Historical Detective

Spring, 1858. The route of the Caledonian Railway through the southern uplands of the Scottish countryside is disrupted by a fatal crash. Inspector Robert Colbeck and Sergeant Victor Leeming are called from the crime of London to investigate, and must contend with old enemy Superintendent Rory McTurk to uncover the criminals behind the disaster.

London, 1782. The sole survivor of an ill-fated expedition to Jamaica has gone missing upon his return home. Dr. Thomas Silkstone had been entrusted to catalog all the New World specimens and therefore feels compelled to investigate the disappearance. Meanwhile, a rumor circulates that a potion with the power to raise the dead is afoot, and the formula is thought to be in the missing botanist's journal.

Olive and Jasper have never been closer—except for one thing. Jasper is still reticent about his frequent disappearances from polite society. With the holidays approaching and no paying client on the books, Olive decides to shadow Jasper when he’s unexpectedly called away. Her search brings her to Holly Hill Lodge where an eclectic group has gathered to celebrate an old-fashioned English Christmas. When the butler goes missing, Olive and Jasper must work together to solve the Christmas crime—as well as the secret Jasper hides.

Can Lord Peter Wimsey prove that Harriet Vane is not guilty of murder--or find the real poisoner in time to save her from the gallows? Impossible, it seems. The Crown's case is watertight. The police are adamant that the right person is on trial. The judge's summing up is also clear. Harriet Vane is guilty of the killing her lover. And Harriet Vane shall hang. But the jury disagrees.

With London's streets deserted, a young flower girl is murdered. But why was she out so late on the foggiest night of the year? Inspector Witherspoon of Scotland Yard has nowhere to even begin looking for a suspect. However, Mrs. Jeffries, his housekeeper, is even more accomplished at detection than she is at household management. A policeman's widow herself, her quick wits allow her to nudge the inspector in the right direction to solve the mystery.

London, summer 1920. An unidentified body appears to have been run down by a motorcar and Ian Rutledge is leading the investigation to uncover what happened. While the signs point to murder, vital questions remain: Who is the victim? And where, exactly, was he killed? One small clue leads Rutledge to a firm built by two families, famous for producing and selling the world's best Madeira wine. Lewis French, the current head of the English enterprise, is missing. But is he the dead man? And does either his fiancée or his jilted former lover have anything to do with his disappearance - or possible death?

Declaring he needs to clear his conscience, a dying man walks into Scotland Yard and confesses that he killed his cousin five years earlier during the Great War. When Inspector Ian Rutledge presses for details, the man evades his questions, revealing only that he hails from a village east of London. With little information and no body to open an official inquiry, Rutledge begins to look into the case on his own. Less than two weeks later, the alleged killer’s body is found floating in the Thames, a bullet in the back of his head.

The Cleaves family gather in a small country churchyard for their son's funeral. But they don't recognize the dead man in the coffin. Detective Inspector Ravenscroft is alarmed by the behavior of the Upton Undertakers. What are they hiding? And who killed this man? Then another member of the Cleaves family is found dead. Ravenscroft begins to suspect something grisly is afoot—could someone be involved in body snatching?

New York City, 1947: For years, Holly Quick has made a good living off of murder, filling up the pages of pulp detective magazines with gruesome tales of revenge. Now someone is bringing her stories to life and leaving a trail of blood-soaked bodies behind. With the threat of another murder looming, and reluctant to go to the police, Holly turns to the best crime-solving duo in or out of the pulps, Willowjean “Will” Parker and her boss, famed detective Lillian Pentecost.

Virtuoso storyteller Umberto Eco conjures up a gloriously rich portrait of 14th century Franciscan Italy with such grace, ease, wit, and love that you will become utterly intoxicated with the place and time. The story is performed by Theodore Bikel who has starred in numerous Broadway hits, including The Sound of Music, Zorba, and Fiddler on the Roof.

Maurice Leblanc, a writer of detective fiction during the same period as Sir Arthur Conan Doyle, created Arsene Lupin, a sort of French Robin Hood. An inventive genius, a master of disguise, and an accomplished actor, Lupin operates in the choice chateaux and salons. He scorns sham and with great disdain leaves his card in a baron's residence. The card reads, "Arsene Lupin, gentleman-burglar, will return when the furniture is genuine."

Hank Fallon knows what it's like to rot behind bars. To wallow in the filth of a rat-infested cell. To smell the pent-up rage of cutthroat killers and thieves. Fallon earned his freedom the hard way. He saved the lives of four guards, got released early, and became a detective. Then he went undercover, infiltrated a prison gang plotting to bust out - and barely made it out alive. Now they're sending him back. Behind the iron. Straight to hell...

Thomas Mundy checks in to London's Wrexley Hotel, but he never checks out. The maid finds him on the floor of his room, bludgeoned to death by his own walking stick. Inspector Witherspoon is soon on the case and learns Mundy was an unlikely victim for such a violent crime. But Mrs. Jeffries and the household staff uncover that Mundy was less an amiable businessman and more a duplicitous con man with enemies on both sides of the Atlantic. Now Witherspoon and his staff must determine who on their lengthy list of suspects had the motive to put Mundy in the red.

The year is 1901, and the death of Britain’s longest-reigning monarch has sent the entire British Empire into mourning. But for Lady Emily and her dashing husband, Colin, the grieving is cut short as another death takes center stage. A body has been found in the Tower of London, posed to look like the murdered medieval king Henry VI. When a second dead man turns up in London's exclusive Berkeley Square, his mutilated remains staged to evoke the violent demise of Edward II, it becomes evident that the mastermind behind the crimes plans to strike again.

One morning in April 1924, the Honorable Daisy Dalrymple Fletcher finds herself in a most unenviable position. Despite her best attempts to elude the inevitable, she must face her darkest fears and with all the strength and courage she can muster, must confront the one person she has tried hardest to avoid - the dentist. But upon arriving for her appointment, she finds the waiting room deserted and adjoining examination room locked, with no hint of either Dr. Talmadge or his nurse.

It’s October, 1923, and Olive Belgrave has a new case. Her client, Lady Agnes doesn’t believe in curses, and she hires Olive to prove her Egyptologist uncle wasn’t the victim of a malevolent mummy. Olive investigates and discovers the truth is much worse—it’s murder. Can Olive debunk the curse and reveal the true culprit before the supposed curse claims another victim?

Within the mysteries of the body, especially those who have been murdered, 18th-century anatomist Dr. Thomas Silkstone specializes in uncovering the telltale clues that lead toward justice. Newly released from the notorious asylum known as Bedlam, Lady Lydia Farrell finds herself in an equally terrifying position - as a murder suspect - when she stumbles upon the mutilated body of Sir Montagu Malthus in his study at Boughton Hall.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

In her twentieth William Monk mystery, she brings us to London's grand Mayfair mansions, where the arrogant masters of the Western world hold sway - and to the teeming Thames waterfront, where one summer afternoon, Monk witnesses the horrifying explosion of the pleasure boat Princess Mary, which takes nearly two hundred of the merrymakers on board to their deaths. The tragedy is no accident.

In England in the late 1920s, the Honourable Daisy Dalrymple Fletcher, on a convalescent trip to the countryside, goes to visit three old school friends in the area. Daisy and her husband Alec - Detective Chief Inspector Alec Fletcher, of Scotland Yard - go for a Sunday lunch with Daisy’s friends, where one of the women mentions a wine cellar below their house, which remains curiously locked, no key to be found. Alec offers to pick the lock, but when he opens the door, what greets them is not a cache of wine but the stench of a long-dead body.