Historical Fiction Latino

La ficción histórica es un género literario en el que la trama se desenvuelve en un entorno ubicado en el pasado, así que volvamos a una época en la que terminó Californio e inició California. Escucha historias perdidas de vaqueros desesperados que tuvieron que huir para poder sobrevivir. Esta novela se basa en historias reales de amor y tragedia, hermandad y familia. Estos hombres fueron tildados de bandidos y criminales por el nuevo gobierno bajo el cual repentinamente tuvieron que vivir.

Charlotte Dean enjoys nothing more than the solitude of her London flat and the monotonous days of her work at a travel bookshop. But when her younger sister unceremoniously bursts into her quiet life one afternoon, Charlotte's world turns topsy-turvy. Beloved author D. E. Stevenson captures the intricacies of post-World War I England with a light, comic touch that perfectly embodies the spirit of the time. Alternatively heartbreaking and witty, The Young Clementina is a touching tale of love, loss and redemption through friendship.

Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights.

Ana María Luna Valdés has strived to be the perfect daughter, the perfect niece, and the perfect representative of the powerful Luna family. So when Ana María is secretly sent to London with her sisters to seek refuge from the French occupation of Mexico, she experiences her first taste of freedom far from the judgmental eyes of her domineering father. If only she could ignore the piercing looks she receives across ballroom floors from the austere Mr. Fox.

Havana, 1939: It’s opening night at the famed Tropicana nightclub. Cuban American college student Natalie Trainer, on vacation from Miami, is watching from the sidelines—as usual. Then comes an invitation to dance from a handsome stranger named Antonio. Normally cautious and reserved, Natalie somehow finds herself saying yes. A tiny thrill of rebellion, of taking a chance, and Natalie’s in heaven. Will her first step into this unfamiliar realm set a new course for her life, or only tonight?

The Polish Boxer covers a vast landscape of human experience while enfolding a search for origins: a grandson tries to make sense of his grandfather’s past and the story behind his numbered tattoo; a Serbian classical pianist longs for his forbidden heritage; a Mayan poet is torn between his studies and filial obligations; a striking young Israeli woman seeks answers in Central America; a university professor yearns for knowledge that he can’t find in books and discovers something unexpected at a Mark Twain conference.

Santa Evita no es sólo una de las grandes novelas argentinas, sino el relato del episodio más inconcebible y macabro de la vida política nacional. Con las herramientas de la investigación periodística y la prosa de la ficción, Tomás Eloy Martínez persigue y cuenta a través de una galería de personajes extraordinarios el desquiciado calvario del cuerpo embalsamado de Eva Perón, al tiempo que revive los matices más desconocidos de la mujer que signó -incluso desde la muerte - el destino de un país.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. While his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications.

Mar is a transmasculine nonbinary teen pirate hiding a magical ability to manipulate fire and ice. But their magic isn't enough to reverse a wicked bargain made by their father, and now el Diablo has come to collect his payment: the soul of Mar's father and the entire crew of their ship. When Mar is miraculously rescued by the sole remaining pirate crew in the Caribbean, el Diablo returns to give them a choice: give up their soul to save their father by the harvest moon, or never see him again. But Mar refuses to make a bargain, and there's no way their magic is a match for el Diablo.

Chargée d'écrire une préface pour l'extraordinaire journal que Marie Curie a tenu après la mort de Pierre Curie, Rosa Montero s'est vue prise dans un tourbillon de mots. Au fil de son récit du parcours extraordinaire et largement méconnu de cette femme hors normes, elle construit un livre à mi-chemin entre les souvenirs personnels et la mémoire collective, entre l'analyse de notre époque et l'évocation intime. Elle nous parle du dépassement de la douleur, de la perte de l'homme aimé qu'elle vient elle-même de vivre, du deuil, de la reconstruction de soi, des relations entre les hommes et les femmes, de la splendeur du sexe, de la bonne mort et de la belle vie, de la science et de l'ignorance, de la force salvatrice de la littérature et de la sagesse de ceux qui apprennent à jouir de l'existence avec plénitude et légèreté.

The most fearsome enemy he ever faced. Of all the enemies that our hero has shrunk away from, there was one he feared above them all. By his own admission they gave him nightmares into his dotage. It was not the French, the Spanish, the Americans, or the Mexicans. It was not even the more exotic adversaries such as the Iroquois, Mahratta, or Zulus. While they could all make his guts churn anxiously, the foe that really put him off his lunch were the Ashanti.

Barcelona, 1957. Daniel Sempere y su amigo Fermín, los héroes de La Sombra del Viento, regresan de nuevo a la aventura para afrontar el mayor desafío de sus vidas. Justo cuando todo empezaba a sonreírles, un inquietante personaje visita la librería de Sempere y amenaza con desvelar un terrible secreto que lleva enterrado más de dos décadas en la oscura memoria de la ciudad.

What if the last man in the world she could be prevailed upon to marry...is her husband? In Jane Austen's Pride and Prejudice, Elizabeth Bennet tells the proud Mr. Fitzwilliam Darcy that she wouldn't marry him if he were the last man in the world. But what if she never said the words? What if circumstances conspired to make her accept Darcy the first time he proposes?

En 1928, Max, gigolo, chasseur de femmes fortunées, fait route vers Buenos Aires à bord du Cap Polonio où il travaille comme danseur mondain, quand il aperçoit une pièce de choix : Mecha Inzunza, épouse richissime d'un célèbre compositeur, qui danse merveilleusement le tango. La passion de Max est immédiate et à Buenos Aires, où il guide le couple dans les cabarets des faubourgs, il noue avec elle une liaison qui tourne mal.

En el prólogo de estos Doce cuentos peregrinos, García Márquez nos regala su explicación de por qué doce, por qué cuentos y por qué peregrinos. En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica.

1910, Mexico. As the country’s revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural performer. He invites her to Hollywood, and practically overnight, the famous Miss del Río is born.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Suite au décès de M. Dashwood, sa veuve et ses trois filles se voient contraintes de quitter le Sussex et le domaine familial de Norland. Elles se réfugient dans le Devon, à l'invitation d'un généreux parent, où une nouvelle vie, plus modeste les attend. Les sœurs aînées, Elinor et Maria, l'une plus raisonnable, l'autre plus sentimentale vont vivre leur premiers émois amoureux non sans quelques revers.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations.