Historical Fiction Cozy Mystery

Kitchen maid Joan Hart and lady's maid Verity Hunter intend to enjoy their trip to the theater, especially as Verity's uncle Tommy is one of the leading men in the play. Act two of the play is curtailed when the lights come up in the interval, and the girls realize a man has been stabbed to death almost under their very noses. The case reunites the servant sleuths with their old ally, Detective Inspector Marks, and while the girls do their best to solve the case while keeping their jobs, the glitter and glamor of the theater may prove to be as dangerous as any battlefield.

Normally dead bodies in a graveyard are buried - but not this one. When a woman is found strangled in a North London cemetery with an old newspaper clipping clutched in her hand, Inspector Witherspoon is surprised to find that he and the victim have crossed paths before. Alice Robinson was a respectable widow who ran a quiet Islington lodging house. None of her lodgers have any apparent motive to murder their landlady.

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries' polished detection skills are up to the task...proving that behind every great man, there's a woman - and that a crime-solver's work is never done.

A Yuletide dinner in West Brompton should have been a festive occasion, until the host, wealthy Stephen Whitfield, dropped dead before the second course. Now, Mrs. Jeffries and the busy sleuths must rally in support of their inspector, especially since the clues are harder to find than a silver sixpence in a plum pudding.

The evidence was all there: a dead body, two dessert plates, and a gun. Could it be that Mr. Ashbury was sharing his cake with his killer? The old bloke had enemies galore - even his own daughter disliked him. Mr. Ashbury's son-in-law doesn't want Inspector Witherspoon asking questions. Of course this doesn't stop Mrs. Jeffries and her staff from snooping around.

The rich and famous are converging on the iconic Savoy Hotel in swinging '60s London—including a famous Broadway producer with anger issues, a demanding Indian raja, and a gorgeous film star with certain kinky predilections. All is as it should be—until the murder of a showgirl threatens to scandalize the hotel.

When a local publican is murdered, Inspector Witherspoon takes Mrs. Jeffries' advice to heart. He is going to trust his own instincts - but that keeps Mrs. Jeffries in the dark. She must rouse the household staff to action and hope the Inspector doesn't arrest the wrong person before they can solve the crime.

Katherine, her loyal maid Harriet, and her tenacious pug Emma soon find themselves knee-deep in troubled waters as they try to piece together the baffling clues to reveal the truth. To further complicate matters, Katherine's investigation is impeded by the incompetent detective hired by the Marquess of Bath to flush out the burglar. Now Katherine must juggle advising Prudence on how "not" to land a duke, while she dives into the investigation in the hopes of narrowing down the suspects without making waves amongst the aristocracy.

Major Heathcliff Lennox is called in, along with ex Detective Inspector Swift, to help the police investigate a macabre death. The dead man is Lord De Ruyter, a man inextricably linked to the notorious Birdcage Murders.

1793, England. After a not-so-relaxing holiday in Tunbridge Wells, Lady Ottilia and Lord Francis Fanshawe have returned to their home with a young orphaned girl, Pertesia "Pretty" Brockhurst. After losing both her parents in tragic circumstances, Pretty had been abandoned by the rest of her family and the childless Fanshawes have delighted in having her around. But when her estranged grandfather turns up on their doorstep, Ottilia is worried she will lose the child she is growing so close to.

Molly Murphy Sullivan's husband, Daniel, a police captain in turn-of-the-century New York City, is in a precarious position. The new police commissioner wants him off the force altogether. So when Daniel's offered an assignment from John Wilkie, head of the Secret Service, he's eager to accept. Molly can't draw any details of the assignment out of him, even where he'll be working.

Molly Murphy Sullivan's husband, Daniel, a captain in the New York City police force, is stumped. He's chasing a murderer whose victims have nothing in common - nothing except for the taunting notes that are delivered to Daniel after each murder. And when Daniel receives a note immediately after Molly and her young son, Liam, are in a terrible train crash, Daniel and Molly both begin to fear that maybe Molly herself was the target.

Molly and Daniel Sullivan are settling happily into the new routines of parenthood, but their domestic bliss is shattered the night a gang retaliates against Daniel for making a big arrest. Daniel wants his family safely out of New York City as soon as possible. In shock and grieving, but knowing she needs to protect their infant son, Liam, Molly agrees to take him on the long journey to Paris to stay with her friends Sid and Gus, who are studying art in the City of Light.

Like your mysteries cozy and set during the Golden Age of Crime? This is the first audiobook in the Posie Parker mysteries, although this novel can be enjoyed as a stand-alone story in its own right. Set in London in 1921, Murder Offstage is full of intrigue and red herrings. When Posie Parker’s childhood friend is robbed of a priceless jewel and becomes a suspect in a cold-blooded murder case, budding detective Posie vows she will clear his name.

Evie, Countess of Woodridge, is on a mission to rescue her favorite modiste from the consequences of an unfavorable review. Her quest is a timely diversion as her granny, Toodles, appears to be suffering from a case of restlessness. All goes well until Evie's public clash with the journalist responsible for the article is followed by the journalist's death. The circumstances are suspicious and the police is warning Evie to stay away from the case. While she is happy to comply with the detective's request, the killer has other ideas and goes one step too far . . .

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries' polished detection skills are up to the task...proving that behind every great man there's a woman - and that a crimesolver's work is never done.

It’s the summer of love in late 1960s. The Apollo 11 astronauts are preparing to land on the moon, the war in Biafra dominates the news and Basil D’Oliveira has just been dropped from the England cricket team before a test series in apartheid South Africa. In the midst of all this change, Sidney Chambers, the loveable English clergyman, continues his amateur sleuthing investigations.

She keeps house for Inspector Witherspoon...and keeps him on his toes. Everyone's awed by his Scotland Yard successes - but they don't know about his secret weapon. No matter how messy the murder or how dirty the deed, Mrs. Jeffries's polished detection skills are up to the task...proving that behind every great man there's a woman - and that a crimesolver's work is never done.

In the beautiful North Yorkshire countryside of the 1960s, Constable Nick’s roles are as varied as the eccentric villagers. He handles every encounter with his characteristic humor, humanity, and professionalism. His investigations include the case of a clever pony who keeps escaping, a woman running through town naked, and a pack of Canadian timber wolves hanging out in a bus shelter. He soon gets to know all the characters on his beat, from his superior officer, Sergeant Blaketon, to Claude Jeremiah Greengrass, whose lurcher, Alfred, lands him with a summons.

When the body of a renowned British archeologist is found inside a sarcophagus he was bringing back from a dig in Egypt, Redmond and Haze must determine who aboard the Sea Witch had reason to want him dead. The method of murder suggests it was someone familiar with the funerary rites of the Ancient Egyptians, casting suspicion on members of the expedition, but there were others aboard the vessel who might have harbored a grudge against Blake Upton for reasons unconnected to the dig.