Historical Fiction Cozy Mystery

New York, 1908: The days are getting longer—and warmer—in Manhattan. Molly Murphy Sullivan doesn’t want to leave her home in the city, but typhoid is back, and she’s expecting. So she heads north with the children to summer with her mother-in-law in Westchester County. Molly tells herself it won’t be so bad, after all the countryside is pretty, and she’s determined to make the best of it. Even if she’s leaving her husband, Daniel, behind. And at least she’s not the only one heading north. Her great friends, Sid and Gus, are headed to the Catskills to visit Sid’s family.

Another day, another dead woman in Ellison Russell's study. Only this one claimed to be Mrs. Anarchy Jones. As Ellison juggles mothers, daughter, unhappy wives, and near-miss murder attempts, one thing is clear - someone will go to any lengths to hide the truth. Can Ellison and Anarchy catch a killer before the body count rises? Or will Ellison be the next corpse in the study?

Accompanied by his faithful Labrador Dickens, and working in tandem with the increasingly exasperated Inspector Geordie Keating, Sidney is called on to investigate the unexpected fall of a Cambridge don from the roof of King's College Chapel; a case of arson at a glamor photographer's studio; and the poisoning of Zafar Ali, Grantchester's finest spin bowler, in the middle of a crucial game of cricket. As he pursues his quietly probing inquiries, Sidney also has to decide on the vexed question of marriage.

This is a boxed set from the Rutledge Historical Society Cozy Mystery series. It includes the first four books: Message for Murder, Death over Divorce, Kousins Kan't Kill, and Rogues to Riches.

When a local publican is murdered, Inspector Witherspoon takes Mrs. Jeffries' advice to heart. He is going to trust his own instincts - but that keeps Mrs. Jeffries in the dark. She must rouse the household staff to action and hope the Inspector doesn't arrest the wrong person before they can solve the crime.

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

There's a new man in charge at Bow Street Magistrates' Court and all is not well. His ambition is to split up Lavender and Woods—and to add to Lavender's woes, someone is leaking exaggerated stories about his investigations to The Times. Lavender is tasked with solving the theft of an aristocrat's precious jewels, while Woods is instructed to track down a libeler. But after a series of vicious murders and surprising coincidences, they discover that these apparently unconnected crimes have more in common than they could ever have imagined.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

To be clear: Beatrice, Duchess of Kesgrave, does not think every dead person in London is the victim of a sinister plot. The city is large, after all, and some of its inhabitants had to have died from innocent causes. Like Peter Huzza, who was killed in a horrifying steam engine accident. It is shocking, yes, the way his body was torn apart by the explosion of his very own machine, but not entirely surprising. High-pressure steam is notoriously dangerous to harness. There is no reason to suspect foul play. Nope, none at all.

After crossing from England on the SS Celestiana, Lady Eleanor Swift sets up her home-away-from-home in a lavish apartment in New York City. She is soon the toast of the town, with no high-class soirée complete without her presence. Of course, she drags her butler Clifford and Gladstone the bulldog along to every party, too. But when she witnesses the charming doorman of her building, Marty, knocked down and killed in a hit-and-run, she finds fashionable society suddenly closes rank. The only local detective interested in helping her find the culprit is street-smart beat cop, Officer Balowski.

On a spring morning in 1951, 11-year-old chemist and aspiring detective Flavia de Luce gathers with her family at the railway station, awaiting the return of her long-lost mother, Harriet. Yet upon the train’s arrival in the English village of Bishop’s Lacey, Flavia is approached by a tall stranger who whispers a cryptic message into her ear. Moments later, he is dead, mysteriously pushed under the train by someone in the crowd. Who was this man, what did his words mean, and why were they intended for Flavia? Back home at Buckshaw, the de Luces’ crumbling estate, Flavia puts her sleuthing skills to the test.

It’s wintertime in New York, and for the first time since Irish immigrant Molly Murphy started her early-twentieth-century detective agency, she is completely snowed in with work. While she’s proving to be quite the entrepreneur and is very much in demand by some of Broadway’s brightest stars and Fifth Avenue’s richest families, she has to grudgingly admit that if she’s going to work more than one case at a time, then she’s going to need some help.

Lady Violet has decided that life in noisy, crowded, busy London is simply not her cup of tea. Her search for a rural property to purchase must be set aside when she learns that Hugh St. Sevier has been accused of murder. Worse, the handsome physician is doing nothing to aid those trying to exonerate him. Though it requires outsmarting the magistrate, enlisting the aid of Sebastian, Marquess of Dunkeld, and literally poking around in the undergrowth, Violet is determined to prove her friend’s innocence—with or without St. Sevier’s cooperation.

When Evie Parker, Countess of Woodridge, decides to spend a day in London unaccompanied she has no idea she will encounter the one person she has hoped to spend the rest of her life avoiding. There's no escaping Isabel Fitzpatrick's exuberant energy and desire to show off her new husband. However, the encounter sets off a series of events and brings trouble right to Evie's doorstep.

In the wake of an unthinkable family tragedy, 12-year-old Flavia de Luce is struggling to fill her empty days. For a needed escape, Dogger, the loyal family servant, suggests a boating trip for Flavia and her two older sisters. Something grazes her fingers as she dangles them in the water. She clamps down on the object, imagining herself Ernest Hemingway battling a marlin, and pulls up what she expects will be a giant fish. But in Flavia's grip is something far better: a human head, attached to a human body.

October 1924. After their magical wedding, Kitty Worthington and her husband, Inspector Robert Crawford Sinclair, head to Paris for their honeymoon. Art museums, haute couture, French cuisine. Wondrous nights. It’s everything Kitty has always dreamed of and more. But then a body drops putting a damper on things. At least this time, it’s a matter for the French police. There’s no need for Kitty and Robert to get involved. Things change, however, when a dear friend becomes the chief suspect, and she begs Kitty for help. Unable to walk away, she and Robert agree to investigate.

An invitation from a hotel owner to stay at his new seaside hotel provides Evie, Countess of Woodridge, with the perfect opportunity to fulfill her maid's dream of vacationing by the seaside. However, the prospect of spending an entire week strolling along the pier makes Evie realize she is no longer cut out for a life of leisure. Clearly, she is missing the exhilaration she experienced during the last few murder cases she had become involved in. When a young woman dies right outside their hotel, Evie finds the perfect opportunity to distract herself.

Mrs. Laetitia Rodd, aged 52, is the widow of an archdeacon who makes her living as a highly discreet private investigator. Her brother, Frederick Tyson, is a criminal barrister living in nearby Highgate with his wife and 10 children. Frederick finds the cases, and Laetitia solves them using her arch intelligence and her immaculate cover as an unsuspecting widow. When a case arises involving the son of the highly connected Sir James Calderstone, Laetitia sets off for Lincolnshire undercover as the family's new governess.

A winter wedding. Venice, 1923. Posie Parker, London’s premier female private detective, is getting married. But on arrival in Venice, Posie finds she is walking into a nightmare. Her lodgings on the Grand Canal are consumed by fire, her famous fiancé is preoccupied, and most bizarrely of all, her hostess, the Countess Romagnoli, confesses she has a stalker and fears for her life.

Having solved the two murders that somehow fell in her path, Beatrice Hyde-Clare is on the lookout for a third. Through a absurd quirk of stupid fate, the shy spinster has fallen in love with the thoroughly unattainable Duke of Kesgrave and is desperate for something, anything, to occupy her mind. A dead body would do nicely.