condemned to hang for the murders of elderly women. Rutledge helped gather the evidence that sent Ben Shaw to the gallows. And when justice was done, Rutledge closed the door on the case. But Shaw was not easily forgotten. Now, seven years later, that grim trial returns in the form of Ben Shaw's widow Nell, bringing Rutledge evidence she is convinced will prove her husband's innocence. It's a belief fraught with peril, threatening both Rutledge's professional stature and his faith in his judgment. But there is a darker reason for Rutledge's reluctance.

Marcus Didius Falco discovers that rank brings problems, the most gruesome of which is a corpse buried under the tiles of his new bath house. The contractors have fled to Britain where, as the Fates have it, Falco is ordered. A local chief and ally of the Romans is having a Palace built by the Emperor Vespasian. However, the project is running late, and fatal accidents keep happening. Falco, troubleshooting for the Emperor, is without an ally and now next on the list for assassination.

In what promises to be a breakout in Charles Finch's best-selling series, Charles Lenox travels to the New York and Newport of the dawning Gilded Age to investigate the death of a beautiful socialite.

As a mute, burly German peasant is helping British soldiers move a fallen tree, he's struck on the head. When he regains consciousness he calls out to the astonished Major Manning, using his nickname "Monkey"—in perfect English.

In his forties, the Reverend Charles Howard still cut an impressive figure. A married Presbyterian minister in Toronto’s east end, Howard was popular with the congregation that elected him, especially with the ladies, and most particularly with Miss Sarah Dignam. Respected in the community, Howard, as Visitor for the House of Industry, sat in judgment on the poor, assessing their applications for the workhouse. But now Howard is dead, stabbed and brutally beaten by someone he invited into his office.

In the west end of London, an apparently crazed individual is on the loose, breaking into art galleries and private homes to slash valuable paintings of women. Despite Scotland Yard's best efforts, the criminal remains at large and continues on his destructive path. When Joanna and the Watsons are called in to solve the mystery, they soon discover that although the canvases have been slashed, their backings remain pristine, with no cuts or scratches. The criminal, it seems, is no mere vandal - he's searching for something hidden behind the portraits.

An artist's model never shows up at Neville Grant's house...or so he claims. But when one of Mr. Grant's houseguests suddenly dies, the Inspector and Mrs. Jeffries have to work double-time to find both the missing model and the killer!