Historical Fiction Cozy Mystery

Minerva Kenny is a dear woman, but her tendency to "borrow" things without asking has finally caught up with her. William Barrett has learned Minerva's shameful secret, and he's holding it over her head. Mrs. Jeffries and the staff at Upper Edmonton Gardens have hatched a scheme to save her - but when they try to recover the damning evidence from Barrett, they discover something more shocking: Barrett's corpse. Considering the victim's wicked ways, Minerva is far from the only suspect.

An artist's model never shows up at Neville Grant's house...or so he claims. But when one of Mr. Grant's houseguests suddenly dies, the Inspector and Mrs. Jeffries have to work double-time to find both the missing model and the killer!

It is every mama's dearest wish that her daughter marries well. But how to ensure that a seemingly earnest suitor is not merely a fortune hunter? Rosalind is involved in just such a case, discreetly investigating a client's prospective son-in-law, when she is drawn into another predicament shockingly close to home.

It's Christmastime in 1905 New York City, and for once Molly Murphy Sullivan is looking forward to the approaching holidays. She has a family of her own now: She and Daniel have a baby son, and 12-year-old Bridie is living with them as their ward. As Molly and the children listen to carolers in the street, they hear a lovely voice, the voice of an angel, and see a beggar girl huddled in a doorway, singing "Away in a Manger". Bridie is touched by the girl's ragged clothes and wants to help her out if they can.

Christmas at Fortescue Manor is always celebrated in style. The highlight is the annual Christmas Fayre hosted by Lord and Lady Buckley-Phipps. With ice skating, entertainment, and tobogganing, Lottie Sprigg and her dog, Rosie, are looking forward to the festivities!

Katherine, her loyal maid Harriet, and her tenacious pug Emma soon find themselves knee-deep in troubled waters as they try to piece together the baffling clues to reveal the truth. To further complicate matters, Katherine's investigation is impeded by the incompetent detective hired by the Marquess of Bath to flush out the burglar. Now Katherine must juggle advising Prudence on how "not" to land a duke, while she dives into the investigation in the hopes of narrowing down the suspects without making waves amongst the aristocracy.

Amory Ames is a wealthy young woman who questions her marriage to her notoriously charming playboy husband Milo. Looking for a change, she accepts a request for help from her former fiance, Gil Trent. Amory accompanies Gil to the luxurious Brightwell Hotel in an attempt to circumvent the marriage of his sister Emmeline to Rupert Howe, a disreputable ladies' man. Amory sees in the situation a grim reflection of her own floundering marriage.

Clive Pippins, Lady Ginger Gold’s beloved, elderly butler is apparently Christmas shopping when a body is found. To the shock of everyone in Ginger’s household, the victim is the spinster cousin Pippins worked for during the years surrounding the Great War.

Mrs. Ginger Reed - the former Lady Gold - thought her past was dead and buried, but when the mysterious death of a British secret service agent threatens to expose her own Great War secrets, she’s faced with an unimaginable dilemma: break her legal vow to the Official Secrets Act or join the agency again, something she’s loath to do. Because, once they own your soul, there’s no getting it back.

Posie Parker has been called to her most baffling case yet. Amyas Lyle, London’s top young lawyer, has been found with his head in a box of poisoned saltwater. It’s the perfect murder. But who hated him enough to do such a thing? Following a trail of strange notes, all of which speak of the sea and saltwater, Posie travels from London to the seaside resort of Whitley Bay, looking for answers. But nothing can prepare her for what she finds there.

London. 1923. When an invitation arrives to the Duchess of Brightwell's Midsummer Masked Ball, Kitty Worthington does not even think of declining. Not with a mother on the hunt for a noble husband for her. But no sooner does she curtsy to her hostess at the ball than tragedy strikes. A very dead earl is found at the bottom of a staircase, and it's clearly the work of foul play.

When Flavia de Luce is banished to Miss Bodycote's Female Academy in Canada, she’s soon on familiar ground when, on her first night, a mummified body is dislodged from a chimney, and she is presented with a gruesome puzzle to solve. Girls have been disappearing with alarming regularity, leading Flavia to wonder not only how and why but what exactly is the academy's true purpose? Flavia must enter a shadowy world where truth and lies seem interchangeable and no one can be trusted.

A professor shows a colleague a painting that he has kept secret for decades. The professor swears it is a Vermeer - but why has he hidden this important work for so long? The reasons unfold in a series of stories that trace ownership of the painting back to World War II and Amsterdam, and still further back to the moment of the work's inspiration.

Eccentric Annabeth Gentry pretty much keeps to herself. Besides her recent inheritance - and the attention her bloodhound gets for digging up the body of a murdered thief - her life is in fact, rather dull. So why does she think that someone is trying to kill her? That's what Mrs. Jeffries and her staff has to find out. What they discover is a dead body next door, and three attempts on Annabeth's life. It sounds like there's a jealous dog in their midst. Mrs. Jeffries will have to sniff out some clues before the plot thickens....

Lady Violet Belmaine ponders that conundrum while traveling from London to rural Scotland at the invitation of an old friend. Escorted by her dashing physician friend, Hugh St. Sevier, Violet prepares to again subject herself to a nuptial celebration—except that the groom fails to appear. Matters become more interesting when Violet discovers that Sebastian MacHeath is laird of the nearest castle and well acquainted with the bride and her family.

Lady Violet returns with St. Sevier to her family seat, and finds Derwent Hall at sixes and sevens upon the occasion of her nephew’s christening. Other guests have brought their children along to celebrate the occasion, and Sebastian MacHeath is on hand to serve as godfather. Nobody seems to be getting along, despite the happy nature of the gathering. Summer heat builds to an unbearable crescendo as clandestine affairs, marital troubles, and family tensions escalate. Then somebody starts kidnapping little girls.

The first three books of the acclaimed Ginger Gold Mystery series by USA Today best-selling author Lee Strauss: Murder on the SS Rosa, Murder at Hartigan House, and Murder at Bray Manor. It's 1923, and young war widow fashionista Ginger Gold makes a cross-Atlantic journey with her companion Haley Higgins to London England to settle her father's estate. When the ship's captain is found dead, Ginger is only too happy to lend her assistance to the handsome Chief Inspector Basil Reed.

A winter wedding. Venice, 1923. Posie Parker, London’s premier female private detective, is getting married. But on arrival in Venice, Posie finds she is walking into a nightmare. Her lodgings on the Grand Canal are consumed by fire, her famous fiancé is preoccupied, and most bizarrely of all, her hostess, the Countess Romagnoli, confesses she has a stalker and fears for her life.

England, 1926. Just days before Lord Darriby-Jones is scheduled to enlighten the world at the Annual Limacology Symposium, his secretary unceremoniously bids adieu to her employment. It's now up to Lady Darriby-Jones to find a replacement. In a twist of fate, she stumbles upon a commoner from a neighboring town willing to accept the role, despite the slug-dismantling duties that await him. He's positively thrilled at the chance to rub elbows with true aristocrats, even if his job involves less glamorous endeavors.

New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming "trouser roles"-male characters played by women - and captivating audiences far and wide with her travelling theater company. But Ella's flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo drinks real poison during the final act of Bellini's I Capuleti e i Montecchi.