Historical Detective

Feisty, passionate Beatrice Steele has never fit the definition of a true lady, according to the strict code of conduct that reigns in Swampshire, her small English township—she is terrible at needlework, has absolutely no musical ability, and her artwork is so bad it frightens people. Nevertheless, she lives a perfectly agreeable life with her marriage-scheming mother, prankster father, and two younger sisters— beautiful Louisa and forgettable Mary. But she harbors a dark secret: She is obsessed with the true crime cases she reads about in the newspaper.

The year is 1933. Maisie Dobbs is contacted by an Indian gentleman who has come to England in the hopes of finding out who killed his sister two months ago. Scotland Yard failed to make any arrest in the case, and there is reason to believe they failed to conduct a thorough investigation. The case becomes even more challenging when another Indian woman is murdered just hours before a scheduled interview. Meanwhile, unfinished business from a previous case becomes a distraction, as does a new development in Maisie's personal life.

Belfast, 1985. Amid the Troubles, Detective Sean Duffy, a Catholic cop in the Protestant Royal Ulster Constabulary, struggles with burnout as he investigates a brutal double murder and suicide. Did Michael Kelly really shoot his parents at point-blank range and then jump off a nearby cliff? A suicide note points to this conclusion, but Duffy suspects even more sinister circumstances.

Lady Georgiana Rannoch has once again been called into service by Her Majesty the Queen. This time she's sent to Nice on a secret assignment that's nothing to sneeze at: recover the Queen's stolen snuff box. As much of an honor as it is to be trusted by Her Majesty, an even greater honor awaits Georgie in Nice - as Coco Chanel herself asks Georgie to model her latest fashion. But when a necklace belonging to the Queen is stolen on the catwalk, Georgie has to find two priceless items-and solve a murder. How's a girl to find any time to go to the casino?

It's Christmas Eve 1931. On the way to see a client, Maisie Dobbs witnesses a man commit suicide on a busy London street. The following day, the prime minister's office receives a letter threatening a massive loss of life if certain demands are not met—and the writer mentions Maisie by name. After being questioned and cleared by Detective Chief Superintendent Robert MacFarlane of Scotland Yard's elite Special Branch, she is drawn into MacFarlane's personal fiefdom as a special adviser on the case.

Wherever Christopher Rowe goes, adventure - and murder - follows. Even a chance to meet King Charles ends in a brush with an assassin. All that's recovered from the killer is a coded message with an ominous sign-off: more attempts are coming. So when Christopher's code-breaking discovers the attack's true target, he and his friends are ordered to Paris to investigate a centuries-old curse on the French throne. And when they learn an ancient treasure is promised to any assassin who succeeds, they realize the entire royal family is at stake - as well as their own lives.

Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.

Olive Belgrave needs a job. Despite her aristocratic upbringing, she’s penniless. Determined to support herself, she jumps at an unconventional job—looking into the background of her cousin’s fiancé, Alfred. Alfred burst into the world of London’s high society, but his answers to questions about his past are decidedly vague. Before Olive can gather more than the basics, a murder occurs at a posh party. Suddenly, every Bright Young Person in attendance is a suspect, and Olive must race to find the culprit because a sly murderer is determined to make sure Olive’s first case is her last.

An urgent cry for help brings Poirot to France. But he arrives too late to save his client, whose brutally stabbed body now lies face downwards in a shallow grave on a golf course. But why is the dead man wearing his son's overcoat? And who was the impassioned love-letter in the pocket for? Before Poirot can answer these questions, the case is turned upside down by the discovery of a second, identically murdered corpse....

Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity.

When an elderly priest is murdered, the killer searches the victim so roughly that his already ragged cassock is torn in the process. What was the killer looking for? And what had a dying woman confided to the priest on her deathbed only hours earlier? Mark Easterbrook and his sidekick, Ginger Corrigan, are determined to find out. Maybe the three women who run The Pale Horse public house - and who are rumored to practice the "Dark Arts" - can provide some answers....

When London’s finest jazz musicians, the Dizzy Heights, are booked to play the glitzy Midsummer Ball at a country house in Oxfordshire, they expect a weekend filled with flappers and toffs having a roaring good time. But the festivities at Bilverton House take a turn for the worse when the group are stranded by a summer storm. And when a member of the Bilverton family turns up dead in a locked room in an apparent suicide, Skins, Dunn and Ellie realize this is going to be a much tougher gig than they thought.

With the country in the grip of economic malaise, and worried about her business, Maisie Dobbs is relieved to accept an apparently straightforward assignment from an old friend to investigate certain matters concerning a potential land purchase. Her inquiries take her to a picturesque village in Kent during the hop-picking season, but beneath its pastoral surface she finds evidence that something is amiss. Mysterious fires erupt in the village with alarming regularity, and a series of petty crimes suggests a darker criminal element at work.

January 1910. A journalist has been killed in a suspicious blaze. Everything points to a group of suffragettes, but the apparent culprit insists she is innocent. When Lady Hardcastle receives a letter from a suffragette requesting her urgent help, the retired spy turned sleuth knows only she stands between an accused young woman and the gallows. Evidence at the scene makes Lizzie Worrel’s innocence difficult to believe, and with the police treating it as an open-and-shut case of arson, Lady Hardcastle faces a barrage of resistance as she tries to dig out the truth.

When listeners last heard Maisie Dobbs, it was 1938, and the world was on the brink of war. Maisie herself was on a dangerous mission inside Nazi Germany, where she encountered an old enemy and the Führer himself. In In This Grave Hour, a year has passed, and Maisie is back home in England - yet neither she nor her nation is safe. Britain has just declared war on Germany and is mobilizing for the devastating battle ahead.

Lord Francis and Lady Ottilia Fanshawe have suffered a devastating blow. With Ottilia sunk deep into a depression, Francis is desperate to get his beloved wife back. So when he hears about a murder at the seaside town of Weymouth, an idea starts to form.... A young girl's body has been discovered, laid out in an open coffin, surrounded by candles. The staged scene, and the fact that the victim was a member of a theatrical troupe, suggests one of her colleagues is the killer. Knowing Ottilia's sharp intuition and penchant for solving mysteries, Francis brings her to the murder site.

The 13th installment in Stephanie Barron's fan favorite Being a Jane Austen Mystery series. Between novels, Victorian England's most beloved author doubles as a sleuth in often idyllic locales. November 1815. The Battle of Waterloo has left the British economy in shreds; Henry Austen, Jane's favorite brother, is about to declare bankruptcy. The crisis destroys Henry's health, and Jane flies to his London bedside.

Six people sit down to a sumptuous meal at a table laid for seven. In front of the empty place is a sprig of rosemary - "rosemary for remembrance." A strange sentiment considering no one is likely to forget the night, exactly a year ago, that Rosemary Barton died at exactly the same table, her beautiful face unrecognizable, convulsed with pain and horror. But then Rosemary had always been memorable - she had the ability to arouse strong passions in most people she met. In one case, strong enough to kill....

When Maud McIntyre receives a letter from a maid called Rose, sharing her suspicions that something strange is happening in the house where she works, she and her assistant Daisy immediately travel to the Highlands to investigate.

As the leading churchmen and women gather at the Synod of Whitby in AD 664 to debate the rival merits of the Celtic and Roman Churches, tempers begin to fray. Conspirators plot an assassination, while mysterious, violent death stalks the shadowy cloisters of the Abbey of St Hilda. When the Abbess Etain, a leading speaker for the Celtic Church, is found murdered, suspicion inevitably rests on the Roman faction. Attending the Synod is Fidelma, of the community of St Brigid of Kildare.